The AAM Guide to Provenance Research PDF Download
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Author: Nancy H. Yeide
Publisher: American Alliance of Museums
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 326
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Book Description
"The AAM Guide to Provenance Research is a much-needed contribution for scholars, professional researchers, and those who shape policy. Here in one volume is a historical overview, description of current methodology, invaluable indices, inventories, and lists of current databases-in-progress." -- Back cover.
Author: Nancy H. Yeide
Publisher: American Alliance of Museums
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 326
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Book Description
"The AAM Guide to Provenance Research is a much-needed contribution for scholars, professional researchers, and those who shape policy. Here in one volume is a historical overview, description of current methodology, invaluable indices, inventories, and lists of current databases-in-progress." -- Back cover.
Author: Katlin Cunningham
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
In 2001 the American Alliance of Museums (AAM) published The AAM Guide to Provenance Research. However, in the past seventeen years there have been several new developments in the provenanceresearchfield, and an updated guide has yet to be released. I propose that several changes be made to create an updated version. For this project, I tested this guide in two ways: first, to see how our understanding of provenance has changed since 2001 and second, to use a case study to assess whether the recommended basic research guide and principles still apply to today. In the first section of this capstone, I review several of the significant changes that have influenced provenance research. I begin by examining the standards and ethics related to provenance, as determined by the museum field. I then observed how provenance has changed as it relates to legalchanges, both foreign and domestic; and developments of technologyand databases and theirinfluence on provenance. The focus of the next section is on basic provenance research guidelines and principles as outlined in the AAM Guide to Provenance Research. I tested how these practices withstand the changes in provenance several years after the guide's publication, asking if the practices can be applied to works found in collectionsand if they can work within the shifting definition of provenance, which embraces the concept of a cultural biography of an object. My case study was part of a costume from the ballet CoppeÌ1liaperformed by the San Francisco Ballet found in the collection of the Museum of Performance + Design.
Author: American Association of Museums
Publisher: American Alliance of Museums
ISBN: 9781933253022
Category : Art
Languages : en
Pages : 0
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Book Description
Based on proceedings from AAM's 2004 International Provenance Research Colloquium, this book highlights the significant strides in provenance research resources and methodology, and also illuminates the number of different sources, many of them little known to North American researchers, that may have to be consulted to clarify the provenance of any one object.
Author: Nancy H. Yeide
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 532
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Book Description
Author: Louis Fagan
Publisher:
ISBN:
Category : Collectors' marks
Languages : en
Pages : 236
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Book Description
Author: Rina Elster Pantalony
Publisher: WIPO
ISBN: 9280524313
Category : Law
Languages : en
Pages : 70
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Book Description
This Guide, prepared by Rina Elster Pantalony, was recently updated to reflect the tremendous developments since it was first published in 2007, in particular Digital Rights Management, the role of social media as a business opportunity and traditional knowledge. The two-part Guide first describes IP issues relevant to museums then reviews existing business models that could provide museums with appropriate opportunities to create sustainable funding, and deliver on their stated objectives.
Author: John H Falk
Publisher: Routledge
ISBN: 131541788X
Category : Social Science
Languages : en
Pages : 225
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Book Description
In the first book to take a "visitor's eye view" of the museum visit, Falk and Dierking present research findings to demonstrate people's motivations for visiting museums and how museum professionals can enhance their visitors' experiences.
Author: Karen A. Rader
Publisher: University of Chicago Press
ISBN: 022607983X
Category : History
Languages : en
Pages : 482
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Book Description
Rich with archival detail and compelling characters, Life on Display uses the history of biological exhibitions to analyze museums’ shifting roles in twentieth-century American science and society. Karen A. Rader and Victoria E. M. Cain chronicle profound changes in these exhibitions—and the institutions that housed them—between 1910 and 1990, ultimately offering new perspectives on the history of museums, science, and science education. Rader and Cain explain why science and natural history museums began to welcome new audiences between the 1900s and the 1920s and chronicle the turmoil that resulted from the introduction of new kinds of biological displays. They describe how these displays of life changed dramatically once again in the 1930s and 1940s, as museums negotiated changing, often conflicting interests of scientists, educators, and visitors. The authors then reveal how museum staffs, facing intense public and scientific scrutiny, experimented with wildly different definitions of life science and life science education from the 1950s through the 1980s. The book concludes with a discussion of the influence that corporate sponsorship and blockbuster economics wielded over science and natural history museums in the century’s last decades. A vivid, entertaining study of the ways science and natural history museums shaped and were shaped by understandings of science and public education in the twentieth-century United States, Life on Display will appeal to historians, sociologists, and ethnographers of American science and culture, as well as museum practitioners and general readers.
Author: Jonathan Petropoulos
Publisher: UNC Press Books
ISBN: 9780807848098
Category : History
Languages : en
Pages : 468
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Book Description
The political elite of Nazi Germany perceived itself as a cultural elite as well. In Art as Politics in the Third Reich, Jonathan Petropoulos explores the elite's cultural aspirations by examining both the formulation of a national aesthetic policy
Author: Konstantin Akinsha
Publisher: Random House (NY)
ISBN:
Category : Art
Languages : en
Pages : 360
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Book Description
"In what has been called one of the most important pieces of investigative journalism ever undertaken in the art world, Konstantin Akinsha and Grigorii Kozlov tell the story of how the Russians stole millions of art objects from European museums and private collectors in the final days of World War II and hid them away for fifty years. The Nazi confiscation of art from Jewish families and occupied countries has been well documented, but the story of what happened to the art after the Nazis were defeated in 1945 was virtually unknown until recently." "Secret "trophy brigades" were established early in 1945, with specific instructions from Stalin to remove art from Germany and ship it back to the USSR on special trains. This operation began while the fighting was still going on and was conducted at a frenzied pace for several months. It was the most prodigious transport operation of artworks in the history of mankind. Trophies were being removed from Germany as late as 1948." "Works by such masters as Botticelli, El Greco, Goya, Delacroix, Picasso, Velazquez, Matisse, Renoir, Raphael, Rembrandt, Rubens, Titian, and Degas made their way to the Soviet Union." "It was not until the late 1980s, when the Soviet Union began to dissolve, that it was possible to piece together this story. Akinsha and Kozlov were instrumental in revealing it to the West and in forcing Russian authorities to acknowledge the existence of the secret depositories. The Hermitage exhibited its collection of previously hidden Impressionist paintings early in 1995, but the Russians have been adamant in their refusal to return the stolen things, and the fate of the trophy art continues to be hotly debated."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
