The Annals of Covent Garden Theatre from 1732 to 1897 PDF Download
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Author: Henry Saxe Wyndham
Publisher: Cambridge University Press
ISBN: 1108068685
Category : History
Languages : en
Pages : 419
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Book Description
Published in 1906, this well-illustrated two-volume history of an illustrious cultural venue celebrates its legendary personalities and productions.
Author: Henry Saxe Wyndham
Publisher: Cambridge University Press
ISBN: 1108068685
Category : History
Languages : en
Pages : 419
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Book Description
Published in 1906, this well-illustrated two-volume history of an illustrious cultural venue celebrates its legendary personalities and productions.
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 1178
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Book Description
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 268
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Book Description
Author: Allen A. Brown Collection (Boston Public Library)
Publisher: Boston : The Trustees
ISBN:
Category : Drama
Languages : en
Pages : 976
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Book Description
Author: Lilla Maria Crisafulli
Publisher: Peter Lang
ISBN: 9783039110971
Category : Drama
Languages : en
Pages : 362
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Book Description
This volume presents a selection of essays by established Italian and international scholars in the field of Romantic drama. It is divided into four main sections: 1) Dramatic Theory and Practice; 2) On the Romantic Stage: History, Arts, and Acting; 3) Interaction of Genres: from Fiction to Drama; 4) The Romantics' Debate on Theatre and Drama: a Selected Anthology. The crucial area of debate these essays address is the way in which the problem of the dramatic representation of the self becomes in Romantic drama the very centre of reflection on the constitution of the modern subject. Each essay explores one or more aspects of the formation of modern subjectivity through dramatic representation of the self and through critical enquiry into the modes of that representation. The first and the fourth sections discuss the complex interaction between the theoretical questions that animated the debate around the Romantic theatre and the multifarious and often unruly performance practices of the time. The other two sections deal with the many and diverse ways in which Romantic drama engaged with and incorporated other artistic genres such as painting, performing arts, music, and the novel.
Author: Jane Moody
Publisher: Cambridge University Press
ISBN: 9780521039864
Category : Drama
Languages : en
Pages : 300
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Book Description
This book explores British illegitimate theatre towards the end of the eighteenth century.
Author: Frederick Burwick
Publisher: John Wiley & Sons
ISBN: 1405188103
Category : Literary Criticism
Languages : en
Pages : 1767
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Book Description
The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities
Author: Kenneth R. Richards
Publisher: Routledge
ISBN: 1000030865
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
The eighteenth century produced more inventive actors than fine dramatists, and it displayed its actors to increasing advantage as theatre management became more expert, and stage design more ambitious. First published in 1972, the eleven papers collected in The Eighteenth-Century English Stage, originally read at a Manchester University Symposium in July 1971, follow this historical emphasis. Two papers are centred on dramatists, four on actors, three on managers, and two on designers. Malcolm Kelsall analyses Steele’s debt to Terence, using his classical scholarship as illuminatingly as Edgar Roberts uses his musical scholarship in writing about the songs in Fielding’s plays. George Taylor compares and evaluates a number of theories of acting, and speculates on the likely relevance of the best-known books on rhetoric, whilst Kathleen Barker, Arnold Hare, and David Rostron consider the work of individual actors – Powell, Cooke, and John Kemble. Theatre managers are represented by John Rich in Paul Sawyer’s sympathetic account, Thomas Harris, who is given new life in the recent researches of Cecil Price, and Stephen Kemble, fixed by Kenneth Robinson in canny control of the Newcastle theatre circuit. Finally, Graham Barlow reaches some controversial conclusions about the dimensions of the Theatre Royal, Drury Lane, by subjecting Thornhill’s sketches to a practising designer’s statistical examination, and Sybil Rosenfeld carries a stage further her pioneering work on eighteenth-century scene-painting and design. The two last are attractively illustrated by 8 pages of plates. This book’s particular value lies in its bringing together several simply presented but deeply informed explorations of often neglected aspects of the eighteenth-century theatre. The papers, with their general sense of enthusiasm and concern for their subject, will interest all students of the eighteenth century, and theatre enthusiasts in particular.
Author: Edith Armstrong Wray
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
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Book Description
Author: Warren Oakley
Publisher: Manchester University Press
ISBN: 1526129140
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
This is the first biography of Thomas Harris: confidant of George III, ‘spin doctor’, philanthropist, sexual suspect, brothel owner, and the man who controlled Covent Garden theatre for nearly five decades.
