Author: Laura Felleman Fattal
Publisher: Praeger
ISBN: 9780313316494
Category : Art
Languages : en
Pages : 0
Book Description
Regardless of their expatriate residence, 19th- and 20th-century American artists have viewed their destinies as linked inextricably to that of the United States. Antithetical to progressive democratic ideals has been the embedded class structure found by expatriate artists in European and Latin American communities, and as such, new interpretive approaches to public and private issues such as society reform and racial and ethnic equality provided the crucible for many American artists. In this way, American expatriate artists have been cultural arbiters between various histories and legacies within and outside the United States. This collection of essays by noted art history scholars explores the experiences and legacies of these artists, offering a depiction of their art as being informed both by native traditions and American individualism. Though often a subject of literary studies, expatriatism has too long been overlooked in the visual arts; this excellent volume serves both as a corrective and as a much-needed addition to current scholarship. We see these combinations, these paradoxes, in Mary Cassatt's Spanish figures; in the Impressionist ties of the American colonies at Grez near the Barbizon forest; in Savage's allegorical subjects; in Francis's painterly allusions; in Sargent's guarded approaches to his foreign subjects; in Klumpke's feminism; in Whistler's innovations. Arguably, expatriate artists have delighted in an explicit marginality-one that, in turn, creates an inchoate definition of American art. Though often a subject of literary studies, expatriatism has too long been overlooked in the visual arts; this excellent volume serves both as a corrective and as a much-needed addition to current scholarship.
Out of Context
Author: Laura Felleman Fattal
Publisher: Praeger
ISBN: 9780313316494
Category : Art
Languages : en
Pages : 0
Book Description
Regardless of their expatriate residence, 19th- and 20th-century American artists have viewed their destinies as linked inextricably to that of the United States. Antithetical to progressive democratic ideals has been the embedded class structure found by expatriate artists in European and Latin American communities, and as such, new interpretive approaches to public and private issues such as society reform and racial and ethnic equality provided the crucible for many American artists. In this way, American expatriate artists have been cultural arbiters between various histories and legacies within and outside the United States. This collection of essays by noted art history scholars explores the experiences and legacies of these artists, offering a depiction of their art as being informed both by native traditions and American individualism. Though often a subject of literary studies, expatriatism has too long been overlooked in the visual arts; this excellent volume serves both as a corrective and as a much-needed addition to current scholarship. We see these combinations, these paradoxes, in Mary Cassatt's Spanish figures; in the Impressionist ties of the American colonies at Grez near the Barbizon forest; in Savage's allegorical subjects; in Francis's painterly allusions; in Sargent's guarded approaches to his foreign subjects; in Klumpke's feminism; in Whistler's innovations. Arguably, expatriate artists have delighted in an explicit marginality-one that, in turn, creates an inchoate definition of American art. Though often a subject of literary studies, expatriatism has too long been overlooked in the visual arts; this excellent volume serves both as a corrective and as a much-needed addition to current scholarship.
Publisher: Praeger
ISBN: 9780313316494
Category : Art
Languages : en
Pages : 0
Book Description
Regardless of their expatriate residence, 19th- and 20th-century American artists have viewed their destinies as linked inextricably to that of the United States. Antithetical to progressive democratic ideals has been the embedded class structure found by expatriate artists in European and Latin American communities, and as such, new interpretive approaches to public and private issues such as society reform and racial and ethnic equality provided the crucible for many American artists. In this way, American expatriate artists have been cultural arbiters between various histories and legacies within and outside the United States. This collection of essays by noted art history scholars explores the experiences and legacies of these artists, offering a depiction of their art as being informed both by native traditions and American individualism. Though often a subject of literary studies, expatriatism has too long been overlooked in the visual arts; this excellent volume serves both as a corrective and as a much-needed addition to current scholarship. We see these combinations, these paradoxes, in Mary Cassatt's Spanish figures; in the Impressionist ties of the American colonies at Grez near the Barbizon forest; in Savage's allegorical subjects; in Francis's painterly allusions; in Sargent's guarded approaches to his foreign subjects; in Klumpke's feminism; in Whistler's innovations. Arguably, expatriate artists have delighted in an explicit marginality-one that, in turn, creates an inchoate definition of American art. Though often a subject of literary studies, expatriatism has too long been overlooked in the visual arts; this excellent volume serves both as a corrective and as a much-needed addition to current scholarship.
Jane Peterson
Author: Cynthia Roznoy
Publisher:
ISBN: 9780998897004
Category : Boats and boating in art
Languages : en
Pages : 148
Book Description
"Jane Peterson is exhibiting 33 oil paintings at the St. Botolph Club. There is not a dull canvas in the entire collection and everything is interesting. [French views] seem to be the favorite for this artist, who is young, vivacious and wholly unafraid." - Christian Science Monitor This favorable review of Jane Peterson's first solo show in 1909 marked the beginning of the artist's long exhibiting career. Celebrated for her colorful paintings of festive subjects, Peterson's vibrant images provided a vital link between the impressionist and expressionist movements in American art. This volume presents eighty-eight of Peterson's paintings, examines them critically and traces the artistic life of this intriguing woman. Both critically and popularly acclaimed in the first half of the century, the dominance of abstraction afterwards caused her star to diminish. Largely forgotten by the time of her death in 1965, the essays by Dr. Arlene Katz Nichols and Dr. Cynthia Roznoy shine a light on Peterson-her life and her art-and return her again, to the public eye.
Publisher:
ISBN: 9780998897004
Category : Boats and boating in art
Languages : en
Pages : 148
Book Description
"Jane Peterson is exhibiting 33 oil paintings at the St. Botolph Club. There is not a dull canvas in the entire collection and everything is interesting. [French views] seem to be the favorite for this artist, who is young, vivacious and wholly unafraid." - Christian Science Monitor This favorable review of Jane Peterson's first solo show in 1909 marked the beginning of the artist's long exhibiting career. Celebrated for her colorful paintings of festive subjects, Peterson's vibrant images provided a vital link between the impressionist and expressionist movements in American art. This volume presents eighty-eight of Peterson's paintings, examines them critically and traces the artistic life of this intriguing woman. Both critically and popularly acclaimed in the first half of the century, the dominance of abstraction afterwards caused her star to diminish. Largely forgotten by the time of her death in 1965, the essays by Dr. Arlene Katz Nichols and Dr. Cynthia Roznoy shine a light on Peterson-her life and her art-and return her again, to the public eye.
American Art to 1900
Author: Sarah Burns
Publisher: Univ of California Press
ISBN: 0520943821
Category : Art
Languages : en
Pages : 1101
Book Description
From the simple assertion that "words matter" in the study of visual art, this comprehensive but eminently readable volume gathers an extraordinary selection of words—painters and sculptors writing in their diaries, critics responding to a sensational exhibition, groups of artists issuing stylistic manifestos, and poets reflecting on particular works of art. Along with a broad array of canonical texts, Sarah Burns and John Davis have assembled an astonishing variety of unknown, little known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. American Art to 1900 highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, popular culture and vernacular imagery, institutional history, and more. With its hundreds of explanatory headnotes providing essential context and guidance to readers, this book reveals the documentary riches of American art and its many intersecting histories in unprecedented breadth, depth, and detail.
Publisher: Univ of California Press
ISBN: 0520943821
Category : Art
Languages : en
Pages : 1101
Book Description
From the simple assertion that "words matter" in the study of visual art, this comprehensive but eminently readable volume gathers an extraordinary selection of words—painters and sculptors writing in their diaries, critics responding to a sensational exhibition, groups of artists issuing stylistic manifestos, and poets reflecting on particular works of art. Along with a broad array of canonical texts, Sarah Burns and John Davis have assembled an astonishing variety of unknown, little known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. American Art to 1900 highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, popular culture and vernacular imagery, institutional history, and more. With its hundreds of explanatory headnotes providing essential context and guidance to readers, this book reveals the documentary riches of American art and its many intersecting histories in unprecedented breadth, depth, and detail.
The Artist
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 406
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 406
Book Description
The American Art Review
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1118
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1118
Book Description
Our America
Author: Smithsonian American Art Museum
Publisher: Giles
ISBN:
Category : Art
Languages : en
Pages : 374
Book Description
Explores how one group of Latin American artists express their relationship to American art, history and culture.
Publisher: Giles
ISBN:
Category : Art
Languages : en
Pages : 374
Book Description
Explores how one group of Latin American artists express their relationship to American art, history and culture.
American Economist
Author:
Publisher:
ISBN:
Category : Protectionism
Languages : en
Pages : 776
Book Description
Publisher:
ISBN:
Category : Protectionism
Languages : en
Pages : 776
Book Description
Munsey's Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1004
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1004
Book Description
The Magazine of Art
Author: Marion Harry Spielmann
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 584
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 584
Book Description
Year's Art as Recorded in the Quarterly Illustrator
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 476
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 476
Book Description