Author: Christopher Rea
Publisher: Univ of California Press
ISBN: 0520959590
Category : History
Languages : en
Pages : 352
Book Description
The Age of Irreverence tells the story of why China’s entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called "histories of laughter." In the first years of the Republic, novelists, essayists and illustrators alike used humorous allegories to make veiled critiques of the new government. But, again and again, political and cultural discussion erupted into invective, as critics gleefully jeered and derided rivals in public. Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery. Eventually, these various expressions of hilarity proved so offensive to high-brow writers that they launched a concerted campaign to transform the tone of public discourse, hoping to displace the old forms of mirth with a new one they called youmo (humor). Christopher Rea argues that this period—from the 1890s to the 1930s—transformed how Chinese people thought and talked about what is funny. Focusing on five cultural expressions of laughter—jokes, play, mockery, farce, and humor—he reveals the textures of comedy that were a part of everyday life during modern China’s first "age of irreverence." This new history of laughter not only offers an unprecedented and up-close look at a neglected facet of Chinese cultural modernity, but also reveals its lasting legacy in the Chinese language of the comic today and its implications for our understanding of humor as a part of human culture.
The Age of Irreverence
Author: Christopher Rea
Publisher: Univ of California Press
ISBN: 0520959590
Category : History
Languages : en
Pages : 352
Book Description
The Age of Irreverence tells the story of why China’s entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called "histories of laughter." In the first years of the Republic, novelists, essayists and illustrators alike used humorous allegories to make veiled critiques of the new government. But, again and again, political and cultural discussion erupted into invective, as critics gleefully jeered and derided rivals in public. Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery. Eventually, these various expressions of hilarity proved so offensive to high-brow writers that they launched a concerted campaign to transform the tone of public discourse, hoping to displace the old forms of mirth with a new one they called youmo (humor). Christopher Rea argues that this period—from the 1890s to the 1930s—transformed how Chinese people thought and talked about what is funny. Focusing on five cultural expressions of laughter—jokes, play, mockery, farce, and humor—he reveals the textures of comedy that were a part of everyday life during modern China’s first "age of irreverence." This new history of laughter not only offers an unprecedented and up-close look at a neglected facet of Chinese cultural modernity, but also reveals its lasting legacy in the Chinese language of the comic today and its implications for our understanding of humor as a part of human culture.
Publisher: Univ of California Press
ISBN: 0520959590
Category : History
Languages : en
Pages : 352
Book Description
The Age of Irreverence tells the story of why China’s entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called "histories of laughter." In the first years of the Republic, novelists, essayists and illustrators alike used humorous allegories to make veiled critiques of the new government. But, again and again, political and cultural discussion erupted into invective, as critics gleefully jeered and derided rivals in public. Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery. Eventually, these various expressions of hilarity proved so offensive to high-brow writers that they launched a concerted campaign to transform the tone of public discourse, hoping to displace the old forms of mirth with a new one they called youmo (humor). Christopher Rea argues that this period—from the 1890s to the 1930s—transformed how Chinese people thought and talked about what is funny. Focusing on five cultural expressions of laughter—jokes, play, mockery, farce, and humor—he reveals the textures of comedy that were a part of everyday life during modern China’s first "age of irreverence." This new history of laughter not only offers an unprecedented and up-close look at a neglected facet of Chinese cultural modernity, but also reveals its lasting legacy in the Chinese language of the comic today and its implications for our understanding of humor as a part of human culture.
Irreverence
Author: Gianfranco Cecchin
Publisher: Routledge
ISBN: 042991525X
Category : Psychology
Languages : en
Pages : 85
Book Description
Irreverence: A Strategy for Therapists' Survival marks the end result of a collaboration between three creative and highly respected therapists and writers in the family therapy field. It continues the tradition of the Milan group and later systemic thinkers by examining the way a therapist's own thinking can block the process of therapy and lead to feeling stuck. The authors define and demonstrate the use of a concept in the therapeutic field - irreverence - which allows therapists to free themselves from the limitations of their own theoretical schools of thought and the familiar hypotheses they apply to their client families. They illustrate their ideas with some very challenging family therapy cases and include an interesting consultation with the staff caring for a hospitalised patient. The book also extends the notion of irreverence beyond therapy to the fields of training and research where its application is both fresh and profound.
Publisher: Routledge
ISBN: 042991525X
Category : Psychology
Languages : en
Pages : 85
Book Description
Irreverence: A Strategy for Therapists' Survival marks the end result of a collaboration between three creative and highly respected therapists and writers in the family therapy field. It continues the tradition of the Milan group and later systemic thinkers by examining the way a therapist's own thinking can block the process of therapy and lead to feeling stuck. The authors define and demonstrate the use of a concept in the therapeutic field - irreverence - which allows therapists to free themselves from the limitations of their own theoretical schools of thought and the familiar hypotheses they apply to their client families. They illustrate their ideas with some very challenging family therapy cases and include an interesting consultation with the staff caring for a hospitalised patient. The book also extends the notion of irreverence beyond therapy to the fields of training and research where its application is both fresh and profound.
The Godhood of God
Author: Arthur Walkington Pink
Publisher: CCEL
ISBN: 1610251679
Category : God
Languages : en
Pages : 27
Book Description
Publisher: CCEL
ISBN: 1610251679
Category : God
Languages : en
Pages : 27
Book Description
Delphi Complete Works of Stephen Leacock (Illustrated)
Author: Stephen Leacock
Publisher: Delphi Classics
ISBN: 1786564068
Category : Humor
Languages : en
Pages : 6734
Book Description
The internationally acclaimed Canadian humorist, Stephen Leacock produced over thirty books of light-hearted sketches and essays. The beguiling fantasies and hilarious tales of ‘Literary Lapses’ (1910), ‘Nonsense Novels’ (1911) and ‘Sunshine Sketches of a Little Town’ (1912) helped launch Leacock’s career as a master writer of humour. He also produced learned and well-researched non-fiction books, including important historical works on his beloved home of Canada and reviews of literary figures. For the first time in publishing history, this eBook presents Leacock’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Leacock’s life and works * All 27 short story collections, with individual contents tables * Features rare books appearing for the first time in digital publishing, including ‘Hellements of Hickonomics’ * Special chronological and alphabetical contents tables for the short stories * Easily locate the short stories you want to read * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Rare non-fiction works available in no other collection, including ‘How to Write’ and ‘Our British Empire’ * Includes Leacock’s play and autobiography * Features Peter McArthur’s seminal biography – discover Leacock’s literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Fiction Literary Lapses Nonsense Novels Sunshine Sketches of a Little Town Behind the Beyond Arcadian Adventures with the Idle Rich Moonbeams from the Larger Lunacy Further Foolishness Essays and Literary Studies Frenzied Fiction The Hohenzollerns in America Winsome Winnie My Discovery of England College Days Over the Footlights The Garden of Folly Winnowed Wisdom Short Circuits The Iron Man and the Tin Woman Laugh with Leacock The Dry Pickwick Afternoons in Utopia Hellements of Hickonomics in Hiccoughs of Verse Done in Our Social Planning Mill Model Memoirs Too Much College My Remarkable Uncle Happy Stories Last Leaves The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Play “Q”: A Farce in One Act The Non-Fiction Elements of Political Science Baldwin, Lafontaine, Hincks: Responsible Government Adventurers of the Far North The Dawn of Canadian History The Mariner of St. Malo The Unsolved Riddle of Social Justice Mackenzie, Baldwin, Lafontaine, Hincks Economic Prosperity in the British Empire Mark Twain Charles Dickens: His Life and Work Humor: Its Theory and Technique, with Examples and Samples The Greatest Pages of American Humor Humor and Humanity Here Are My Lectures My Discovery of the West Our British Empire Canada: The Foundations of Its Future Our Heritage of Liberty Montreal: Seaport and City Canada and the Sea While There is Time How to Write The Autobiography The Boy I Left Behind Me The Biography Stephen Leacock by Peter McArthur Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
Publisher: Delphi Classics
ISBN: 1786564068
Category : Humor
Languages : en
Pages : 6734
Book Description
The internationally acclaimed Canadian humorist, Stephen Leacock produced over thirty books of light-hearted sketches and essays. The beguiling fantasies and hilarious tales of ‘Literary Lapses’ (1910), ‘Nonsense Novels’ (1911) and ‘Sunshine Sketches of a Little Town’ (1912) helped launch Leacock’s career as a master writer of humour. He also produced learned and well-researched non-fiction books, including important historical works on his beloved home of Canada and reviews of literary figures. For the first time in publishing history, this eBook presents Leacock’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Leacock’s life and works * All 27 short story collections, with individual contents tables * Features rare books appearing for the first time in digital publishing, including ‘Hellements of Hickonomics’ * Special chronological and alphabetical contents tables for the short stories * Easily locate the short stories you want to read * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Rare non-fiction works available in no other collection, including ‘How to Write’ and ‘Our British Empire’ * Includes Leacock’s play and autobiography * Features Peter McArthur’s seminal biography – discover Leacock’s literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Fiction Literary Lapses Nonsense Novels Sunshine Sketches of a Little Town Behind the Beyond Arcadian Adventures with the Idle Rich Moonbeams from the Larger Lunacy Further Foolishness Essays and Literary Studies Frenzied Fiction The Hohenzollerns in America Winsome Winnie My Discovery of England College Days Over the Footlights The Garden of Folly Winnowed Wisdom Short Circuits The Iron Man and the Tin Woman Laugh with Leacock The Dry Pickwick Afternoons in Utopia Hellements of Hickonomics in Hiccoughs of Verse Done in Our Social Planning Mill Model Memoirs Too Much College My Remarkable Uncle Happy Stories Last Leaves The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Play “Q”: A Farce in One Act The Non-Fiction Elements of Political Science Baldwin, Lafontaine, Hincks: Responsible Government Adventurers of the Far North The Dawn of Canadian History The Mariner of St. Malo The Unsolved Riddle of Social Justice Mackenzie, Baldwin, Lafontaine, Hincks Economic Prosperity in the British Empire Mark Twain Charles Dickens: His Life and Work Humor: Its Theory and Technique, with Examples and Samples The Greatest Pages of American Humor Humor and Humanity Here Are My Lectures My Discovery of the West Our British Empire Canada: The Foundations of Its Future Our Heritage of Liberty Montreal: Seaport and City Canada and the Sea While There is Time How to Write The Autobiography The Boy I Left Behind Me The Biography Stephen Leacock by Peter McArthur Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
Pious Irreverence
Author: Dov Weiss
Publisher: University of Pennsylvania Press
ISBN: 081224835X
Category : Religion
Languages : en
Pages : 304
Book Description
Judaism is often described as a religion that tolerates, even celebrates arguments with God. In Pious Irreverence, Dov Weiss has written the first scholarly study of the premodern roots of this distinctively Jewish theology of protest, examining its origins and development in the rabbinic age (70 CE-800 CE).
Publisher: University of Pennsylvania Press
ISBN: 081224835X
Category : Religion
Languages : en
Pages : 304
Book Description
Judaism is often described as a religion that tolerates, even celebrates arguments with God. In Pious Irreverence, Dov Weiss has written the first scholarly study of the premodern roots of this distinctively Jewish theology of protest, examining its origins and development in the rabbinic age (70 CE-800 CE).
The Eclectic Magazine
Author: John Holmes Agnew
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1490
Book Description
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1490
Book Description
Universalist Union
Author:
Publisher:
ISBN:
Category : Universalism
Languages : en
Pages : 844
Book Description
Publisher:
ISBN:
Category : Universalism
Languages : en
Pages : 844
Book Description
Untamed Shrews
Author: Shu Yang
Publisher: Cornell University Press
ISBN: 1501770632
Category : Fiction
Languages : en
Pages : 253
Book Description
Untamed Shrews traces the evolution of unruly women in Chinese literature, from the reviled "shrew" to the celebrated "new woman." Notorious for her violence, jealousy, and promiscuity, the character of the shrew personified the threat of unruly femininity to the Confucian social order and served as a justification for punishing any woman exhibiting these qualities. In this book, Shu Yang connects these shrewish qualities to symbols of female empowerment in modern China. Rather than meeting her demise, the shrew persisted, and her negative qualities became the basis for many forms of the new woman, ranging from the early Republican suffragettes and Chinese Noras, to the Communist and socialist radicals. Criticism of the shrew endured, but her vicious, sexualized, and transgressive nature became a source of pride, placing her among the ranks of liberated female models. Untamed Shrews shows that whether male writers and the state hate, fear, or love them, there will always be a place for the vitality of unruly women. Unlike in imperial times, the shrew in modern China stayed untamed as an inspiration for the new woman.
Publisher: Cornell University Press
ISBN: 1501770632
Category : Fiction
Languages : en
Pages : 253
Book Description
Untamed Shrews traces the evolution of unruly women in Chinese literature, from the reviled "shrew" to the celebrated "new woman." Notorious for her violence, jealousy, and promiscuity, the character of the shrew personified the threat of unruly femininity to the Confucian social order and served as a justification for punishing any woman exhibiting these qualities. In this book, Shu Yang connects these shrewish qualities to symbols of female empowerment in modern China. Rather than meeting her demise, the shrew persisted, and her negative qualities became the basis for many forms of the new woman, ranging from the early Republican suffragettes and Chinese Noras, to the Communist and socialist radicals. Criticism of the shrew endured, but her vicious, sexualized, and transgressive nature became a source of pride, placing her among the ranks of liberated female models. Untamed Shrews shows that whether male writers and the state hate, fear, or love them, there will always be a place for the vitality of unruly women. Unlike in imperial times, the shrew in modern China stayed untamed as an inspiration for the new woman.
Maoist Laughter
Author: Ping Zhu
Publisher: Hong Kong University Press
ISBN: 9888528017
Category : History
Languages : en
Pages : 233
Book Description
WINNER — 2020 Choice’s Outstanding Academic Title During the Mao years, laughter in China was serious business. Simultaneously an outlet for frustrations and grievances, a vehicle for socialist education, and an object of official study, laughter brought together the political, the personal, the aesthetic, the ethical, the affective, the physical, the aural, and the visual. The ten essays in Maoist Laughter convincingly demonstrate that the connection between laughter and political culture was far more complex than conventional conceptions of communist indoctrination can explain. Their sophisticated readings of a variety of genres—including dance, cartoon, children’s literature, comedy, regional oral performance, film, and fiction—uncover many nuanced innovations and experiments with laughter during what has been too often misinterpreted as an unrelentingly bleak period. In Mao’s China, laughter helped to regulate both political and popular culture and often served as an indicator of shifting values, alliances, and political campaigns. In exploring this phenomenon, Maoist Laughter is a significant correction to conventional depictions of socialist China. “Maoist Laughter brings together prominent scholars of contemporary China to make a timely and original contribution to the burgeoning field of Maoist literature and culture. One of its main strengths lies in the sheer number of genres covered, including dance, traditional Chinese performance, visual arts, film, and literature. The focus on humor in the Maoist period gives an exciting new perspective from which to understand cultural production in twentieth-century China.” —Krista Van Fleit, University of South Carolina “An illuminating study of the culture of laughter in the Maoist period. Focusing on much-neglected topics such as satire, jokes, and humor, this book is an essential contribution to our understanding of how socialist culture actually ‘worked’ as a coherent, dynamic, and constructive life experience. The chapters show that traditional culture could almost blend perfectly with revolutionary mission.” —Xiaomei Chen, University of California, Davis
Publisher: Hong Kong University Press
ISBN: 9888528017
Category : History
Languages : en
Pages : 233
Book Description
WINNER — 2020 Choice’s Outstanding Academic Title During the Mao years, laughter in China was serious business. Simultaneously an outlet for frustrations and grievances, a vehicle for socialist education, and an object of official study, laughter brought together the political, the personal, the aesthetic, the ethical, the affective, the physical, the aural, and the visual. The ten essays in Maoist Laughter convincingly demonstrate that the connection between laughter and political culture was far more complex than conventional conceptions of communist indoctrination can explain. Their sophisticated readings of a variety of genres—including dance, cartoon, children’s literature, comedy, regional oral performance, film, and fiction—uncover many nuanced innovations and experiments with laughter during what has been too often misinterpreted as an unrelentingly bleak period. In Mao’s China, laughter helped to regulate both political and popular culture and often served as an indicator of shifting values, alliances, and political campaigns. In exploring this phenomenon, Maoist Laughter is a significant correction to conventional depictions of socialist China. “Maoist Laughter brings together prominent scholars of contemporary China to make a timely and original contribution to the burgeoning field of Maoist literature and culture. One of its main strengths lies in the sheer number of genres covered, including dance, traditional Chinese performance, visual arts, film, and literature. The focus on humor in the Maoist period gives an exciting new perspective from which to understand cultural production in twentieth-century China.” —Krista Van Fleit, University of South Carolina “An illuminating study of the culture of laughter in the Maoist period. Focusing on much-neglected topics such as satire, jokes, and humor, this book is an essential contribution to our understanding of how socialist culture actually ‘worked’ as a coherent, dynamic, and constructive life experience. The chapters show that traditional culture could almost blend perfectly with revolutionary mission.” —Xiaomei Chen, University of California, Davis
The Palgrave Handbook of Humour, History, and Methodology
Author: Daniel Derrin
Publisher: Springer Nature
ISBN: 3030566463
Category : History
Languages : en
Pages : 538
Book Description
This handbook addresses the methodological problems and theoretical challenges that arise in attempting to understand and represent humour in specific historical contexts across cultural history. It explores problems involved in applying modern theories of humour to historically-distant contexts of humour and points to the importance of recognising the divergent assumptions made by different academic disciplines when approaching the topic. It explores problems of terminology, identification, classification, subjectivity of viewpoint, and the coherence of the object of study. It addresses specific theories, together with the needs of specific historical case-studies, as well as some of the challenges of presenting historical humour to contemporary audiences through translation and curation. In this way, the handbook aims to encourage a fresh exploration of methodological problems involved in studying the various significances both of the history of humour and of humour in history.
Publisher: Springer Nature
ISBN: 3030566463
Category : History
Languages : en
Pages : 538
Book Description
This handbook addresses the methodological problems and theoretical challenges that arise in attempting to understand and represent humour in specific historical contexts across cultural history. It explores problems involved in applying modern theories of humour to historically-distant contexts of humour and points to the importance of recognising the divergent assumptions made by different academic disciplines when approaching the topic. It explores problems of terminology, identification, classification, subjectivity of viewpoint, and the coherence of the object of study. It addresses specific theories, together with the needs of specific historical case-studies, as well as some of the challenges of presenting historical humour to contemporary audiences through translation and curation. In this way, the handbook aims to encourage a fresh exploration of methodological problems involved in studying the various significances both of the history of humour and of humour in history.