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Author: Peter Beilharz
Publisher: Cambridge University Press
ISBN: 9780521524346
Category : Art
Languages : en
Pages : 238
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Book Description
Bernard Smith is widely recognised as one of Australia's leading intellectuals. Yet the recognition of his work has been partial, focused on art history and anthropology. Peter Beilharz argues that Smith's work also contains a social theory, or a way of thinking about Australian culture and identity in the world system. Smith enables us to think matters of place and cultural imperialism through the image of being not Australian so much as antipodean. Australian identities are constructed by the relationship between core and periphery, making them both European and Other at the same time. This 1997 work is a book-length analysis of Bernard Smith's work and is the result of careful and systematic research into Smith's published works and his private papers. It is both an introduction to Smith's thinking and an important interpretive argument about imperialism and the antipodes.
Author: Peter Beilharz
Publisher: Cambridge University Press
ISBN: 9780521524346
Category : Art
Languages : en
Pages : 238
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Book Description
Bernard Smith is widely recognised as one of Australia's leading intellectuals. Yet the recognition of his work has been partial, focused on art history and anthropology. Peter Beilharz argues that Smith's work also contains a social theory, or a way of thinking about Australian culture and identity in the world system. Smith enables us to think matters of place and cultural imperialism through the image of being not Australian so much as antipodean. Australian identities are constructed by the relationship between core and periphery, making them both European and Other at the same time. This 1997 work is a book-length analysis of Bernard Smith's work and is the result of careful and systematic research into Smith's published works and his private papers. It is both an introduction to Smith's thinking and an important interpretive argument about imperialism and the antipodes.
Author: Bernard Smith
Publisher: Melbourne ; New York : Oxford University Press
ISBN:
Category : Art
Languages : en
Pages : 240
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Book Description
Selection of essays and articles written by Bernard Smith since ca. 1945.
Author: Robert Dixon
Publisher: Sydney University Press
ISBN: 1920898891
Category : Art
Languages : en
Pages : 334
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Book Description
Australian and international modernity from the late 19th to the mid-20th century inspires research in many fields of cultural endeavour: architecture, fine arts, design, cinema, theatre, and music; in urban studies, literary history and Aboriginal studies. Impact of the Modern brings together examples of this new interdisciplinary work on modern Australian culture by 21 leading scholars. Their writings reveal an original account of 'modernising' Australia as dynamic and creative in many art forms, and interactively linked with international processes and ideas. The essays in Impact of the Modern were presented as papers at the conference, 'Australian Vernacular Modernities', convened by the editors at the University of Queensland in 2006. Plenary papers by Jill Julius Matthews and Angela Woollacott signal the book's focus on the erotic and gendered spaces, and on popular aspects of modernity. They provide the central focus of the material, through such vital and dynamic categories as the 'modern', the 'erotic' and the 'primitive'. As essential components of the historical processes of innovation and modernisation, these central questions of gender and public sociality are taken up in diverse ways in the other chapters, forming a varied and exciting study of a range of creative Australian engagements with modern international life and popular culture.
Author: Diana Brydon
Publisher: Taylor & Francis
ISBN: 1000887766
Category : Literary Criticism
Languages : en
Pages : 458
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Book Description
First published in 2004. This is Volume I of Postcolonialism part of a series of critical concepts in literary and cultural studies. This edition includes part one framing the field; part two Marxist, Liberation and Resistance Theory and also part three on Manifestos.
Author: Bernard Smith
Publisher: UNSW Press
ISBN: 9780868407449
Category : Art, Modern
Languages : en
Pages : 388
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Book Description
Encompassing movements from post-impressionism to post-modernism, eminent and widely published art historian Bernard Smith has written a sweeping history, a reformulation of art history in the twentieth century.
Author: Paul Giles
Publisher: Oxford University Press
ISBN: 0192566210
Category : Literary Criticism
Languages : en
Pages : 475
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Book Description
This volume trace ways in which time is represented in reverse forms throughout modernist culture, from the beginning of the twentieth century until the decade after World War II. Though modernism is often associated with revolutionary or futurist directions, this book argues instead that a retrograde dimension is embedded within it. By juxtaposing the literature of Europe and North America with that of Australia and New Zealand, it suggests how this antipodean context serves to defamiliarize and reconceptualize normative modernist understandings of temporal progression. Backgazing thus moves beyond the treatment of a specific geographical periphery as another margin on the expanding field of 'New Modernist Studies'. Instead, it offers a systematic investigation of the transformative effect of retrograde dimensions on our understanding of canonical modernist texts. The title, 'backgazing', is taken from Australian poet Robert G. FitzGerald's 1938 poem 'Essay on Memory', and it epitomizes how the cultural history of modernism can be restructured according to a radically different discursive map. Backgazing intellectually reconfigures US and European modernism within a planetary orbit in which the literature of Australia and the Southern Hemisphere, far from being merely an annexed margin, can be seen substantively to change the directional compass of modernism more generally. By reading canonical modernists such as James Joyce and T. S. Eliot alongside marginalized writers such as Nancy Cunard and others and relatively neglected authors from Australia and New Zealand, this book offers a revisionist cultural history of modernist time, one framed by a recognition of how its measurement is modulated across geographical space.
Author: Christopher Allen
Publisher: John Wiley & Sons
ISBN: 1118767586
Category : Art
Languages : en
Pages : 564
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Book Description
A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.
Author: Peter Read
Publisher: Anthem Press
ISBN: 1839989939
Category : Biography & Autobiography
Languages : en
Pages : 243
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Book Description
Why does a highly skilled and highly trained sculptor, the master of every style and technique, insist on working in the style of the Italian Renaissance? The answer is that to Dabro, every sculpture must speak to humanity, which means that it must be an element of humanity. If it does not, the sculptor has failed. Working with female models throughout his long life, he has sought to portray an essence of femininity, and therefore an essence of humanity. Ante Dabro believes that the ability to see what other people don’t see is a real gift. He says, ‘It’s like a star wheeling round the earth, fertilising the imagination as it goes.’ This book explores the different ways he has liberated an essence of humanity by releasing the soul of a human form from its imprisoning substance, whether it be from wood, marble, stone or plaster. The author, one of Australia’s best known historians and biographers, like Dabro, wants our imaginations to soar and rejoice in the creative spirit which has driven his sculptures for more than 60years.
Author: Charles Green
Publisher: Taylor & Francis
ISBN: 1040144969
Category : Art
Languages : en
Pages : 345
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Book Description
This book is a portrait of the period when modern art became contemporary art. It explores how and why writers and artists in Australia argued over the idea of a distinctively Australian modern and then postmodern art from 1962, the date of publication of a foundational book, Australian Painting 1788–1960, up to 1988, the year of the Australian Bicentennial. Across nine chapters about art, exhibitions, curators and critics, this book describes the shift from modern art to contemporary art through the successive attempts to define a place in the world for Australian art. But by 1988, Australian art looked less and less like a viable tradition inside which to interpret ‘our’ art. Instead, vast gaps appeared, since mostly male and often older White writers had limited their horizons to White Australia alone. National stories by White men, like borders, had less and less explanatory value. Underneath this, a perplexing subject remained: the absence of Aboriginal art in understanding what Australian art was during the period that established the idea of a distinctive Australian modern and then contemporary art. This book reflects on why the embrace of Aboriginal art was so late in art museums and histories of Australian art, arguing that this was because it was not part of a national story dominated by colonial, then neo-colonial dependency. It is important reading for all scholars of both global and Australian art, and for curators and artists.
Author: Anita Herle
Publisher: University of Hawaii Press
ISBN: 9780824825560
Category : Art
Languages : en
Pages : 486
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Book Description
Contributors explore the complex relations among Pacific artists, patrons, collectors, and museums over time, as well as the different meanings given to art objects by each.
