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Author: Terence Grieder
Publisher: University of Texas Press
ISBN: 0292773099
Category : Social Science
Languages : en
Pages : 277
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Book Description
Among the vast treasures discovered in Peru since its conquest by Pizarro, only a small fraction has been excavated scientifically. The Art and Archaeology of Pashash is an account of the discovery and excavation of one of the richest Pre-Columbian burials ever scientifically excavated in Peru. The tomb and its offerings unearthed at Pashash, in the northern Andes, provide new perspectives on the cultural meaning of Andean funerary treasure. About A.D. 500 the flexed body of an aristocrat was wrapped in cloth and set in a small tomb sealed by a heavy stone. Three separate offerings were put in place during the construction of the funerary temple above the tomb. Near the body were placed about fifty large gold pins with elaborately sculptured heads, the most important set of Peruvian metalwork scientifically recorded in context. Decorated pottery also accompanied the body. Beneath the doorway to the temple chamber above the tomb a second offering was placed, composed of vessels modeled as jaguars, snakes, and dragonlike combinations of the two, with other fine pottery, unfired clay bowls, and stone bowls. The images in this offering represented the theology of a shamanistic religion. A third offering of broken ritual vessels was placed in the earth fill just before the temple floor was built. This collection of several hundred works of art found together and dated by radiocarbon, related to a stratigraphic sequence for the site as a whole, makes possible a unique history of the art of this highland Andean region. Grieder describes the phases of development and the symbolism of the previously little-known Recuay style of pottery and attributes many works to individuals, illuminating the role of artists and their relations with their patrons. Among the author's discoveries is evidence of the use of potters' wheels and lathes to make ceramic and stone vessels and ritual objects, reversing the long-held contention that these tools were unknown in Pre-Columbian America. The Art and Archaeology of Pashash will be valuable to specialists in Andean archaeology as well as to those interested in the art and culture of Pre-Columbian America.
Author: Terence Grieder
Publisher: University of Texas Press
ISBN: 0292773099
Category : Social Science
Languages : en
Pages : 277
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Book Description
Among the vast treasures discovered in Peru since its conquest by Pizarro, only a small fraction has been excavated scientifically. The Art and Archaeology of Pashash is an account of the discovery and excavation of one of the richest Pre-Columbian burials ever scientifically excavated in Peru. The tomb and its offerings unearthed at Pashash, in the northern Andes, provide new perspectives on the cultural meaning of Andean funerary treasure. About A.D. 500 the flexed body of an aristocrat was wrapped in cloth and set in a small tomb sealed by a heavy stone. Three separate offerings were put in place during the construction of the funerary temple above the tomb. Near the body were placed about fifty large gold pins with elaborately sculptured heads, the most important set of Peruvian metalwork scientifically recorded in context. Decorated pottery also accompanied the body. Beneath the doorway to the temple chamber above the tomb a second offering was placed, composed of vessels modeled as jaguars, snakes, and dragonlike combinations of the two, with other fine pottery, unfired clay bowls, and stone bowls. The images in this offering represented the theology of a shamanistic religion. A third offering of broken ritual vessels was placed in the earth fill just before the temple floor was built. This collection of several hundred works of art found together and dated by radiocarbon, related to a stratigraphic sequence for the site as a whole, makes possible a unique history of the art of this highland Andean region. Grieder describes the phases of development and the symbolism of the previously little-known Recuay style of pottery and attributes many works to individuals, illuminating the role of artists and their relations with their patrons. Among the author's discoveries is evidence of the use of potters' wheels and lathes to make ceramic and stone vessels and ritual objects, reversing the long-held contention that these tools were unknown in Pre-Columbian America. The Art and Archaeology of Pashash will be valuable to specialists in Andean archaeology as well as to those interested in the art and culture of Pre-Columbian America.
Author: Terence Grieder
Publisher: University of Texas Press
ISBN: 0292779127
Category : Social Science
Languages : en
Pages : 241
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Book Description
Challuabamba (chī-wa-bamba)—now a developing suburb of Cuenca, the principal city in the southern highlands of Ecuador—has been known for a century as an ancient site that produced exceptionally fine pottery in great quantities. Suspecting that Challuabamban ceramics might provide a link between earlier, preceramic culture and later, highly developed Formative period art, Terence Grieder led an archaeological investigation of the site between 1995 and 2001. In this book, he and the team of art historians and archaeologists who excavated at Challuabamba present their findings, which establish the community's importance as a center in a network of trade and artistic influence that extended to the Amazon River basin and the Pacific Coast. Art and Archaeology of Challuabamba, Ecuador presents an extensive analysis of ceramics dating to 2100-1100 BC, along with descriptions of stamps and seals, stone and shell artifacts, burials and their offerings, human remains, and zooarchaeology. Grieder and his coauthors demonstrate that the pottery of Challuabamba fills a gap between early and late Formative styles and also has a definite connection with later highland styles in Peru. They draw on all the material remains to reconstruct the first clear picture of Challuabamba's prehistory, including agriculture and health, interregional contacts and exchange, red-banded incised ware and ceramic production, and shamanism and cosmology. Because southern Ecuador has received relatively little archaeological study, Art and Archaeology of Challuabamba, Ecuador offers important baseline data for what promises to be a key sector of the prehistoric Andean region.
Author: William H. Isbell
Publisher: Springer Science & Business Media
ISBN: 1461506395
Category : Social Science
Languages : en
Pages : 420
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Book Description
Study of the origin and development of civilization is of unequaled importance for understanding the cultural processes that create human societies. Is cultural evolution directional and regular across human societies and history, or is it opportunistic and capricious? Do apparent regularities come from the way inves tigators construct and manage knowledge, or are they the result of real constraints on and variations in the actual processes? Can such questions even be answered? We believe so, but not easily. By comparing evolutionary sequences from different world civilizations scholars can judge degrees of similarity and difference and then attempt explanation. Of course, we must be careful to assess the influence that societies of the ancient world had on one another (the issue of pristine versus non-pristine cultural devel opment: see discussion in Fried 1967; Price 1978). The Central Andes were the locus of the only societies to achieve pristine civilization in the southern hemi sphere and only in the Central Andes did non-literate (non-written language) civ ilization develop. It seems clear that Central Andean civilization was independent on any graph of archaic culture change. Scholars have often expressed appreciation of the research opportunities offered by the Central Andes as a testing ground for the study of cultural evolu tion (see, e. g. , Carneiro 1970; Ford and Willey 1949: 5; Kosok 1965: 1-14; Lanning 1967: 2-5).
Author: Helaine Silverman
Publisher: Springer Science & Business Media
ISBN: 0387749071
Category : Social Science
Languages : en
Pages : 1172
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Book Description
Perhaps the contributions of South American archaeology to the larger field of world archaeology have been inadequately recognized. If so, this is probably because there have been relatively few archaeologists working in South America outside of Peru and recent advances in knowledge in other parts of the continent are only beginning to enter larger archaeological discourse. Many ideas of and about South American archaeology held by scholars from outside the area are going to change irrevocably with the appearance of the present volume. Not only does the Handbook of South American Archaeology (HSAA) provide immense and broad information about ancient South America, the volume also showcases the contributions made by South Americans to social theory. Moreover, one of the merits of this volume is that about half the authors (30) are South Americans, and the bibliographies in their chapters will be especially useful guides to Spanish and Portuguese literature as well as to the latest research. It is inevitable that the HSAA will be compared with the multi-volume Handbook of South American Indians (HSAI), with its detailed descriptions of indigenous peoples of South America, that was organized and edited by Julian Steward. Although there are heroic archaeological essays in the HSAI, by the likes of Junius Bird, Gordon Willey, John Rowe, and John Murra, Steward states frankly in his introduction to Volume Two that “arch- ology is included by way of background” to the ethnographic chapters.
Author: Lisa Trever
Publisher: University of Texas Press
ISBN: 1477324267
Category : Art
Languages : en
Pages : 241
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Book Description
Moche murals of northern Peru represent one of the great, yet still largely unknown, artistic traditions of the ancient Americas. Created in an era without written scripts, these murals are key to understandings of Moche history, society, and culture. In this first comprehensive study on the subject, Lisa Trever develops an interdisciplinary methodology of “archaeo art history” to examine how ancient histories of art can be written without texts, boldly inverting the typical relationship of art to archaeology. Trever argues that early coastal artistic traditions cannot be reduced uncritically to interpretations based in much later Inca histories of the Andean highlands. Instead, the author seeks the origins of Moche mural art, and its emphasis on figuration, in the deep past of the Pacific coast of South America. Image Encounters shows how formal transformations in Moche mural art, before and after the seventh century, were part of broader changes to the work that images were made to perform at Huacas de Moche, El Brujo, Pañamarca, and elsewhere in an increasingly complex social and political world. In doing so, this book reveals alternative evidentiary foundations for histories of art and visual experience.
Author: Bruce G. Trigger
Publisher: Cambridge University Press
ISBN: 9780521630757
Category : History
Languages : en
Pages : 1084
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Book Description
Library holds volume 2, part 2 only.
Author: Peter N. Peregrine
Publisher: Springer Science & Business Media
ISBN: 1461505216
Category : Social Science
Languages : en
Pages : 893
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Book Description
temporal dimension. Major traditions are The Encyclopedia of Prehistory represents an attempt to provide basic information also defined by a somewhat different set of on all archaeologically known cultures, sociocultural characteristics than are eth covering the entire globe and the entire nological cultures. Major traditions are prehistory of humankind. It is designed as defined based on common subsistence a tool to assist in doing comparative practices, sociopolitical organization, and research on the peoples of the past. Most material industries, but language, ideology, of the entries are written by the world's and kinship ties play little or no part in foremost experts on the particular areas their definition because they are virtually and time periods. unrecoverable from archaeological con The Encyclopedia is organized accord texts. In contrast, language, ideology, and ing to major traditions. A major tradition kinship ties are central to defining ethno is defined as a group of populations sharing logical cultures. similar subsistence practices, technology, There are three types of entries in the and forms of sociopolitical organization, Encyclopedia: the major tradition entry, which are spatially contiguous over a rela the regional subtradition entry, and the tively large area and which endure tempo site entry. Each contains different types of rally for a relatively long period. Minimal information, and each is intended to be areal coverage for a major tradition can used in a different way.
Author: Timothy Insoll
Publisher: Oxford University Press
ISBN: 0191663107
Category : Social Science
Languages : en
Pages : 1123
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Book Description
Figurines dating from prehistory have been found across the world but have never before been considered globally. The Oxford Handbook of Prehistoric Figurines is the first book to offer a comparative survey of this kind, bringing together approaches from across the landscape of contemporary research into a definitive resource in the field. The volume is comprehensive, authoritative, and accessible, with dedicated and fully illustrated chapters covering figurines from the Americas, Europe, Africa, Asia, and Australasia and the Pacific laid out by geographical location and written by the foremost scholars in figurine studies; wherever prehistoric figurines are found they have been expertly described and examined in relation to their subject matter, form, function, context, chronology, meaning, and interpretation. Specific themes that are discussed by contributors include, for example, theories of figurine interpretation, meaning in processes and contexts of figurine production, use, destruction and disposal, and the cognitive and social implications of representation. Chronologically, the coverage ranges from the Middle Palaeolithic through to areas and periods where an absence of historical sources renders figurines 'prehistoric' even though they might have been produced in the mid-2nd millennium AD, as in parts of sub-Saharan Africa. The result is a synthesis of invaluable insights into past thinking on the human body, gender, identity, and how the figurines might have been used, either practically, ritually, or even playfully.
Author: Karen Olsen Bruhns
Publisher: Cambridge University Press
ISBN: 0521863856
Category : History
Languages : en
Pages : 485
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Book Description
Ancient South America, 2nd edition is completely revised and updated to reflect archaeological discoveries and insights made in the past three decades. It features the full panorama of the South American past from the first inhabitants to the European invasions.
Author: George F. Lau
Publisher: Routledge
ISBN: 0415519217
Category : History
Languages : en
Pages : 250
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Book Description
Alterity has yet to see sustained treatment in archaeology due in great part to the fact that the archaeological record is not always equipped to inform on the subject. Like its kindred concepts, such as identity and ethnicity, alterity is difficult to observe also because it can be expressed at different times and scales, from the individual, family and village settings, to contexts such as nations and empires. It can also be said to 'reside' just as well in objects and individuals, as it may in a technique, action or performance. One requires a relevant, holistic data set and multiple line of evidence. Ancient Alterity in the Andes provides just that by focusing on the great achievements of the ancient Andes during the first millennium AD, centred on a Precolumbian culture, known as Recuay (AD 1-1700).
