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Author: L. Britt Snider
Publisher: Central Intelligence Agency
ISBN:
Category : History
Languages : en
Pages : 412
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Book Description
This is a study of the CIA's relationship with Congress. It encompasses the period from the creation of the Agency until 2004--the era of the DCIs. DCIs were Directors of Central Intelligence.
Author: L. Britt Snider
Publisher: Government Printing Office
ISBN:
Category : Intelligence service
Languages : en
Pages : 412
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Book Description
Author: L. Britt Snider
Publisher: Central Intelligence Agency
ISBN:
Category : History
Languages : en
Pages : 410
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Book Description
This is a study of the CIA's relationship with Congress. It encompasses the period from the creation of the Agency until 2004--the era of the DCIs. DCIs were Directors of Central Intelligence.
Author: Nathan Hill
Publisher: Vintage
ISBN: 1101946628
Category : Fiction
Languages : en
Pages : 642
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Book Description
Winner of the Art Seidenbaum Award for First Fiction A New York Times 2016 Notable Book Entertainment Weekly's #1 Book of the Year A Washington Post 2016 Notable Book A Slate Top Ten Book NEW YORK TIMES BESTSELLER “The Nix is a mother-son psychodrama with ghosts and politics, but it’s also a tragicomedy about anger and sanctimony in America. . . . Nathan Hill is a maestro.” —John Irving From the suburban Midwest to New York City to the 1968 riots that rocked Chicago and beyond, The Nix explores—with sharp humor and a fierce tenderness—the resilience of love and home, even in times of radical change. It’s 2011, and Samuel Andresen-Anderson—college professor, stalled writer—has a Nix of his own: his mother, Faye. He hasn’t seen her in decades, not since she abandoned the family when he was a boy. Now she’s re-appeared, having committed an absurd crime that electrifies the nightly news, beguiles the internet, and inflames a politically divided country. The media paints Faye as a radical hippie with a sordid past, but as far as Samuel knows, his mother was an ordinary girl who married her high-school sweetheart. Which version of his mother is true? Two facts are certain: she’s facing some serious charges, and she needs Samuel’s help. To save her, Samuel will have to embark on his own journey, uncovering long-buried secrets about the woman he thought he knew, secrets that stretch across generations and have their origin all the way back in Norway, home of the mysterious Nix. As he does so, Samuel will confront not only Faye’s losses but also his own lost love, and will relearn everything he thought he knew about his mother, and himself.
Author: DaMaris Hill
Publisher: Bloomsbury Publishing USA
ISBN: 1635576628
Category : Poetry
Languages : en
Pages : 159
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Book Description
A Netgalley "Must-Read Books by Black Authors in 2022" From the award-winning and critically acclaimed author of A Bound Woman Is a Dangerous Thing comes a new book of narrative in verse that takes a personal and historical look at the experience of Black girlhood. In Breath Better Spent, DaMaris B. Hill hoists her childhood self onto her shoulders, together taking in the landscape of Black girlhood in America. At a time when Black girls across the country are increasingly vulnerable to unjust violence, unwarranted incarceration, and unnoticed disappearance, Hill chooses to celebrate and protect the girl she carries, using the narrative-in-verse style of her acclaimed book A Bound Woman is a Dangerous Thing to revisit her youth. There, jelly sandals, Double Dutch beats, and chipped nail polish bring the breath of laughter; in adolescence, pomegranate lips, turntables, and love letters to other girls' boyfriends bring the breath of longing. Yet these breaths cannot be taken alone, and as she carries her childhood self through the broader historical space of Black girls in America, Hill is forced to grapple with expression in a space of stereotype, desire in a space of hyper-sexuality, joy in a space of heartache. Paying homage to prominent Black female figures from Zora Neale Hurston to Whitney Houston and Toni Morrison, Breath Better Spent invites you to walk through this landscape, too, exploring the spaces-both visible and invisible-that Black girls occupy in the national imagination, taking in the communal breath of girlhood, and asking yourself: In a country like America, what does active love and protection of Black girls look like?
Author: L. Britt Snider
Publisher: Central Intelligence Agency
ISBN:
Category : History
Languages : en
Pages : 412
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Book Description
This is a study of the CIA's relationship with Congress. It encompasses the period from the creation of the Agency until 2004--the era of the DCIs. DCIs were Directors of Central Intelligence.
Author: Barbara Ganim
Publisher: McGraw-Hill Companies
ISBN: 9780844224800
Category : Advertising
Languages : en
Pages : 0
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Book Description
For readers who have ever considered a career in advertising, this book is an essential tool. Inside, they'll find real-world career advice from an advertising executive, presented in an easy-to-use format. They'll also learn the ins and outs of working in an advertising agency or as a freelancer, the best ways to get started and proven strategies for keeping their career on track.
Author: L. Snider
Publisher: CreateSpace
ISBN: 9781470138349
Category :
Languages : en
Pages : 408
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Book Description
This is a study of the CIA's relationship with Congress. It encompasses the period from the creation of the Agency until 2004-the era of the DCIs. When Congress created a new position in December 2004-the director of national intelligence-to supersede the director of central intelligence (DCI) as head of the US Intelligence Community, it necessarily changed the dynamic between the CIA and the Congress. While the director of the Agency would continue to represent its interests on Capitol Hill, he or she would no longer speak as the head of US intelligence. While 2008 is too early to assess how this change will affect the Agency's relationship with Congress, it is safe to say it will never be quite the same. This study is not organized as one might expect. It does not describe what occurred between the Agency and Congress in chronological order nor does it purport to describe every interaction that occurred over the period encompassed by the study. Rather it attempts to describe what the relationship was like over time and then look at what it produced in seven discrete areas. The study is divided into two major parts. Part I describes how Congress and the Agency related to each other over the period covered by the study. As it happens, this period conveniently breaks down into two major segments: the years before the creation of the select committees on intelligence (1946-76) and the years after the creation of these committees (1976-2004). The arrangements that Congress put in place during the earlier period to provide oversight and tend to the needs of the Agency were distinctly different from those put in place in the mid-1970s and beyond. Over the entire period, moreover, the Agency shared intelligence with the Congress and had other interaction with its members that affected the relationship. This, too, is described in part I. Part II describes what the relationship produced over time in seven discrete areas: legislation affecting the Agency; programs and budget; oversight of analysis; oversight of collection; oversight of covert action; oversight of security and personnel matters; and the Senate confirmation process. It highlights what the principal issues have been for Congress in each area as well as how those issues have been handled. Center for the Study of Intelligence, Central Intelligence Agency, Washington, DC, 2008.
Author: Theron Schmidt
Publisher: Intellect (UK)
ISBN: 9781783209903
Category : Art, British
Languages : en
Pages : 0
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Book Description
Notoriously difficult to define as a genre, Live Art is commonly positioned as a challenge to received artistic, social, and political categories: not theatre, not dance, not visual art, and often wilfully anti-mainstream and anti-establishment. But as it has become increasingly prevalent in international festivals, major art galleries, and university courses, it is ripe for a reassessment. Including almost 50 contributing artists and scholars, this collection of essays, conversations, provocations, and archival images takes the twentieth anniversary of the founding of one of the sector's most committed champions, the Live Art Development Agency in London, as an opportunity to consider not only what Live Art has been against, but also what it has been for. Through the work of this particular 'Agency', the book explores the idea of agency more generally: how Live Art has enabled the possibility for new kinds of thoughts, actions, and alliances for diverse individuals and groups.
Author: John Ranelagh
Publisher: Plunkett Lake Press
ISBN:
Category : History
Languages : en
Pages : 831
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Book Description
In 2000 the Washington Post listed The Agency as one of the ten best books on Intelligence in the twentieth century, calling it “An encyclopedic and fair-minded overview of the agency into the 1980s.” A history of the CIA from its intrepid early days to becoming a mature bureaucracy riddled with scandal and scrutiny. During World War II “Wild Bill” Donovan started the Office of Special Services (OSS) and gave the CIA its original image: dashing, Ivy League, and Eastern Establishment. Successive CIA Directors covered in the book were Allen Dulles, Richard Helms, William Colby and William Casey. “The Agency is the first comprehensive history of the CIA, a book designed, in its author’s words, to get away from ‘contemporary demonology’ and to place the CIA firmly within the context of its time... a dazzling, panoramic overview of the CIA’s history. [Ranelagh] mixes keen insights into the organization and the people who ran it with superb accounts of specific crises and operations. This brilliant book is so rich both in detail and generalization that even a reader unfamiliar with the history of the CIA will find it hard to put down... the book pursues many... themes, such as organizational changes within the agency and shifts in its sense of mission, its relationship with presidents and their advisers and other intelligence agencies, the history of specific projects and operations, and the general mood within both the CIA and the government and nation at large. The result is a complex tapestry, full of new information and fresh generalizations.” — Reviews in American History “A massive history of the CIA... Ranelagh... has a good feel for the murky world of intelligence, and has constructed quite a readable work... [he] conducted scores of interviews with insiders and studied more than 7,000 pages of classified and formerly classified documents... Great reading and a valuable reference for students of government bureaucracy and intelligence work.” — Kirkus “Ranelagh... provides here a major overview of the Central Intelligence Agency from its founding in 1947 to [1987]. Based largely on hundreds of interviews, the book examines the personality and policies of each director in the context of the times.” — Publishers Weekly “[A] comprehensive examination of the CIA... Unlike most books on the nearly 40-year-old spy organization, The Agency is not a diary of old war stories or a flashy expose; it is a thoughtful analysis of the CIA from gestation to middle age... An important difference between The Agency and many other scholarly treatments of intelligence gathering is the extensive use of quotes from both on-the-record and unattributed sources, as well as documents obtained under the Freedom of Information Act.” — The New York Times “A thoughtful analysis of the CIA from its beginnings, arguing that dependence on technology has crippled American intelligence.” — The New York Times “Mr. Ranelagh, a British television producer, has written the best comprehensive history of the CIA. He is in control of the massive secondary literature, has used the Freedom of Information Act effectively, interviewed widely, and mined congressional sources. The tone is critical but detached, devoid of both the muckraking passion of the left and the self-congratulatory approach of the old-boy network. A fine book.” — Foreign Affairs “The Agency is without a doubt the finest, best-documented, and most entertainingly written study of the Central Intelligence Agency (CIA) of which I know. It traces the agency from its first gleam in the eye of Wild Bill Donavan through the first term of William Casey on behalf of President Reagan... a genuine literary and stylistic accomplishment.” — Annals of the American Academy of Political and Social Science
Author: United States. Congress. Senate. Committee on Education and Labor
Publisher:
ISBN:
Category : Civil rights
Languages : en
Pages : 1558
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Book Description
