Author: Wilber W. Caldwell
Publisher: Mercer University Press
ISBN: 9780865547483
Category : Architecture
Languages : en
Pages : 634
Book Description
Their songs insist that the arrival of the railroad and the appearance of the tiny depot often created such hope that it inspired the construction of the architectural extravaganzas that were the courthouses of the era. In these buildings the distorted myth of the Old South collided head-on with the equally deformed myth of the New South."
The Courthouse and the Depot
Author: Wilber W. Caldwell
Publisher: Mercer University Press
ISBN: 9780865547483
Category : Architecture
Languages : en
Pages : 634
Book Description
Their songs insist that the arrival of the railroad and the appearance of the tiny depot often created such hope that it inspired the construction of the architectural extravaganzas that were the courthouses of the era. In these buildings the distorted myth of the Old South collided head-on with the equally deformed myth of the New South."
Publisher: Mercer University Press
ISBN: 9780865547483
Category : Architecture
Languages : en
Pages : 634
Book Description
Their songs insist that the arrival of the railroad and the appearance of the tiny depot often created such hope that it inspired the construction of the architectural extravaganzas that were the courthouses of the era. In these buildings the distorted myth of the Old South collided head-on with the equally deformed myth of the New South."
Kentucky's Last Cavalier
Author: Peter J. Sehlinger
Publisher: University Press of Kentucky
ISBN: 9780916968335
Category : Biography & Autobiography
Languages : en
Pages : 366
Book Description
"As this biography shows, Preston was Kentucky's last cavalier, the beau ideal of the Old South, a dashing defender of the old aristocracy both in the political realm and on the battlefield. His is a multidimensional story of power and privilege, family connections and gender roles, public service and proslavery politics. As Kentucky state historian James C. Klotter declares in the foreword, Preston's life "reveals much about his entire generation and his world.""--BOOK JACKET.
Publisher: University Press of Kentucky
ISBN: 9780916968335
Category : Biography & Autobiography
Languages : en
Pages : 366
Book Description
"As this biography shows, Preston was Kentucky's last cavalier, the beau ideal of the Old South, a dashing defender of the old aristocracy both in the political realm and on the battlefield. His is a multidimensional story of power and privilege, family connections and gender roles, public service and proslavery politics. As Kentucky state historian James C. Klotter declares in the foreword, Preston's life "reveals much about his entire generation and his world.""--BOOK JACKET.
The American Bibliopolist
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 236
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 236
Book Description
Books in Print
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2132
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2132
Book Description
The American Bookseller
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 802
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 802
Book Description
European Images of the Americas and the Classical Tradition
Author: Wolfgang Haase
Publisher: Walter de Gruyter
ISBN: 311087024X
Category : History
Languages : en
Pages : 733
Book Description
Publisher: Walter de Gruyter
ISBN: 311087024X
Category : History
Languages : en
Pages : 733
Book Description
Piercing the Fog of War
Author: Brian L. Steed
Publisher: Zenith Imprint
ISBN: 9780760335239
Category : History
Languages : en
Pages : 328
Book Description
A primer in meeting the shock of the new, through case studies of military aberrations from the classical to the modern era.
Publisher: Zenith Imprint
ISBN: 9780760335239
Category : History
Languages : en
Pages : 328
Book Description
A primer in meeting the shock of the new, through case studies of military aberrations from the classical to the modern era.
Cavaliers and Economists
Author: Katharine A. Burnett
Publisher: LSU Press
ISBN: 080717162X
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
Offering a compelling intervention in studies of antebellum writing, Katharine A. Burnett’s Cavaliers and Economists: Global Capitalism and the Development of Southern Literature, 1820–1860 examines how popular modes of literary production in the South emerged in tandem with the region’s economic modernization. In a series of deeply historicized readings, Burnett positions southern literary form and genre as existing in dialogue with the plantation economy’s evolving position in the transatlantic market before the Civil War. The antebellum southern economy comprised part of a global network of international commerce driven by a version of laissez-faire liberal capitalism that championed unrestricted trade and individual freedom to pursue profit. Yet the economy of the U.S. South consisted of large-scale plantations that used slave labor to cultivate staple crops, including cotton. Each individual plantation functioned as a racially and socially repressive community, a space that seemingly stood apart from the international economic networks that fueled southern capitalism. For writers from the South, fiction became a way to imagine the region as socially and culturally progressive, while still retaining hallmarks of “traditional” southern culture—namely plantation slavery—in the context of a rapidly changing global economy. Burnett excavates an elaborate network of transatlantic literary exchange, operating concurrently with the region’s economic expansion, in which southern writers adopted popular British genres, such as the historical romance and the seduction novel, as models for their own representations of the U.S. South. Each chapter focuses on a different genre, pairing largely under-studied southern texts with well-known British works. Ranging from the humorous sketch to the imperial adventure tale and the social problem novel, Cavaliers and Economists reveals how southern writers like Augusta Jane Evans, Johnson Jones Hooper, Maria McIntosh, William Gilmore Simms, and George Tucker reworked familiar literary forms to reinvent the South through fiction. By considering the intersection of economic history and literary genre, Cavaliers and Economists provides an expansive study of the means by which authors created southern literature in relation to global free market capitalism, showing that, in the process, they renegotiated and rejustified the institution of slavery.
Publisher: LSU Press
ISBN: 080717162X
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
Offering a compelling intervention in studies of antebellum writing, Katharine A. Burnett’s Cavaliers and Economists: Global Capitalism and the Development of Southern Literature, 1820–1860 examines how popular modes of literary production in the South emerged in tandem with the region’s economic modernization. In a series of deeply historicized readings, Burnett positions southern literary form and genre as existing in dialogue with the plantation economy’s evolving position in the transatlantic market before the Civil War. The antebellum southern economy comprised part of a global network of international commerce driven by a version of laissez-faire liberal capitalism that championed unrestricted trade and individual freedom to pursue profit. Yet the economy of the U.S. South consisted of large-scale plantations that used slave labor to cultivate staple crops, including cotton. Each individual plantation functioned as a racially and socially repressive community, a space that seemingly stood apart from the international economic networks that fueled southern capitalism. For writers from the South, fiction became a way to imagine the region as socially and culturally progressive, while still retaining hallmarks of “traditional” southern culture—namely plantation slavery—in the context of a rapidly changing global economy. Burnett excavates an elaborate network of transatlantic literary exchange, operating concurrently with the region’s economic expansion, in which southern writers adopted popular British genres, such as the historical romance and the seduction novel, as models for their own representations of the U.S. South. Each chapter focuses on a different genre, pairing largely under-studied southern texts with well-known British works. Ranging from the humorous sketch to the imperial adventure tale and the social problem novel, Cavaliers and Economists reveals how southern writers like Augusta Jane Evans, Johnson Jones Hooper, Maria McIntosh, William Gilmore Simms, and George Tucker reworked familiar literary forms to reinvent the South through fiction. By considering the intersection of economic history and literary genre, Cavaliers and Economists provides an expansive study of the means by which authors created southern literature in relation to global free market capitalism, showing that, in the process, they renegotiated and rejustified the institution of slavery.
Manhood and the American Renaissance
Author: David Leverenz
Publisher: Cornell University Press
ISBN: 1501744143
Category : Literary Criticism
Languages : en
Pages : 387
Book Description
In the view of David Leverenz, such nineteenth-century American male writers as Emerson, Hawthorne, Melville, Thoreau, and Whitman were influenced more profoundly by the popular model of the entrepreneurial "man of force" than they were by their literary precursors and contemporaries. Drawing on the insights of feminist theory, gender studies, psychoanalytical criticism, and social history, Manhood and the American Renaissance demonstrates that gender pressures and class conflicts played as critical a role in literary creation for the male writers of nineteenth-century America as they did for the women writers. Leverenz interprets male American authors in terms of three major ideologies of manhood linked to the social classes in the Northeast-patrician, artisan, and entrepreneurial. He asserts that the older ideologies of patrician gentility and of artisan independence were being challenged from 1820 to 1860 by the new middle-class ideology of competitive individualism. The male writers of the American Renaissance, patrician almost without exception in their backgrounds and self-expectations, were fascinated yet horrified by the aggressive materialism and the rivalry for dominance they witnessed in the undeferential "new men." In close readings of the works both of well-known male literary figures and of then popular authors such as Richard Henry Dana, Jr., and Francis Parkman, Leverenz discovers a repressed center of manhood beset by fears of humiliation and masochistic fantasies. He discerns different patterns in the works of Whitman, with his artisan's background, and Frederick Douglass, who rose from artisan freedom to entrepreneurial power. Emphasizing the interplay of class and gender, Leverenz also considers how women viewed manhood. He concludes that male writers portrayed manhood as a rivalry for dominance, but contemporary female writers saw it as patriarchy. Two chapters contrast the work of the genteel writers Sarah Hale and Caroline Kirkland with the evangelical works of Susan Warner and Harriet Beecher Stowe. A bold and imaginative work, Manhood and the American Renaissance will enlighten and inspire controversy among all students of American literature, nineteenth-century American history, and the relation of gender and literature.
Publisher: Cornell University Press
ISBN: 1501744143
Category : Literary Criticism
Languages : en
Pages : 387
Book Description
In the view of David Leverenz, such nineteenth-century American male writers as Emerson, Hawthorne, Melville, Thoreau, and Whitman were influenced more profoundly by the popular model of the entrepreneurial "man of force" than they were by their literary precursors and contemporaries. Drawing on the insights of feminist theory, gender studies, psychoanalytical criticism, and social history, Manhood and the American Renaissance demonstrates that gender pressures and class conflicts played as critical a role in literary creation for the male writers of nineteenth-century America as they did for the women writers. Leverenz interprets male American authors in terms of three major ideologies of manhood linked to the social classes in the Northeast-patrician, artisan, and entrepreneurial. He asserts that the older ideologies of patrician gentility and of artisan independence were being challenged from 1820 to 1860 by the new middle-class ideology of competitive individualism. The male writers of the American Renaissance, patrician almost without exception in their backgrounds and self-expectations, were fascinated yet horrified by the aggressive materialism and the rivalry for dominance they witnessed in the undeferential "new men." In close readings of the works both of well-known male literary figures and of then popular authors such as Richard Henry Dana, Jr., and Francis Parkman, Leverenz discovers a repressed center of manhood beset by fears of humiliation and masochistic fantasies. He discerns different patterns in the works of Whitman, with his artisan's background, and Frederick Douglass, who rose from artisan freedom to entrepreneurial power. Emphasizing the interplay of class and gender, Leverenz also considers how women viewed manhood. He concludes that male writers portrayed manhood as a rivalry for dominance, but contemporary female writers saw it as patriarchy. Two chapters contrast the work of the genteel writers Sarah Hale and Caroline Kirkland with the evangelical works of Susan Warner and Harriet Beecher Stowe. A bold and imaginative work, Manhood and the American Renaissance will enlighten and inspire controversy among all students of American literature, nineteenth-century American history, and the relation of gender and literature.
Guide to Reprints
Author: Albert James Diaz
Publisher:
ISBN:
Category : Out-of-print books
Languages : en
Pages : 912
Book Description
Publisher:
ISBN:
Category : Out-of-print books
Languages : en
Pages : 912
Book Description