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Author: John C. Shields
Publisher: Univ. of Tennessee Press
ISBN: 9781572333697
Category : History
Languages : en
Pages : 482
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Book Description
Choice Magazine Outstanding Academic Book?? "John Shields's book is a provocative challenge to the venerable Adamic myth so exhaustively deployed in examinations of early American literature and in American studies. Moreover, The American Aeneas builds wonderfully on Shields's considerable work on Phillis Wheatley. "?--American Literature?? "The American Aeneas should be of interest to classicists and American studies scholars alike." ?--The New England Quarterly?? John Shields exposes a significant cultural blindness within American consciousness. Noting the biblical character Adam as an archetype who has long dominated ideas of what it means to be American, Shields argues that an equally important component of our nation's cultural identity--a secular one deriving from the classical tradition--has been seriously neglected.??Shields shows how Adam and Aeneas--Vergil's hero of the Aeneid-- in crossing over to American from Europe, dynamically intermingled in the thought of the earliest American writers. Shields argues that uncovering and acknowledging the classical roots of our culture can allay the American fear of "pastlessness" that the long-standing emphasis on the Adamic myth has generated. John C. Shields is the editor of The Collected Works of Phillis Wheatley and the author of The American Aeneas: Classical Origins of the American Self, which won a Choice Outstanding Academic Book award and an honorable mention in the Harry Levin Prize competition, sponsored by the American Comparative Literature Association.
Author: John C. Shields
Publisher: Univ. of Tennessee Press
ISBN: 9781572333697
Category : History
Languages : en
Pages : 482
Get Book Here
Book Description
Choice Magazine Outstanding Academic Book?? "John Shields's book is a provocative challenge to the venerable Adamic myth so exhaustively deployed in examinations of early American literature and in American studies. Moreover, The American Aeneas builds wonderfully on Shields's considerable work on Phillis Wheatley. "?--American Literature?? "The American Aeneas should be of interest to classicists and American studies scholars alike." ?--The New England Quarterly?? John Shields exposes a significant cultural blindness within American consciousness. Noting the biblical character Adam as an archetype who has long dominated ideas of what it means to be American, Shields argues that an equally important component of our nation's cultural identity--a secular one deriving from the classical tradition--has been seriously neglected.??Shields shows how Adam and Aeneas--Vergil's hero of the Aeneid-- in crossing over to American from Europe, dynamically intermingled in the thought of the earliest American writers. Shields argues that uncovering and acknowledging the classical roots of our culture can allay the American fear of "pastlessness" that the long-standing emphasis on the Adamic myth has generated. John C. Shields is the editor of The Collected Works of Phillis Wheatley and the author of The American Aeneas: Classical Origins of the American Self, which won a Choice Outstanding Academic Book award and an honorable mention in the Harry Levin Prize competition, sponsored by the American Comparative Literature Association.
Author: Tiffany Higgins
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 148
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Book Description
This is Aeneas, once son of Venus, now a warfighting daughter of America deployed 'from Charlottesville to Fallujah, ' straining in the thick of modern war's most perverse miasma. Tiffany Higgins' anachronistic and recast hero is one brilliantly charged nexus of exploitation and war; she is captured, tortured, and released as a sequence of heart-breaking lyrics. A stunning book. --Patrick Herron, author of The American Godwar Complex
Author: Amy A. Kass
Publisher: Simon and Schuster
ISBN: 1610170806
Category : Education
Languages : en
Pages : 818
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Book Description
"A stupendous compilation of the best things said by and to Americans . . . [I] open it every night at random and always find something valuable." —Peggy Noonan, Wall Street Journal "Indispensable . . . Should become The Book of Virtues for patriots." —Mona Charen, nationally syndicated columnist Concerned about rising cynicism and apathy, more and more Americans lament the decline in patriotic feeling and civic engagement. Fortunately, this wonderfully rich anthology is here to help all Americans realize more deeply—and appreciate more fully—who they are as citizens of the United States.At once inspiring and thought provoking, What So Proudly We Hail explores American identity, character, and civic life using the soul-shaping power of story, speech, and song. Editors Amy Kass, Leon Kass, and Diana Schaub—acclaimed scholars who among them have more than a century of teaching experience—have assembled dozens of selections by our country's greatest writers and leaders, from Mark Twain to John Updike, from George Washington to Theodore Roosevelt, from Willa Cather to Flannery O'Connor, from Benjamin Franklin to Martin Luther King Jr., from Francis Scott Key to Irving Berlin.Featuring the editors' insightful and instructive commentary, What So Proudly We Hail illuminates our national identity, the American creed, the American character, and the virtues and aspirations of active citizenship. This marvelous book will spark much-needed discussion and reflection in living rooms, classrooms, and reading groups everywhere.
Author: Christopher Bursk
Publisher:
ISBN: 9781933974422
Category :
Languages : en
Pages : 98
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Book Description
This is a collection of original poems by Christopher Bursk. The poems are inspired by Vergil's Aeneid and deal with modern issues of love, loss, family, masculinity, and more. Many of the epigraphs are in Latin from the Aeneid and some are translated into English.
Author: Donna Zuckerberg
Publisher: Harvard University Press
ISBN: 0674989821
Category : History
Languages : en
Pages : 147
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Book Description
A Times Higher Education Book of the Week A virulent strain of antifeminism is thriving online that treats women’s empowerment as a mortal threat to men and to the integrity of Western civilization. Its proponents cite ancient Greek and Latin texts to support their claims—from Ovid’s Ars Amatoria to Seneca and Marcus Aurelius—arguing that they articulate a model of masculinity that sustained generations but is now under siege. Not All Dead White Men reveals that some of the most controversial and consequential debates about the legacy of the ancients are raging not in universities but online. “A chilling account of trolling, misogyny, racism, and bad history proliferated online by the Alt-Right... Zuckerberg makes a persuasive case for why we need a new, more critical, and less comfortable relationship between the ancient and modern worlds in this important and very timely book.” —Emily Wilson, translator of The Odyssey “Explores how ideas about Ancient Greece and Rome are used and misused by antifeminist thinkers today.” —Time “Zuckerberg presciently analyzes these communities’...embrace of stoicism as a self-help tool to gain confidence, jobs, and girlfriends. Their adoration of men like Marcus Aurelius, Epictetus, and Ovid...is founded in a limited and distorted interpretation of ancient philosophy...lending heft and authority to sexism and abuse.” —The Nation “Traces the application—and misapplication—of classical authors and texts in online communities that see feminism as a threat.” —Bitch Media
Author: Ellen T. Harris
Publisher: Oxford University Press
ISBN: 0190271663
Category : History
Languages : en
Pages : 271
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Book Description
Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England, and yet, despite its global renown, it remains cloaked in mystery. The date and place of its first performance cannot be fixed with precision, and the absolute accuracy of the surviving scores, which date from almost 100 years after the work was written, cannot be assumed. In this thirtieth-anniversary new edition of her book, Ellen Harris closely examines the many theories that have been proposed for the opera's origin and chronology, considering the opera both as political allegory and as a positive exemplar for young women. Her study explores the work's historical position in the Restoration theater, revealing its roots in seventeenth-century English theatrical and musical traditions, and carefully evaluates the surviving sources for the various readings they offer-of line designations in the text (who sings what), the vocal ranges of the soloists, the use of dance and chorus, and overall layout. It goes on to provide substantive analysis of Purcell's musical declamation and use of ground bass. In tracing the performance history of Dido and Aeneas, Harris presents an in-depth examination of the adaptations made by the Academy of Ancient Music at the end of the eighteenth century based on the surviving manuscripts. She then follows the growing interest in the creation of an "authentic" version in the nineteenth and early twentieth centuries through published editions and performance reviews, and considers the opera as an important factor in the so-called English Musical Renaissance. To a significant degree, the continuing fascination with Purcell's Dido and Aeneas rests on its apparent mutability, and Harris shows this has been inherent in the opera effectively from its origin.
Author: Seamus Heaney
Publisher: Farrar, Straus and Giroux
ISBN: 0374715351
Category : Poetry
Languages : en
Pages : 111
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Book Description
A masterpiece from one of the greatest poets of the century In a momentous publication, Seamus Heaney's translation of Book VI of the Aeneid, Virgil's epic poem composed sometime between 29 and 19 BC, follows the hero, Aeneas, on his descent into the underworld. In Stepping Stones, a book of interviews conducted by Dennis O'Driscoll, Heaney acknowledged the significance of the poem to his writing, noting that "there's one Virgilian journey that has indeed been a constant presence, and that is Aeneas's venture into the underworld. The motifs in Book VI have been in my head for years--the golden bough, Charon's barge, the quest to meet the shade of the father." In this new translation, Heaney employs the same deft handling of the original combined with the immediacy of language and sophisticated poetic voice as was on show in his translation of Beowulf, a reimagining which, in the words of James Wood, "created something imperishable and great that is stainless--stainless, because its force as poetry makes it untouchable by the claw of literalism: it lives singly, as an English language poem."
Author: Aeneas (Tacticus)
Publisher:
ISBN:
Category : Military art and science
Languages : en
Pages : 552
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Book Description
Aeneas was perhaps a general, and certainly author of several didactic military works of which the sole survivor is that on defence against siege. From it we can deduce that he was a Peloponnesian of the fourth century BCE who served in the Aegean and in Asia Minor and composed the work from direct knowledge and from oral and some literary tradition, possibly in 357-6 BCE. It is devoted entirely to defence of fortified places and deals specially with use of defending troops; defensive positions; morale; resistance to attacks and to actual assault; guards; obviation of treachery and revolution; and other subjects. Asclepiodotus, philosopher and pupil of the Stoic Posidonius, wrote a rather dry but ordered work on Tactics as if a subject of the lecture room, based not on personal experience but on earlier manuals. His main subjects were the branches of a military force; infantry; cavalry; chariots; elephants; arms; maneuvers; military evolutions; marching formation. The work ends with words of command. Onasander (Onasandros), a Platonic philosopher, dedicated his work "The General" to the Roman Veranius, who was a consul in 49 CE. The work deals in plain style with the sort of morals and social and military qualities and attitudes expected of a virtuous and militarily successful general. It is also concerned with such matters as his choice of staff; attitude to war; religious duties; military formations; conduct in allied and hostile lands; difficult terrains; camps; drill; spies; guards; deserters; battle formations and maneuvers; and other matters, ending with conduct after victory
Author: John C. Shields
Publisher: Univ. of Tennessee Press
ISBN: 1572337125
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Phillis Wheatley was the first African American to publish a book. Born in Gambia in 1753, she came to America aboard a slave ship, the Phillis. From an early age, Wheatley exhibited a profound gift for verse, publishing her first poem in 1767. Her tribute to a famed pastor, “On the Death of the Rev. Mr. George Whitefield,” followed in 1770, catapulting her into the international spotlight, and publication of her 1773 Poems on Various Subjects Religious and Moral in London created her an international star. Despite the attention she received at the time, history has not been kind to Wheatley. Her work has long been neglected or denigrated by literary critics and historians. John C. Shields, a scholar of early American literature, has tried to help change this perception, and Wheatley has begun to take her place among the elite of American writers. In Phillis Wheatley and the Romantic Age, Shields contends that Wheatley was not only a brilliant writer but one whose work made a significant impression on renowned Europeans of the Romantic age, such as Samuel Taylor Coleridge, who borrowed liberally from her works, particularly in his famous distinction between fancy and imagination. Shields shows how certain Wheatley texts, particularly her “Long Poem,” consisting of “On Recollection,” “Thoughts on the Works of Providence,” and “On Imagination,” helped shape the face of Romanticism in the late eighteenth and nineteenth centuries. Phillis Wheatley and the Romantic Age helps demolish the long-held notion that literary culture flowed in only one direction: from Europe to the Americas. Thanks to Wheatley’s influence, Shields argues, the New World was influencing European literary masters far sooner than has been generally understood.
Author: Phillis Wheatley
Publisher: Schomburg Library of Nineteenth-Century Black Women Writers
ISBN: 9780195060850
Category : Fiction
Languages : en
Pages : 386
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Book Description
Contains the complete works of the first African-American to publish a book of poetry.
