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Author:
Publisher: Cambria Press
ISBN: 1621968936
Category :
Languages : en
Pages : 385
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Book Description
Author:
Publisher: Cambria Press
ISBN: 1621968936
Category :
Languages : en
Pages : 385
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Book Description
Author: Daniel C. Blum
Publisher: New York : Greenberg
ISBN:
Category : Actors
Languages : en
Pages : 296
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Book Description
An homage to many theatre performers, some dead, some still living at the time of publishing.
Author: Roy Harris
Publisher: Heinemann Drama
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 168
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Book Description
A highly readable, informative book about the professional lives of some of the foremost actresses working in theatre and film today.
Author: Henry Bial
Publisher: University of Michigan Press
ISBN: 9780472069088
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
Publisher Description
Author: Helene P. Foley
Publisher: Univ of California Press
ISBN: 0520283872
Category : History
Languages : en
Pages : 396
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Book Description
This book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies—over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth century it became a vehicle not only for major developments in the history of American theater and dance but also for exploring critical tensions in American cultural and political life. Drawing on a wide range of sources—archival, video, interviews, and reviews—Reimagining Greek Tragedy on the American Stage provides the most comprehensive treatment of the subject available.
Author: Emily Klein
Publisher: Routledge
ISBN: 1135087725
Category : Drama
Languages : en
Pages : 206
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Book Description
American adaptations of Aristophanes’ enduring comedy Lysistrata have used laughter to critique sex, war, and feminism for nearly a century. Unlike almost any other play circulating in contemporary theatres, Lysistrata has outlived its classical origins in 411 BCE and continues to shock and delight audiences to this day. The play’s "make love not war" message and bawdy humor render it endlessly appealing to college campuses, activist groups, and community theatres – so much so that none of Aristophanes’ plays are performed in the West as frequently as Lysistrata. Starting with the play’s first mainstream production in the U.S. in 1930, Emily B. Klein explores the varied iterations of Lysistrata that have graced the American stage, page, and screen since the Great Depression. These include the Federal Theatre’s 1936 Negro Repertory production, the 1955 movie musical The Second Greatest Sex and Spiderwoman Theater’s openly political Lysistrata Numbah!, as well as Douglas Carter Beane’s Broadway musical, Lysistrata Jones, and the international Lysistrata Project protests, which updated the classic in the contemporary context of the Iraq War. Although Aristophanes’ oeuvre has been the subject of much classical scholarship, Lysistrata has received little attention from feminist theatre scholars or performance theorists. In response, this book maps current debates over Lysistrata’s dubious feminist underpinnings and uses performance theory, cultural studies, and gender studies to investigate how new adaptations reveal the socio-political climates of their origins. Emily B. Klein is Assistant Professor of English and Drama at Saint Mary's College of California. Her work has appeared in Women and Performance and Frontiers as well as Political and Protest Theater After 9/11: Patriotic Dissent (Routledge, 2012).
Author: Heather S. Nathans
Publisher: Cambridge University Press
ISBN: 0521870119
Category : Drama
Languages : en
Pages : 277
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Book Description
For almost a hundred years before Uncle Tom's Cabin burst on to the scene in 1852, the American theatre struggled to represent the evils of slavery. Slavery and Sentiment examines how both black and white Americans used the theatre to fight negative stereotypes of African Americans in the United States.
Author: Amanda Giguere
Publisher: McFarland
ISBN: 078646187X
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
The seven plays to date of Yasmina Reza, one of France's most prominent female playwrights, are popular both in France and abroad. Despite her commercial success, her plays have often been ignored in academic circles, and few scholars have attempted to explore the mechanics of her playwriting. This text seeks to unpack the essentials of Reza's style and to explore each play as a component of Reza's theatrical oeuvre. The result is a fuller understanding of her theatrical poetics and her development as an artist.
Author: Craig Lucas
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 312
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Book Description
Back Stage Books is proud to introduce its new short play series. Published each fall, the Back Stage New Short Play Series will feature cutting-edge work by some of America's most promising young playwrights. Back Stage Senior Editor Mark Glubke will serve as the series editor. Each year, a different established playwright will serve as the series' guest editor. Craig Lucas, one of the most celebrated playwrights and screenwriters, introduces fresh-voiced, cutting-edge short plays by 12 of the most promising new writers. The plays are stylistically and topically diverse and were culled from the top theater agents in New York and Los Angeles, and playwriting programs across America. • First in a new annual series devoted to short plays • Exciting new work from some of America's most promising young writers • Advertising inBack Stageand on www.backstage.com
Author: Jacob Gallagher-Ross
Publisher: Northwestern University Press
ISBN: 0810136686
Category : Performing Arts
Languages : en
Pages : 397
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Book Description
Theaters of the Everyday: Aesthetic Democracy on the American Stage reveals a vital but little-recognized current in American theatrical history: the dramatic representation of the quotidian and mundane. Jacob Gallagher-Ross shows how twentieth-century American theater became a space for negotiating the demands of innovative form and democratic availability. Offering both fresh reappraisals of canonical figures and movements and new examinations of theatrical innovators, Theaters of the Everyday reveals surprising affinities between artists often considered poles apart, such as John Cage and Lee Strasberg, and Thornton Wilder and the New York experimentalist Nature Theater of Oklahoma. Gallagher-Ross persuasively shows how these creators eschew conventional definitions of dramatic action and focus attention on smaller but no less profound dramas of perception, consciousness, and day-to-day life. Gallagher-Ross traces some of the intellectual roots of the theater of the everyday to American transcendentalism, with its pragmatic process philosophy as well as its sense of ordinary experience as the wellspring of aesthetic awareness.
