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Author: N. V. Raveendran
Publisher: Atlantic Publishers & Dist
ISBN: 9788171568741
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
N.V. Raveendran...Has Used Stylistics Here As A Means Of Exploring And Explaining The Poetics Of Sensuality Thereby Bridging The Gap Between Language And Linguistics On The One Hand, And Poetry And Stylistics, On The Other...He Thus Bypasses The Usual Charge Against Linguistic Stylistics That It Puts The Cart Before The Horse, And Uses Language Features Only To Validate And Valorize Perceptions Based On Immediate Personal Responses...This Attempt Is Bound To Be Of Value To Scholars As Well As Students Of Poetry, Of Indian English Poetry In Particular. Dr. K. Ayyappa Panicker
Author: N. V. Raveendran
Publisher: Atlantic Publishers & Dist
ISBN: 9788171568741
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
N.V. Raveendran...Has Used Stylistics Here As A Means Of Exploring And Explaining The Poetics Of Sensuality Thereby Bridging The Gap Between Language And Linguistics On The One Hand, And Poetry And Stylistics, On The Other...He Thus Bypasses The Usual Charge Against Linguistic Stylistics That It Puts The Cart Before The Horse, And Uses Language Features Only To Validate And Valorize Perceptions Based On Immediate Personal Responses...This Attempt Is Bound To Be Of Value To Scholars As Well As Students Of Poetry, Of Indian English Poetry In Particular. Dr. K. Ayyappa Panicker
Author: Colleen Jaurretche
Publisher: Univ of Wisconsin Press
ISBN: 9780299156206
Category : History
Languages : en
Pages : 178
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Book Description
Jaurretche (English, U. of California-Los Angeles) traces the development of the Irish writer's mystical aesthetic through his novels to its supreme culmination and negation in Finnegan's Wake. She also shows how the search to surmount all human categories and sensations in order to encounter the divine, arose and developed in the Middle Ages, and was transmitted into modernism during and just before Joyce's time. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Romana Byrne
Publisher: Bloomsbury Publishing USA
ISBN: 1441158790
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
To understand why the concept of aesthetic sexuality is important, we must consider the influence of the first volume of Foucault's seminal The History of Sexuality. Arguing against Foucault's assertions that only scientia sexualis has operated in modern Western culture while ars erotica belongs to Eastern and ancient societies, Byrne suggests that modern Western culture has indeed witnessed a form of ars erotica, encompassed in what she calls 'aesthetic sexuality'. To argue for the existence of aesthetic sexuality, Byrne examines mainly works of literature to show how, within these texts, sexual practice and pleasure are constructed as having aesthetic value, a quality that marks these experiences as forms of art. In aesthetic sexuality, value and meaning are located within sexual practice and pleasure rather than in their underlying cause; sexuality's raison d'être is tied to its aesthetic value, at surface level rather than beneath it. Aesthetic sexuality, Byrne shows, is a product of choice, a deliberate strategy of self-creation as well as a mode of social communication.
Author: Jadranka Skorin-Kapov
Publisher: Lexington Books
ISBN: 1498518478
Category : Philosophy
Languages : en
Pages : 213
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Book Description
The Aesthetics of Desire and Surprise: Phenomenology and Speculation covers issues central to contemporary continental philosophy (desire, expectations, excess, rupture, transcendence, immanence, surprise). The proposed term desire||surprise captures the phenomenological-speculative character of the pair not yet and no longer. Non-obvious parallels between different thinkers are drawn, and the argumentation is organized around philosophical figures relevant in the sequence desire – excess –pause (rupture, break) – recuperation (surprise). The works of Levinas, Žižek, Bataille, Blanchot, Foucault, and Ricoeur are interpreted and positioned according to the proposed template of desire - excess - pause. The consideration of limit experiences involves authors fascinated by transgression, and the question of whether excess is immanent or transcendent. This discussion considers works by Nietzsche, Deleuze, Žižek, and Foucault. The analysis of surprise and the beginning of recovery after the pause considers works by Fink, Merleau-Ponty, Nancy, Lyotard, Dufrenne, Bachelard, and Seel. The provocative argument elaborated in this work is that surprise starts with indifference. Furthermore, the argument is that surprise begins where the concept reaches its ending, hence that the limit of speculative thinking at its ending is the limit of aesthetics at its beginning. The work of Hegel, Schelling and Jaspers are discussed in order to argue for the beginning of aesthetics there where knowledge ends. Philosophical thematic is contextualized via sections on artists such as Duchamp and Mondrian, and on some films, provoking interest of aestheticians working in art history and cultural studies departments.
Author: Richard Shusterman
Publisher: Cambridge University Press
ISBN: 1107004764
Category : Philosophy
Languages : en
Pages : 437
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Book Description
Drawing on theories of lovemaking from ancient Asian and Western cultures, this book provides a new aesthetics of erotic love.
Author: Bissera V
Publisher: Penn State Press
ISBN: 0271035846
Category : Art
Languages : en
Pages : 346
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Book Description
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Author: Romana Byrne
Publisher: A&C Black
ISBN: 1441183582
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
To understand why the concept of aesthetic sexuality is important, we must consider the influence of the first volume of Foucault's seminal The History of Sexuality. Arguing against Foucault's assertions that only scientia sexualis has operated in modern Western culture while ars erotica belongs to Eastern and ancient societies, Byrne suggests that modern Western culture has indeed witnessed a form of ars erotica, encompassed in what she calls aesthetic sexuality'. To argue for the existence of aesthetic sexuality, Byrne examines mainly works of literature to show how, within these texts, sexual practice and pleasure are constructed as having aesthetic value, a quality that marks these experiences as forms of art. In aesthetic sexuality, value and meaning are located within sexual practice and pleasure rather than in their underlying cause; sexuality's raison d'être is tied to its aesthetic value, at surface level rather than beneath it. Aesthetic sexuality, Byrne shows, is a product of choice, a deliberate strategy of self-creation as well as a mode of social communication.
Author: John Murungi
Publisher: Cambridge Scholars Publishing
ISBN: 1443899968
Category : Philosophy
Languages : en
Pages : 160
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Book Description
Under the guidance of phenomenological insights, this book presents the sensuous in its elemental sense. The elemental is not to be confused here with the classical notion of the atom, which is viewed as a self-contained entity into which all reality is reducible. Rather, the elemental is a living creative force that resists categorization. This force embodies the principle of openness and opening, a principle celebrated and given expression by numerous artists and other friends of the sensuous. As elemental, the sensuous irreducibly expresses itself in multiple ways. The editors of this volume avoid posting themselves between the sensuous and those to whom it presents itself. Each of the contributors here responds to the call of the elemental, and each finds his or her starting point where everyone else starts and ends. The multiple voices brought together here constitute a concert, with the elemental sensuous as the conductor. In reading this book, the reader will become more aware of himself or herself, and more aware of the world in which he or she lives.
Author: Allison Pease
Publisher: Cambridge University Press
ISBN: 9780521780766
Category : Art
Languages : en
Pages : 268
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Book Description
How did explicit sexual representation become acceptable in the twentieth century as art rather than pornography? Allison Pease answers this question by tracing the relationship between aesthetics and obscenity from the 1700s onwards, highlighting the way in which early twentieth-century writers incorporated a sexually explicit discourse into their work. Pease explores how artists such as Swinburne, Aubrey Beardsley, James Joyce and D. H. Lawrence were responsible for shifting the boundaries between aesthetics and pornography that first became of intellectual interest in the eighteenth century and reinforced class distinctions. Her analysis of canonical works, such as Joyce's Ulysses and Lawrence's Lady Chatterley's Lover, is framed by a wide-ranging examination of the changing conceptions of aesthetics from Shaftesbury, Hutcheson and Kant to F. R. Leavis, I. A. Richards and T. S. Eliot. Based on extensive archival work, the book includes examples of period art and illustrations which eloquently demonstrate the shift in public taste and tolerance.
Author: Camille Paglia
Publisher: Vintage
ISBN: 0679735798
Category : Social Science
Languages : en
Pages : 738
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Book Description
The fiery, provocative, and unparalleled work of feminist art criticism that launched the exceptional career of one of our most important public intellectuals—"a remarkable book, at once outrageous and compelling, fanatical and brilliant.... One must be awed by [Paglia's] vast energy, erudition and wit" (The Washington Post). Is Emily Dickinson “the female Sade”? Is Donatello’s David a bit of pedophile pornography? What is the secret kinship between Byron and Elvis Presley, between Medusa and Madonna? How do liberals and feminists—as well as conservatives—fatally misread human nature? This audacious and omnivorously learned work of guerrilla scholarship offers nothing less than a unified-field theory of Western culture, high and low, since Egyptians invented beauty—making a persuasive case for all art as a pagan battleground between male and female, form and chaos, civilization and daemonic nature. With 47 photographs.
