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Author: Jerome Rothenberg
Publisher: New Directions Publishing
ISBN: 9780811208604
Category : Art
Languages : en
Pages : 100
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Book Description
The title of Jerome Rothenberg's newest collection suggests jazz, blues, and above all the Dada movement in European art and poetry in the years immediately following World War I. "In my own world," he explains in his pre-face to That Dada Strain, "the Dada fathers who inhabit the opening poems of this book are necessary figures, & to summon them up along with their legends is no more erudite than to summon up Moses or George Washington or Harpo or Karl Marx, & so on." For Rothenberg, the Dada connection, his looking back to Dada founders Tristan Tzara, Hugo Ball, Kurt Schwitters, and Francis Picabia, is especially apt, emphasizing as it does a "strain" that is echoed and replayed throughout all his work, whether it be oral poetry, ethnopoetics, translation, or the assembling of innovative anthologies. Following the title section is "Imaginal Geographies," a group of poems that draw largely on the poet's private self, his own language and perceptions, in much the same way that the Dada poets recorded associations between images for which no key was readily available. In the third and final section, "Altar Pieces," Rothenberg attempts, as he says, "to return to the world in which human beings still suffer both the loss of bread & words." Jerome Rothenberg's previous books of poetry with New Directions include Poland/1931 (1974), Poems for the Game of Silence (1975), A Seneca Journal (1978), and, most recently, Vienna Blood (1980). Pre-Faces & Other Writings, his first collection of poetics, was awarded the Before Columbus Foundation's American Book Award for 1982.
Author: Jerome Rothenberg
Publisher: New Directions Publishing
ISBN: 9780811208604
Category : Art
Languages : en
Pages : 100
Get Book Here
Book Description
The title of Jerome Rothenberg's newest collection suggests jazz, blues, and above all the Dada movement in European art and poetry in the years immediately following World War I. "In my own world," he explains in his pre-face to That Dada Strain, "the Dada fathers who inhabit the opening poems of this book are necessary figures, & to summon them up along with their legends is no more erudite than to summon up Moses or George Washington or Harpo or Karl Marx, & so on." For Rothenberg, the Dada connection, his looking back to Dada founders Tristan Tzara, Hugo Ball, Kurt Schwitters, and Francis Picabia, is especially apt, emphasizing as it does a "strain" that is echoed and replayed throughout all his work, whether it be oral poetry, ethnopoetics, translation, or the assembling of innovative anthologies. Following the title section is "Imaginal Geographies," a group of poems that draw largely on the poet's private self, his own language and perceptions, in much the same way that the Dada poets recorded associations between images for which no key was readily available. In the third and final section, "Altar Pieces," Rothenberg attempts, as he says, "to return to the world in which human beings still suffer both the loss of bread & words." Jerome Rothenberg's previous books of poetry with New Directions include Poland/1931 (1974), Poems for the Game of Silence (1975), A Seneca Journal (1978), and, most recently, Vienna Blood (1980). Pre-Faces & Other Writings, his first collection of poetics, was awarded the Before Columbus Foundation's American Book Award for 1982.
Author: John Melillo
Publisher: Bloomsbury Publishing USA
ISBN: 1501359924
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
By reinterpreting 20th-century poetry as a listening to and writing through noise, The Poetics of Noise from Dada to Punk constructs a literary history of noise through poetic sound and performance. This book traces how poets figure noise in the disfiguration of poetic voice. Materializing in the threshold between the heard and the unheard, noise emerges in the differentiation and otherness of sound. It arises in the folding of an “outside” into the “inside” of poetic performance both on and off the page. Through a series of case studies ranging from verse by ear-witnesses to the First World War, Dadaist provocations, jazz modernist song and poetry, early New York City punk rock, contemporary sound poetry, and noise music, The Poetics of Noise from Dada to Punk describes productive failures of communication that theorize listening against the grain of sound's sense.
Author: Catherine Craft
Publisher: University of Chicago Press
ISBN: 0226116808
Category : Art
Languages : en
Pages : 326
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Book Description
An Audience of Artists turns this time line for the postwar New York art world on its head, presenting a new pedigree for these artistic movements. Drawing on an array of previously unpublished material, Catherine Craft reveals that Neo-Dada, far from being a reaction to Abstract Expressionism, actually originated at the heart of that movement's concerns about viewers, originality, and artists' debts to the past and one another. Furthermore, she argues, the original Dada movement was not incompatible with Abstract Expressionism. In fact, Dada provided a vital historical reference for artists and critics seeking to come to terms with the radical departure from tradition that Abstract Expressionism seemed to represent. Tracing the activities of artists such as Robert Motherwell, Barnett Newman, and Jackson Pollock alongside Marcel Duchamp's renewed embrace of Dada in the late 1940s, Craft explores the challenges facing artists trying to work in the wake of a destructive world war and the paintings, objects, writings, and installations that resulted from their efforts."--Jacket.
Author: Frederick Garber
Publisher: Penn State Press
ISBN: 9780271041179
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
In 'Repositionings' Frederick Garber examines recent readings of the lyric in proposing that performance art and photography present alternatives to traditional lyrical modes.
Author: Jed Rasula
Publisher: Basic Books
ISBN: 0465066941
Category : Art
Languages : en
Pages : 384
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Book Description
In 1916, as World War I raged around them, a group of bohemians gathered at a small nightclub in Zurich, Switzerland for a series of bizarre performances. Three readers simultaneously recited a poem in three languages; a monocle-wearing teenager performed a spell from New Zealand; another young man flung bits of papier-mâché into the air and glued them into place where they landed. One of these artists called the sessions “both buffoonery and a requiem mass.” Soon they would be known by a more evocative name: Dada. In Destruction Was My Beatrice, modernist scholar Jed Rasula presents the first narrative history of the emergence, decline, and legacy of Dada, showing how this strange artistic phenomenon spread across Europe and then the world in the wake of the Great War, fundamentally reshaping modern culture in ways we’re still struggling to understand today.
Author: National Endowment for the Arts
Publisher:
ISBN:
Category : Federal aid to the arts
Languages : en
Pages : 752
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Book Description
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
Author: Mervyn Cooke
Publisher: Cambridge University Press
ISBN: 1139826166
Category : Music
Languages : en
Pages : 734
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Book Description
The vibrant world of jazz may be viewed from many perspectives, from social and cultural history to music analysis, from economics to ethnography. It is challenging and exciting territory. This volume of nineteen specially commissioned essays provides informed and accessible guidance to the challenge, offering the reader a range of expert views on the character, history and uses of jazz. The book starts by considering what kind of identity jazz has acquired and how, and goes on to discuss the crucial practices that define jazz and to examine some specific moments of historical change and some important issues for jazz study. Finally, it looks at a set of perspectives that illustrate different 'takes' on jazz - ways in which jazz has been valued and represented.
Author: A. J. Carruthers
Publisher: Edinburgh University Press
ISBN: 1399526855
Category :
Languages : en
Pages : 505
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Book Description
Avant-garde poetry in the Antipodes causes all sorts of trouble for literary history. It is an avant-garde that seems to arrive too late and yet right on time. In 1897, Christopher Brennan made his own version of Un Coup de Des, the same year Mallarme published it in Cosmopolis. In the 1940s, the same period avant-gardism was declared dead or fatally injured due to the Ern Malley affair, Harry Hooton began writing a significant body of experimental poetry. From the 1950s to the 1970s, Australian Dada emerged 'belatedly' through figures like Jas H. Duke (Tristan Tzara had previously sung Aboriginal songs at the Cabaret Voltaire in 1916). First Nations and Migrant poets then began reinventing avant-garde poetry in the twentieth and early twenty-first centuries. This book maintains that such a confounding literary history poses a distinct challenge to the theories of the avant-gardes we have become accustomed to and changes our perspective of avant-garde time.
Author: Linda M. Montano
Publisher: Univ of California Press
ISBN: 0520919661
Category : Art
Languages : en
Pages : 588
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Book Description
Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community. Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Suzanne Lacy, Faith Ringgold, Dick Higgins, Annie Sprinkle, Allan Kaprow, Meredith Monk, Eric Bogosian, Adrian Piper, Karen Finley, and Kim Jones. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change. The interviews highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.
Author: Christine A. Meilicke
Publisher: Lehigh University Press
ISBN: 9780934223768
Category : History
Languages : en
Pages : 340
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Book Description
"On a more specific level, this book analyses Rothenberg's use of postmodern "appropriative strategies," such as collage, assemblage, palimpsest, parody, pastiche, forgery, found poetry, and theft. These strategies illustrate the concept, practice, and problematics of appropriation." "Embracing postmodern experimentation and drawing on heterodox Jewish sources, Rothenberg constructs a contemporary American Jewish identity that does not rely on institutionalized Judaism."--Jacket.
