Author: Paul John Eakin
Publisher: Univ of Wisconsin Press
ISBN: 9780299127848
Category : Biography & Autobiography
Languages : en
Pages : 302
Book Description
This is the first comprehensive assessment of the major periods and varieties of American autobiography. The eleven original essays in this volume do not only survey what has been done; they also point toward what can and should be done in future studies of a literary genre that is now receiving major scholarly attention. Book jacket.
American Autobiography
Author: Paul John Eakin
Publisher: Univ of Wisconsin Press
ISBN: 9780299127848
Category : Biography & Autobiography
Languages : en
Pages : 302
Book Description
This is the first comprehensive assessment of the major periods and varieties of American autobiography. The eleven original essays in this volume do not only survey what has been done; they also point toward what can and should be done in future studies of a literary genre that is now receiving major scholarly attention. Book jacket.
Publisher: Univ of Wisconsin Press
ISBN: 9780299127848
Category : Biography & Autobiography
Languages : en
Pages : 302
Book Description
This is the first comprehensive assessment of the major periods and varieties of American autobiography. The eleven original essays in this volume do not only survey what has been done; they also point toward what can and should be done in future studies of a literary genre that is now receiving major scholarly attention. Book jacket.
A History of African American Autobiography
Author: Joycelyn Moody
Publisher: Cambridge University Press
ISBN: 1108875661
Category : Literary Criticism
Languages : en
Pages : 724
Book Description
This History explores innovations in African American autobiography since its inception, examining the literary and cultural history of Black self-representation amid life writing studies. By analyzing the different forms of autobiography, including pictorial and personal essays, editorials, oral histories, testimonials, diaries, personal and open letters, and even poetry performance media of autobiographies, this book extends the definition of African American autobiography, revealing how people of African descent have created and defined the Black self in diverse print cultures and literary genres since their arrival in the Americas. It illustrates ways African Americans use life writing and autobiography to address personal and collective Black experiences of identity, family, memory, fulfillment, racism and white supremacy. Individual chapters examine scrapbooks as a source of self-documentation, African American autobiography for children, readings of African American persona poems, mixed-race life writing after the Civil Rights Movement, and autobiographies by African American LGBTQ writers.
Publisher: Cambridge University Press
ISBN: 1108875661
Category : Literary Criticism
Languages : en
Pages : 724
Book Description
This History explores innovations in African American autobiography since its inception, examining the literary and cultural history of Black self-representation amid life writing studies. By analyzing the different forms of autobiography, including pictorial and personal essays, editorials, oral histories, testimonials, diaries, personal and open letters, and even poetry performance media of autobiographies, this book extends the definition of African American autobiography, revealing how people of African descent have created and defined the Black self in diverse print cultures and literary genres since their arrival in the Americas. It illustrates ways African Americans use life writing and autobiography to address personal and collective Black experiences of identity, family, memory, fulfillment, racism and white supremacy. Individual chapters examine scrapbooks as a source of self-documentation, African American autobiography for children, readings of African American persona poems, mixed-race life writing after the Civil Rights Movement, and autobiographies by African American LGBTQ writers.
Telling Lies in Modern American Autobiography
Author: Timothy Dow Adams
Publisher: UNC Press Books
ISBN: 1469639408
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
All autobiographers are unreliable narrators. Yet what a writer chooses to misrepresent is as telling -- perhaps even more so -- as what really happened. Timothy Adams believes that autobiography is an attempt to reconcile one's life with one's self, and he argues in this book that autobiography should not be taken as historically accurate but as metaphorically authentic. Adams focuses on five modern American writers whose autobiographies are particularly complex because of apparent lies that permeate them. In examining their stories, Adams shows that lying in autobiography, especially literary autobiography, is not simply inevitable. Rather it is often a deliberate, highly strategic decision on the author's part. Throughout his analysis, Adams's standard is not literal accuracy but personal authenticity. He attempts to resolve some of the paradoxes of recent autobiographical theory by looking at the classic question of design and truth in autobiography from the underside -- with a focus on lying rather than truth. Originally published in 1990. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Publisher: UNC Press Books
ISBN: 1469639408
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
All autobiographers are unreliable narrators. Yet what a writer chooses to misrepresent is as telling -- perhaps even more so -- as what really happened. Timothy Adams believes that autobiography is an attempt to reconcile one's life with one's self, and he argues in this book that autobiography should not be taken as historically accurate but as metaphorically authentic. Adams focuses on five modern American writers whose autobiographies are particularly complex because of apparent lies that permeate them. In examining their stories, Adams shows that lying in autobiography, especially literary autobiography, is not simply inevitable. Rather it is often a deliberate, highly strategic decision on the author's part. Throughout his analysis, Adams's standard is not literal accuracy but personal authenticity. He attempts to resolve some of the paradoxes of recent autobiographical theory by looking at the classic question of design and truth in autobiography from the underside -- with a focus on lying rather than truth. Originally published in 1990. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
To Tell a Free Story
Author: William L. Andrews
Publisher: University of Illinois Press
ISBN: 0252054636
Category : Social Science
Languages : en
Pages : 372
Book Description
To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach.
Publisher: University of Illinois Press
ISBN: 0252054636
Category : Social Science
Languages : en
Pages : 372
Book Description
To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach.
My History, Not Yours
Author: Genaro M. Padilla
Publisher: Univ of Wisconsin Press
ISBN: 9780299139742
Category : Biography & Autobiography
Languages : en
Pages : 302
Book Description
Traces the development of autobiography among Mexican Americans as a personal and communicative response to the threat of cultural extinction after the US conquered the northern provinces of Mexico in 1848. Explores how the writers perceived their society and the place of individuals in it. The quotations include translations. Paper edition (unseen), $17.95. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Univ of Wisconsin Press
ISBN: 9780299139742
Category : Biography & Autobiography
Languages : en
Pages : 302
Book Description
Traces the development of autobiography among Mexican Americans as a personal and communicative response to the threat of cultural extinction after the US conquered the northern provinces of Mexico in 1848. Explores how the writers perceived their society and the place of individuals in it. The quotations include translations. Paper edition (unseen), $17.95. Annotation copyright by Book News, Inc., Portland, OR
American Autobiography After 9/11
Author: Megan Brown
Publisher: University of Wisconsin Pres
ISBN: 0299310302
Category : Biography & Autobiography
Languages : en
Pages : 173
Book Description
In the post-9/11 era, a flood of memoirs has wrestled with anxieties both personal and national.
Publisher: University of Wisconsin Pres
ISBN: 0299310302
Category : Biography & Autobiography
Languages : en
Pages : 173
Book Description
In the post-9/11 era, a flood of memoirs has wrestled with anxieties both personal and national.
Norton Book Of American Autobiography
Author: Jay Parini
Publisher: WW Norton
ISBN: 9780393046779
Category : Biography & Autobiography
Languages : en
Pages : 724
Book Description
"The essential American form of expression."—from the Introduction by Jay Parini From Mary Rowlandson's story of her capture by Indians in the mid-seventeenth century to Mary Paik Lee's story of being a pioneer Korean woman in America at the beginning of the twentieth century, the autobiographical form has provided our most vivid, intimate glimpses of daily American life and self-understanding. In this groundbreaking anthology, respected writer and critic Jay Parini brings together an abundant selection from over three centuries of "the democratic voice . . . discovering itself." Here are the voices of the Founding Fathers and African American slaves; of transcendentalists and suffragists; of ancestors such as Frederick Douglass, Harriet Jacobs, Mark Twain, Henry James, Helen Keller, Zora Neale Hurston, Gertrude Stein, Ernest Hemingway, James Baldwin, and many others; and of a wide range of contemporaries, including Maxine Hong Kingston, Gore Vidal, Julia Alvarez, and Mark Doty. The rich, continuous influence of autobiographical writing in our culture is clear, and as memoirs continue to fascinate readers, this invaluable anthology provides an essential guide to our foremost American literary tradition.
Publisher: WW Norton
ISBN: 9780393046779
Category : Biography & Autobiography
Languages : en
Pages : 724
Book Description
"The essential American form of expression."—from the Introduction by Jay Parini From Mary Rowlandson's story of her capture by Indians in the mid-seventeenth century to Mary Paik Lee's story of being a pioneer Korean woman in America at the beginning of the twentieth century, the autobiographical form has provided our most vivid, intimate glimpses of daily American life and self-understanding. In this groundbreaking anthology, respected writer and critic Jay Parini brings together an abundant selection from over three centuries of "the democratic voice . . . discovering itself." Here are the voices of the Founding Fathers and African American slaves; of transcendentalists and suffragists; of ancestors such as Frederick Douglass, Harriet Jacobs, Mark Twain, Henry James, Helen Keller, Zora Neale Hurston, Gertrude Stein, Ernest Hemingway, James Baldwin, and many others; and of a wide range of contemporaries, including Maxine Hong Kingston, Gore Vidal, Julia Alvarez, and Mark Doty. The rich, continuous influence of autobiographical writing in our culture is clear, and as memoirs continue to fascinate readers, this invaluable anthology provides an essential guide to our foremost American literary tradition.
George Washington Carver
Author: Rackham Holt
Publisher:
ISBN:
Category : African American agriculturists
Languages : en
Pages : 342
Book Description
Publisher:
ISBN:
Category : African American agriculturists
Languages : en
Pages : 342
Book Description
American Autobiography
Author: Rachael McLennan
Publisher: Edinburgh University Press
ISBN: 0748670467
Category : Literary Criticism
Languages : en
Pages : 168
Book Description
The first student guide to American Autobiography
Publisher: Edinburgh University Press
ISBN: 0748670467
Category : Literary Criticism
Languages : en
Pages : 168
Book Description
The first student guide to American Autobiography
Mediating American Autobiography
Author: Sean Ross Meehan
Publisher: University of Missouri Press
ISBN: 0826266401
Category : Biography & Autobiography
Languages : en
Pages : 266
Book Description
The emergence of photography in the mid-nineteenth century transformed ideas about how the self and nature could be pictured. Although the autobiographical potential of photography seems self-evident today, Sean Meehan takes us back to the birth of the medium when some of America's preeminent authors began to think about photography's implications for the representation of identity and the nature of autobiographical writing. Both photography and autobiography involve a tension between disclosing and concealing their means of production: a chemical process for one, the writing process for the other. Meehan examines how four major authors-Ralph Waldo Emerson, Henry David Thoreau, Frederick Douglass, and Walt Whitman-were well aware of this tension and explored it in their work. By examining the implications of early photography in their writings, he shows how each engaged the new visual medium, how photography mediated their conceptions of self-representation, and how their appropriation of photographic thinking created a new kind of autobiography. Examining the metonymic nature of photography, Meehan explores how the new medium influenced conceptions of visual and verbal representation. He intertwines these four writers' reflections on photography-in Emerson's Representative Men, Thoreau's journals, Douglass's narratives of slavery, and Whitman's Specimen Days-with theories of photography as expounded by its inventors and observers, from Louis Daguerre and William Talbot in Europe to Oliver Wendell Holmes and Marcus Root in America. As the first book to focus on the emergence of this new visual medium during the American Renaissance, Mediating American Autobiography shows us what photography means for American literature in general and for the genre most closely linked to it in particular. Because the engagement of these writers with photography has been neglected in previous scholarship, Meehan's work provocatively bridges the study of two media and illuminates an important aspect of American thought and culture at the dawn of the technological era.
Publisher: University of Missouri Press
ISBN: 0826266401
Category : Biography & Autobiography
Languages : en
Pages : 266
Book Description
The emergence of photography in the mid-nineteenth century transformed ideas about how the self and nature could be pictured. Although the autobiographical potential of photography seems self-evident today, Sean Meehan takes us back to the birth of the medium when some of America's preeminent authors began to think about photography's implications for the representation of identity and the nature of autobiographical writing. Both photography and autobiography involve a tension between disclosing and concealing their means of production: a chemical process for one, the writing process for the other. Meehan examines how four major authors-Ralph Waldo Emerson, Henry David Thoreau, Frederick Douglass, and Walt Whitman-were well aware of this tension and explored it in their work. By examining the implications of early photography in their writings, he shows how each engaged the new visual medium, how photography mediated their conceptions of self-representation, and how their appropriation of photographic thinking created a new kind of autobiography. Examining the metonymic nature of photography, Meehan explores how the new medium influenced conceptions of visual and verbal representation. He intertwines these four writers' reflections on photography-in Emerson's Representative Men, Thoreau's journals, Douglass's narratives of slavery, and Whitman's Specimen Days-with theories of photography as expounded by its inventors and observers, from Louis Daguerre and William Talbot in Europe to Oliver Wendell Holmes and Marcus Root in America. As the first book to focus on the emergence of this new visual medium during the American Renaissance, Mediating American Autobiography shows us what photography means for American literature in general and for the genre most closely linked to it in particular. Because the engagement of these writers with photography has been neglected in previous scholarship, Meehan's work provocatively bridges the study of two media and illuminates an important aspect of American thought and culture at the dawn of the technological era.