Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 944
Book Description
The Photographic Times
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 944
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 944
Book Description
Photographic Times
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 780
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 780
Book Description
The American Annual of Photography
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 584
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 584
Book Description
The Photographic Times-bulletin
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 694
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 694
Book Description
Harvard Guide to American History
Author: Frank Freidel
Publisher: Harvard University Press
ISBN: 9780674375604
Category : History
Languages : en
Pages : 644
Book Description
Editions for 1954 and 1967 by O. Handlin and others.
Publisher: Harvard University Press
ISBN: 9780674375604
Category : History
Languages : en
Pages : 644
Book Description
Editions for 1954 and 1967 by O. Handlin and others.
Photo-Era Magazine, the American Journal of Photography
Author: Juan C. Abel
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 586
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 586
Book Description
Host Bibliographic Record for Boundwith Item Barcode 30112118003877 and Others
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 700
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 700
Book Description
Cyanotype
Author: Christina Anderson
Publisher: CRC Press
ISBN: 0429805977
Category : Photography
Languages : en
Pages : 510
Book Description
Cyanotype: The Blueprint in Contemporary Practice is a two part book on the much admired blue print process. Part One is a comprehensive how-to on the cyanotype process for both beginner and advanced practitioners, with lots of photographs and clear, step-by-step directions and formulas. Part Two highlights contemporary artists who are using cyanotype, making work that ranges from the photographic to the abstract, from the traditional to the conceptual, with tips on their personal cyanotype methods alongside their work. These artists illustrate cyanotype’s widespread use in contemporary photography today, probably the most of any alternative process. Book features include: A brief discussion of the practice of the process with some key historical points How to set up the cyanotype ÒdimroomÓ The most extensive discussion of suitable papers to date, with data from 100+ papers Step-by-step digital negative methods for monochrome and duotone negatives Chapters on classic, new, and other cyanotype formulas Toning to create colors from yellow to brown to violet Printing cyanotype over palladium, for those who want to temper cyanotype’s blue nature Printing cyanotype on alternate surfaces such as fabric, glass, and wood More creative practice ideas for cyanotype such as handcoloring and gold leafing Troubleshooting cyanotype, photographically illustrated Finishing, framing, and storing cyanotype Contemporary artists’ advice, techniques, and works Cyanotype is backed with research from 120 books, journals, and magazine articles from 1843 to the present day. It is richly illustrated with 400 photographs from close to 80 artists from 14 countries. It is a guide for the practitioner, from novice to expert, providing inspiration and proof of cyanotype’s original and increasing place in historical and contemporary photography.
Publisher: CRC Press
ISBN: 0429805977
Category : Photography
Languages : en
Pages : 510
Book Description
Cyanotype: The Blueprint in Contemporary Practice is a two part book on the much admired blue print process. Part One is a comprehensive how-to on the cyanotype process for both beginner and advanced practitioners, with lots of photographs and clear, step-by-step directions and formulas. Part Two highlights contemporary artists who are using cyanotype, making work that ranges from the photographic to the abstract, from the traditional to the conceptual, with tips on their personal cyanotype methods alongside their work. These artists illustrate cyanotype’s widespread use in contemporary photography today, probably the most of any alternative process. Book features include: A brief discussion of the practice of the process with some key historical points How to set up the cyanotype ÒdimroomÓ The most extensive discussion of suitable papers to date, with data from 100+ papers Step-by-step digital negative methods for monochrome and duotone negatives Chapters on classic, new, and other cyanotype formulas Toning to create colors from yellow to brown to violet Printing cyanotype over palladium, for those who want to temper cyanotype’s blue nature Printing cyanotype on alternate surfaces such as fabric, glass, and wood More creative practice ideas for cyanotype such as handcoloring and gold leafing Troubleshooting cyanotype, photographically illustrated Finishing, framing, and storing cyanotype Contemporary artists’ advice, techniques, and works Cyanotype is backed with research from 120 books, journals, and magazine articles from 1843 to the present day. It is richly illustrated with 400 photographs from close to 80 artists from 14 countries. It is a guide for the practitioner, from novice to expert, providing inspiration and proof of cyanotype’s original and increasing place in historical and contemporary photography.
Clarence H. White and His World
Author: Anne McCauley
Publisher: Yale University Press
ISBN: 0300229089
Category : Photography
Languages : en
Pages : 409
Book Description
Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography. The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered.
Publisher: Yale University Press
ISBN: 0300229089
Category : Photography
Languages : en
Pages : 409
Book Description
Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography. The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered.
Photographic Mosaics
Author: Mathew Carey Lea
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 370
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 370
Book Description