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Author: Marie Lathers
Publisher:
ISBN: 9781469645063
Category : LITERARY CRITICISM
Languages : en
Pages : 148
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Book Description
Author: Marie Lathers
Publisher:
ISBN: 9781469645063
Category : LITERARY CRITICISM
Languages : en
Pages : 148
Get Book
Book Description
Author: Barry Allen
Publisher: Cornell University Press
ISBN: 0801457025
Category : Technology & Engineering
Languages : en
Pages : 227
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Book Description
"As familiar and widely appreciated works of modern technology, bridges are a good place to study the relationship between the aesthetic and the technical. Fully engaged technical design is at once aesthetic and structural. In the best work (the best design, the most well made), the look and feel of a device (its aesthetic, perceptual interface) is as important a part of the design problem as its mechanism (the interface of parts and systems). We have no idea how to make something that is merely efficient, a rational instrument blindly indifferent to how it appears. No engineer can design such a thing and none has ever been built."—from Artifice and Design In an intriguing book about the aesthetics of technological objects and the relationship between technical and artistic accomplishment, Barry Allen develops the philosophical implications of a series of interrelated concepts-knowledge, artifact, design, tool, art, and technology-and uses them to explore parallel questions about artistry in technology and technics in art. This may be seen at the heart of Artifice and Design in Allen's discussion of seven bridges: he focuses at length on two New York bridges—the Hell Gate Bridge and the Bayonne Bridge—and makes use of original sources for insight into the designers' ideas about the aesthetic dimensions of their work. Allen starts from the conviction that art and technology must be treated together, as two aspects of a common, technical human nature. The topics covered in Artifice and Design are wide-ranging and interdisciplinary, drawing from evolutionary biology, cognitive psychology, and the history and anthropology of art and technology. The book concludes that it is a mistake to think of art as something subjective, or as an arbitrary social representation, and of Technology as an instrumental form of purposive rationality. "By segregating art and technology," Allen writes, "we divide ourselves against ourselves, casting up self-made obstacles to the ingenuity of art and technology."
Author: Marie Lathers
Publisher: University of North Carolina at Chapel Hill Department of Romance Studies
ISBN:
Category :
Languages : en
Pages : 162
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Book Description
Drawing on feminist and psychoanalytic theory, this study exposes the ideological foundations of Villiers de l'Isle-Adam's L'Eve Future, a late 19th-century revision of the Genesis story. Villier's future Eve, who owes her life to man's manipulation of sculptural techniques, photography, and film, symbolizes the complex conjunction of literature, art, technology, and the feminine in the late 19th century. The novel thus charts modernity's restructuring of traditional aesthetics to accommodate the age of mechanical reproduction. The female body becomes the locus of this manifesto of technology, producing a discourse on artificiality and and the feminine which Lathers's study exposes in detail. It also relates this monstrous tale to other versions of woman's fabrication in this and the last century, and interrogates theories of the aesthetic, the technological, and the feminine from Hegel and Baudelaire to Benjamin and Barthes. It is a contribution to current debate centering on the construction of gender and its place in literature and art.
Author: Marie Lathers
Publisher: AMS Press
ISBN: 9780404614935
Category :
Languages : en
Pages : 0
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Book Description
Drawing on feminist and psychoanalytic theory, this study exposes the ideological foundations of Villiers de l'Isle-Adam's L'Eve Future, a late 19th-century revision of the Genesis story. Villier's future Eve, who owes her life to man's manipulation of sculptural techniques, photography, and film, symbolizes the complex conjunction of literature, art, technology, and the feminine in the late 19th century. The novel thus charts modernity's restructuring of traditional aesthetics to accommodate the age of mechanical reproduction. The female body becomes the locus of this manifesto of technology, producing a discourse on artificiality and and the feminine which Lathers's study exposes in detail. It also relates this monstrous tale to other versions of woman's fabrication in this and the last century, and interrogates theories of the aesthetic, the technological, and the feminine from Hegel and Baudelaire to Benjamin and Barthes. It is a contribution to current debate centering on the construction of gender and its place in literature and art.
Author: J.F. Martel
Publisher: North Atlantic Books
ISBN: 1583945784
Category : Philosophy
Languages : en
Pages : 209
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Book Description
Part treatise, part critique, part call to action, Reclaiming Art in the Age of Artifice is a journey into the uncanny realities revealed to us in the great works of art of the past and present. Received opinion holds that art is culturally-determined and relative. We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society. Art is free of politics and ideology. Paradoxically, that is what makes it a force of liberation wherever it breaks through the trance of humdrum existence. Like the act of dreaming, artistic creation is fundamentally mysterious. It is a gift from beyond the field of the human, and it connects us with realities that, though normally unseen, are crucial components of a living world. While holding this to be true of authentic art, the author acknowledges the presence—overwhelming in our media-saturated age—of a false art that seeks not to liberate but to manipulate and control. Against this anti-artistic aesthetic force, which finds some of its most virulent manifestations in modern advertising, propaganda, and pornography, true art represents an effective line of defense. Martel argues that preserving artistic expression in the face of our contemporary hyper-aestheticism is essential to our own survival. Art is more than mere ornament or entertainment; it is a way, one leading to what is most profound in us. Reclaiming Art in the Age of Artifice places art alongside languages and the biosphere as a thing endangered by the onslaught of predatory capitalism, spectacle culture, and myopic technological progress. The book is essential reading for visual artists, musicians, writers, actors, dancers, filmmakers, and poets. It will also interest anyone who has ever been deeply moved by a work of art, and for all who seek a way out of the web of deception and vampiric diversion that the current world order has woven around us.
Author: Marie Lathers
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
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Book Description
Author: Owen D Pomery
Publisher:
ISBN: 9781910395806
Category : Architecture
Languages : en
Pages : 0
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Book Description
On a summer's day, Ellen returns to the coastal town she grew up in: Victory Point. Revisiting old haunts and people from her past, she feels increasingly disconnected from her previous life, and exhausted by her constant struggle to forge a path ahead. Exploring the town, Ellen searches for some comfort in her own history that could give her the strength to move forward in her own life. Victory Point explores the concept of how we live and choose to be remembered, asking whether we should strive for a higher calling, or if a simple, domestic legacy is the most honest and admirable achievement we can hope for. Set in a town that is itself an architectural experiment, this graphic novel is a poignant and heartfelt search for meaning in life.
Author: Robert C. Harvey
Publisher: Univ. Press of Mississippi
ISBN: 9780878057580
Category : Comic books, strips, etc
Languages : en
Pages : 304
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Book Description
A history of the comic book, in which a noted cartoonist demonstrates the aesthetics and power of the medium
Author: Donald Preziosi
Publisher: OUP Oxford
ISBN: 019155202X
Category : Art
Languages : en
Pages : 608
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Book Description
What is art history? Why, how, and where did it originate, and how have its methods changed over time? The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosophers, psychologists, and anthropologists among others have changed our notions of what art history has been, is, and might be. This anthology is a guide to understanding art history through critical reading of the field’s most innovative and influential texts, focusing on the past two centuries. Each section focuses on a key issue: art as history; aesthetics; form, content, and style; anthropology; meaning and interpretation; authorship and identity; and the phenomenon of globalization. More than thirty readings from writers as diverse as Winckelmann, Kant, Mary Kelly, and Michel Foucault are brought together, with editorial introductions to each topic providing background information, bibliographies, and critical elucidations of the issues at stake. This updated and expanded edition contains sixteen newly included extracts from key thinkers in the history of art, from Giorgio Vasari to Walter Benjamin and Satya Mohanty; a new section on globalization; and also a new concluding essay from Donald Preziosi on the tasks of the art historian today.
Author: Barry Allen
Publisher: Cornell University Press
ISBN: 0801457025
Category : Technology & Engineering
Languages : en
Pages : 227
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Book Description
"As familiar and widely appreciated works of modern technology, bridges are a good place to study the relationship between the aesthetic and the technical. Fully engaged technical design is at once aesthetic and structural. In the best work (the best design, the most well made), the look and feel of a device (its aesthetic, perceptual interface) is as important a part of the design problem as its mechanism (the interface of parts and systems). We have no idea how to make something that is merely efficient, a rational instrument blindly indifferent to how it appears. No engineer can design such a thing and none has ever been built."—from Artifice and Design In an intriguing book about the aesthetics of technological objects and the relationship between technical and artistic accomplishment, Barry Allen develops the philosophical implications of a series of interrelated concepts-knowledge, artifact, design, tool, art, and technology-and uses them to explore parallel questions about artistry in technology and technics in art. This may be seen at the heart of Artifice and Design in Allen's discussion of seven bridges: he focuses at length on two New York bridges—the Hell Gate Bridge and the Bayonne Bridge—and makes use of original sources for insight into the designers' ideas about the aesthetic dimensions of their work. Allen starts from the conviction that art and technology must be treated together, as two aspects of a common, technical human nature. The topics covered in Artifice and Design are wide-ranging and interdisciplinary, drawing from evolutionary biology, cognitive psychology, and the history and anthropology of art and technology. The book concludes that it is a mistake to think of art as something subjective, or as an arbitrary social representation, and of Technology as an instrumental form of purposive rationality. "By segregating art and technology," Allen writes, "we divide ourselves against ourselves, casting up self-made obstacles to the ingenuity of art and technology."
