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Author: Matthew Baigell
Publisher: New York : Praeger
ISBN:
Category : Art
Languages : en
Pages : 226
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Book Description
Author: Matthew Baigell
Publisher: New York : Praeger
ISBN:
Category : Art
Languages : en
Pages : 226
Get Book Here
Book Description
Author: Matthew Baigell
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
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Book Description
Author: Ruth Lilly Westphal
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
Author: Sarah L. Burns
Publisher: Yale University Press
ISBN: 0300214855
Category : Art
Languages : en
Pages : 205
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Book Description
A unique look at America's quest to carve out an artistic identity during the Depression era Through 50 masterpieces of painting, this fascinating catalogue chronicles the turbulent economic, political, and aesthetic climate of the 1930s. This decade was a supremely creative period in the United States, as the nation's artists, novelists, and critics struggled through the Great Depression seeking to define modern American art. In the process, many painters challenged and reworked the meanings and forms of modernism, reaching no simple consensus. This period was also marked by an astounding diversity of work as artists sought styles--ranging from abstraction to Regionalism to Surrealism--that allowed them to engage with issues such as populism, labor, social protest, and to employ an urban and rural iconography including machines, factories, and farms. Seminal works by Edward Hopper, Grant Wood, Thomas Hart Benton, Georgia O'Keeffe, Aaron Douglas, Charles Sheeler, Stuart Davis, and others show such attempts to capture the American character. These groundbreaking paintings, highlighting the relationship between art and national experience, demonstrate how creativity, experimentation, and revolutionary vision flourished during a time of great uncertainty.
Author: Arthur D. Hittner
Publisher:
ISBN: 9781320029674
Category :
Languages : en
Pages :
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Book Description
Although the so-called "American Scene" movement dominated American art during the second quarter of the twentieth century, it has been largely forgotten today, eclipsed by emergence of abstract expressionism and the development of other avant garde art movements which gained prominence in America by mid-century. Today, however, even as the Depression-era generation fades from the scene, its art lives on. The quality, energy and visual impact of this art is abundantly apparent from even a cursory perusal of the masterworks described and reproduced in this catalogue of a private collection of American representational art of the Thirties and Forties. Painting the American Scene: American Art of the Thirties and Forties offers an extraordinary glimpse into the lives and work of twenty-nine American painters whose art was highly acclaimed and widely exhibited during their lifetimes and for whom proper recognition is long overdue.
Author: Patricia Hills
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
Author: Emily Wasserman
Publisher:
ISBN: 9780882546278
Category : Painting, American
Languages : en
Pages : 102
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Book Description
Author: Carmenita Higginbotham
Publisher: Penn State University Press
ISBN: 9780271063935
Category : African Americans in art
Languages : en
Pages : 0
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Book Description
Examines the portrayal of race in interwar American art. Focuses on the works of urban realist Reginald Marsh and his contemporaries to show how black figures acted as cultural and visual markers and embodied complex concerns about the presence of African Americans in urban centers.
Author: Diana L. Linden
Publisher: Wayne State University Press
ISBN: 0814339840
Category : Art
Languages : en
Pages : 185
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Book Description
A study of Ben Shahn’s New Deal murals (1933–43) in the context of American Jewish history, labor history, and public discourse. Lithuanian-born artist Ben Shahn learned fresco painting as an assistant to Diego Rivera in the 1930s and created his own visually powerful, technically sophisticated, and stylistically innovative artworks as part of the New Deal Arts Project’s national mural program. InBen Shahn’s New Deal Murals: Jewish Identity in the American Scene author Diana L. Linden demonstrates that Shahn mined his Jewish heritage and left-leaning politics for his style and subject matter, offering insight into his murals’ creation and their sometimes complicated reception by officials, the public, and the press. In four chapters, Linden presents case studies of select Shahn murals that were created from 1933 to 1943 and are located in public buildings in New York, New Jersey, and Missouri. She studies Shahn’s famous untitled fresco for the Jersey Homesteads—a utopian socialist cooperative community populated with former Jewish garment workers and funded under the New Deal—Shahn’s mural for the Bronx Central Post Office, a fresco Shahn proposed to the post office in St. Louis, and a related one-panel easel painting titled The First Amendment located in a Queens, New York, post office. By investigating the role of Jewish identity in Shahn’s works, Linden considers the artist’s responses to important issues of the era, such as President Roosevelt’s opposition to open immigration to the United States, New York’s bustling garment industry and its labor unions, ideological concerns about freedom and liberty that had signifcant meaning to Jews, and the encroachment of censorship into American art. Linden shows that throughout his public murals, Shahn literally painted Jews into the American scene with his subjects, themes, and compositions. Readers interested in Jewish American history, art history, and Depression-era American culture will enjoy this insightful volume.
Author: Robert Knott
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 214
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Book Description
After attending Wake Forest University on an athletic scholarship, J. Donald Nichols played professional baseball with the Baltimore Orioles. From there he went into the real estate development business. He has built more than 175 shopping centers throughout the country, and his company, JDN Realty, is listed on the New York Stock Exchange. Nichols first began collecting American Impressionist paintings in the 1970s, buying one painting as his personal reward for each shopping center he built. After ten years, he began looking for a new area in which to collect. The J. Donald Nichols Collection is now recognized as perhaps the finest collection of American abstract art of the 1930s and 1940s ever assembled.
