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Author: Louisa MacKay Demerjian
Publisher: Cambridge Scholars Publishing
ISBN: 144388975X
Category : Dystopian films
Languages : en
Pages : 180
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Book Description
This book examines the recent popularity of the dystopian genre in literature and film, as well as connecting contemporary manifestations of dystopia to cultural trends and the implications of technological and social changes on the individual and society as a whole. Dystopia, as a genre, reflects our greatest fears of what the future might bring, based on analysis of the present. This book connects traditional dystopian works with their contexts and compares these with contemporary versions. It centers around two main questions: Why is dystopia so popular now? And, why is dystopia so popular with young adult audiences? Since dystopia reflects the fears of society as a whole, this book will have broad appeal for any reader, and will be particularly useful to teachers in a variety of settings, such as in a high school or college-level classroom to teach dystopian literature, or in a comparative literature classroom to show how the genre has appeared in multiple locales at different times. Indeed, the book’s interdisciplinary nature allows it to be of use in classes focussing on politics, bioethics, privacy issues, women’s studies, and any number of additional topics.
Author: Louisa MacKay Demerjian
Publisher: Cambridge Scholars Publishing
ISBN: 144388975X
Category : Dystopian films
Languages : en
Pages : 180
Get Book Here
Book Description
This book examines the recent popularity of the dystopian genre in literature and film, as well as connecting contemporary manifestations of dystopia to cultural trends and the implications of technological and social changes on the individual and society as a whole. Dystopia, as a genre, reflects our greatest fears of what the future might bring, based on analysis of the present. This book connects traditional dystopian works with their contexts and compares these with contemporary versions. It centers around two main questions: Why is dystopia so popular now? And, why is dystopia so popular with young adult audiences? Since dystopia reflects the fears of society as a whole, this book will have broad appeal for any reader, and will be particularly useful to teachers in a variety of settings, such as in a high school or college-level classroom to teach dystopian literature, or in a comparative literature classroom to show how the genre has appeared in multiple locales at different times. Indeed, the book’s interdisciplinary nature allows it to be of use in classes focussing on politics, bioethics, privacy issues, women’s studies, and any number of additional topics.
Author: Barbara Brodman
Publisher: Rowman & Littlefield
ISBN: 1683931688
Category : Social Science
Languages : en
Pages : 245
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Book Description
Utopia and Dystopia in the Age of Trump:Images from Literature and Visual Arts treats literature, film, television series, and comic books dealing with utopian and dystopian worlds reflecting on or anticipating our current age. From Henry James’s dreamlike utopia of “The Great Good Place” to the psychotic world of Brett Easton Ellis’s American Psycho, from science fiction and recent horror films, television adaptations of books such as Margaret Atwood’s The Handmaid’s Tale, and new series such as Black Mirror to the repressive Hitlerian dystopia of Katherine Burdekin’s Swastika Night, the contributors examine the development of scenarios that either prefigure the rise of individuals such as Donald J. Trump or suggest alternatives to them. Ultimately, one might say of the worlds presented here, viewed from different social and political perspectives: one person’s utopia is another’s dystopia. This is the fifth in a series of books edited by Barbara Brodman and James E. Doan, and published by Rowman & Littlefield with Fairleigh Dickinson University Press. The Universal Vampire: Origins and Evolution of a Legend and Images of the Modern Vampire: The Hip and the Atavistic (both in 2013) focused on the vampire legend in traditional and modern thought. The Supernatural Revamped: From Timeworn Legends to Twenty-First-Century Chic (2016) examined a range of supernatural beings in literature, film, and other forms of popular culture. Apocalyptic Chic: Visions of the Apocalypse and Post-Apocalypse in Literature and Visual Arts (2017) dealt with legends and images of the apocalypse and post-apocalypse in film and graphic arts, literature and lore from early to modern times, and from peoples and cultures around the world.
Author: Rick Heinz
Publisher:
ISBN: 9781952825224
Category :
Languages : en
Pages :
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Book Description
Magic has exploded back into the world-vampires, demons, ghosts, and other creatures of legend crawled out of the shadows, finally escaping their prisons-and the power previously only in the hands of secretive societies like Skull & Bones and the fascist Thule Society has been laid bare for the entire world to see.After the initial shock, businesses did the expected: found a way to turn magic into profit. The occult "gold rush" at the forefront of magically imbued politics built a world of wealth inequality, greed, and innovation.Bartender Jane Auburn was an early adopter of a new drug sponsored by Pelican Pharmaceuticals that allows her to move at the speed of vampires and match the strength of demons.Soon, she discovers the price for such powers may be more than she can pay: her life. Thrust into the front lines of toxic magic and occult corporate warfare, she will need to uncover what other skeletons these new companies are hiding. Preferably before she clocks out from an overdose or has to bite her tongue and endure her mandated corporate exploitation!At least she was not the only one in Austin, Texas to sign up for magic in a pill. After all, as it says in all their commercials, "Pelican Pharmaceuticals: they keep you going even when you're dead!" And how bad can the side effects possibly be?
Author: Luke O'Neil
Publisher: OR Books
ISBN: 1682192156
Category : Biography & Autobiography
Languages : en
Pages : 244
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Book Description
When Luke O’Neil isn’t angry, he’s asleep. When he’s awake, he gives vent to some of the most heartfelt, political and anger-fueled prose to power its way to the public sphere since Hunter S. Thompson smashed a typewriter’s keys. Welcome to Hell World is an unexpurgated selection of Luke O’Neil’s finest rants, near-poetic rhapsodies, and investigatory journalism. Racism, sexism, immigration, unemployment, Marcus Aurelius, opioid addiction, Iraq: all are processed through the O’Neil grinder. He details failings in his own life and in those he observes around him: and the result is a book that is at once intensely confessional and an energetic, unforgettable condemnation of American mores. Welcome to Hell World is, in the author’s words, a “fever dream nightmare of reporting and personal essays from one of the lowest periods in our country in recent memory.” It is also a burning example of some of the best writing you’re likely to read anywhere.
Author: Rick Heinz
Publisher: Inkshares
ISBN: 1941758908
Category : Fiction
Languages : en
Pages : 448
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Book Description
Mike Auburn dangles above the city of Chicago from the beams of a half-built skyscraper. He is seconds from plummeting towards the circuit board of buildings and streetlights below, but oblivion is not what he seeks—it’s the dead. Obsessed with discovering evidence of the afterlife, Mike’s death-defying stunts have brought him closer than ever to lifting the veil of reality, always just out of reach. However, his ventures to the edge have not gone unnoticed, and a mysterious organization by the name “O’Neill” seeks to recruit him to their own cause: preparing the city for impending Ragnarok, the end of the world as they know it. Before long, a world ruled by scientific method and rational thinking is challenged by the supernatural—luring the dead, the damned, and the demons that have long awaited the return of magic, and they will stop at nothing to bring it back for good. Suddenly, Mike is at the center of a battle between the forces of reason, of good, of evil...and everything in between.
Author: Janet McNulty
Publisher: Speedy Publishing LLC
ISBN: 1631875817
Category : Fiction
Languages : en
Pages : 157
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Book Description
Imagine living in a world where everything you do is controlled. In the distant future the United States has been split into two regions separated by a barren wasteland; this is the country of Dystopia. Here the individual is discouraged, freedom is an illusion, food is rationed, and everything you do is tracked by a chip implanted in your arm. This is Dana Ginary's world. At age seventeen, people receive their career assignments chosen for them by a government body. Forced to work at the Waste Management Plant because she was declared too individualistic, Dana finds herself surrounded by death and brutality. Knowing her days are numbered, she looks for a way to leave the plant before she, too, becomes one of its causalities. It is then she meets a man named George and soon finds herself caught up in a cat and mouse game between the resistance and the Dystopian government. Dana finds herself faced with an agonizing choice of whom she will betray and whom she will save: her friend George, her parents, or herself.
Author: Daniel Cojocaru
Publisher: Cambridge Scholars Publishing
ISBN: 1443883522
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
Violence and Dystopia is a critical examination of imitative desire, scapegoating and sacrifice in selected contemporary Western dystopian narratives through the lens of René Girard’s mimetic theory. The first chapter offers an overview of the history of Western utopia/dystopia with a special emphasis on the problem of conflictive mimesis and scapegoating violence, and a critical introduction to Girard’s theory. The second chapter is devoted to J.G. Ballard’s seminal novel Crash (1973), Chuck Palahniuk’s Fight Club (1996) and Rant (2007), and Brad Anderson’s film The Machinist (2004). It is argued that the car crash functions as a metaphor for conflictive mimetic desire and leads to a quasi-sacrificial crisis as defined by Girard for archaic religion. The third chapter focuses on the psychogeographical writings of Iain Sinclair and Peter Ackroyd. Walking the streets of London the pedestrian represents the excluded underside of the world of Ballardian speed. The walking subject is portrayed in terms of the expelled victim of Girardian theory. The fourth chapter considers violent crowds as portrayed by Ballard’s late fiction, the writings of Stewart Home, and David Peace’s GB84 (2004). In accordance with Girard’s hypothesis, the discussed narratives reveal the failure of scapegoat expulsion to restore peace to the potentially self-destructive violent crowds. The fifth chapter examines the post-apocalyptic environments resulting from failed scapegoat expulsion and mimetic conflict out of control, as portrayed in Sinclair’s Radon Daughters (1994), Margaret Atwood’s The Handmaid’s Tale (1985) and Oryx and Crake (2003), and Will Self’s The Book of Dave (2006).
Author: K. G. Anderson
Publisher: OR Books
ISBN: 1682191273
Category : Fiction
Languages : en
Pages : 440
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Book Description
In this diverse and vigorous mix of stories by newcomers and luminaries, writers offer their takes on what life might hold for us in the next few years. The resulting visions of war, oppression, and daily struggle are sometimes humorous, sometimes terrifying (and occasionally both), but always thought-provoking.
Author: George F.
Publisher: John Hunt Publishing
ISBN: 1789041910
Category : Biography & Autobiography
Languages : en
Pages : 221
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Book Description
London drowns in sewage and Europe burns. In this creative nonfiction, George F. falls in with a band of chaos punks who drink, fight and struggle for shelter when the world ends. From mass demonstrations in Paris, the rotten squats of Shoreditch, and the lawless forests of the borderlands, to carnival riots in the autonomous zones of Berlin they battle fascists, dodge arrest and wrestle with the greatest struggle of all: sobriety.
Author: Gregory Claeys
Publisher: Oxford University Press
ISBN: 0191088617
Category : History
Languages : en
Pages : 569
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Book Description
Dystopia: A Natural History is the first monograph devoted to the concept of dystopia. Taking the term to encompass both a literary tradition of satirical works, mostly on totalitarianism, as well as real despotisms and societies in a state of disastrous collapse, this volume redefines the central concepts and the chronology of the genre and offers a paradigm-shifting understanding of the subject. Part One assesses the theory and prehistory of 'dystopia'. By contrast to utopia, conceived as promoting an ideal of friendship defined as 'enhanced sociability', dystopia is defined by estrangement, fear, and the proliferation of 'enemy' categories. A 'natural history' of dystopia thus concentrates upon the centrality of the passion or emotion of fear and hatred in modern despotisms. The work of Le Bon, Freud, and others is used to show how dystopian groups use such emotions. Utopia and dystopia are portrayed not as opposites, but as extremes on a spectrum of sociability, defined by a heightened form of group identity. The prehistory of the process whereby 'enemies' are demonised is explored from early conceptions of monstrosity through Christian conceptions of the devil and witchcraft, and the persecution of heresy. Part Two surveys the major dystopian moments in twentieth century despotisms, focussing in particular upon Nazi Germany, Stalinism, the Chinese Cultural Revolution, and Cambodia under Pol Pot. The concentration here is upon the political religion hypothesis as a key explanation for the chief excesses of communism in particular. Part Three examines literary dystopias. It commences well before the usual starting-point in the secondary literature, in anti-Jacobin writings of the 1790s. Two chapters address the main twentieth-century texts usually studied as representative of the genre, Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-Four. The remainder of the section examines the evolution of the genre in the second half of the twentieth century down to the present.
