The Acts of the General Assembly of His Majesty's Province of New-Brunswick : from the First to the Third Year of the Reign of King George the Fourth [1821-1823] : with a Copious Index PDF Download
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![The Acts of the General Assembly of His Majesty's Province of New-Brunswick : from the First to the Third Year of the Reign of King George the Fourth [1821-1823] : with a Copious Index PDF](https://books.google.com/books/content/images/frontcover/txoYvgAACAAJ?fife=w150-h200)
Author: New Brunswick
Publisher: Fredericton : G.K. Lugrin, Printer to the King's Most Excellent Majesty
ISBN:
Category : Law
Languages : en
Pages : 497
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Book Description
![The Acts of the General Assembly of His Majesty's Province of New-Brunswick : from the First to the Third Year of the Reign of King George the Fourth [1821-1823] : with a Copious Index PDF](https://books.google.com/books/content/images/frontcover/txoYvgAACAAJ?fife=w80-h100)
Author: New Brunswick
Publisher: Fredericton : G.K. Lugrin, Printer to the King's Most Excellent Majesty
ISBN:
Category : Law
Languages : en
Pages : 497
Get Book Here
Book Description
![The Acts of the General Assembly of His Majesty's Province of New-Brunswick : from the First to the Third Year of the Reign of King George the Fourth [1821-1823] : with a Copious Index PDF](https://books.google.com/books/content/images/frontcover/gNr-MAAACAAJ?fife=w80-h100)
Author: New Brunswick
Publisher: Fredericton : G.K. Lugrin, Printer to the King's Most Excellent Majesty
ISBN:
Category : Law
Languages : en
Pages : 497
Get Book Here
Book Description
Author: New Brunswick
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 366
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Book Description
Author: New Brunswick
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 725
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Book Description
Author: New Brunswick
Publisher: Fredericton [N.B.] : Printed by J. Simpson, printer to the Queen's Most Excellent Majesty
ISBN:
Category : Law
Languages : en
Pages : 1154
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Book Description
Author: James Sprunt
Publisher:
ISBN:
Category : History
Languages : en
Pages : 774
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Book Description
Author: Bruce Redford
Publisher: Getty Publications
ISBN: 0892369248
Category : Art
Languages : en
Pages : 240
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Book Description
Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.
Author:
Publisher:
ISBN:
Category : Antigua
Languages : en
Pages : 228
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Author: Devoney Looser
Publisher: JHU Press
ISBN: 0801887054
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
