Text and Performance in Contemporary British Theatre PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Text and Performance in Contemporary British Theatre PDF full book. Access full book title Text and Performance in Contemporary British Theatre by Catherine Love. Download full books in PDF and EPUB format.
Author: Catherine Love
Publisher: Taylor & Francis
ISBN: 1000839788
Category : Performing Arts
Languages : en
Pages : 132
Get Book Here
Book Description
Text and Performance in Contemporary British Theatre interrogates the paradoxical nature of theatre texts, which have been understood both as separate literary objects in their own right and as material for performance. Drawing on analysis of contemporary practitioners who are working creatively with text, the book re-examines the relationship between text and performance within the specific context of British theatre. The chapters discuss a wide range of theatre-makers creating work in the UK from the 1990s onwards, from playwrights like Tim Crouch and Jasmine Lee-Jones to companies including Action Hero and RashDash. In doing so, the book addresses issues such as theatrical authorship, artistic intention, and the apparent incompleteness of plays as both written and performed phenomena. Text and Performance in Contemporary British Theatre also explores the implications of changing technologies of page and stage, analysing the impact of recent developments in theatre-making, editing, and publishing on the status of the theatre text. Written for scholars, students, and practitioners alike, Text and Performance in Contemporary British Theatre provides an original perspective on one of the most enduring problems to occupy theatre practice and scholarship.
Author: Catherine Love
Publisher: Taylor & Francis
ISBN: 1000839788
Category : Performing Arts
Languages : en
Pages : 132
Get Book Here
Book Description
Text and Performance in Contemporary British Theatre interrogates the paradoxical nature of theatre texts, which have been understood both as separate literary objects in their own right and as material for performance. Drawing on analysis of contemporary practitioners who are working creatively with text, the book re-examines the relationship between text and performance within the specific context of British theatre. The chapters discuss a wide range of theatre-makers creating work in the UK from the 1990s onwards, from playwrights like Tim Crouch and Jasmine Lee-Jones to companies including Action Hero and RashDash. In doing so, the book addresses issues such as theatrical authorship, artistic intention, and the apparent incompleteness of plays as both written and performed phenomena. Text and Performance in Contemporary British Theatre also explores the implications of changing technologies of page and stage, analysing the impact of recent developments in theatre-making, editing, and publishing on the status of the theatre text. Written for scholars, students, and practitioners alike, Text and Performance in Contemporary British Theatre provides an original perspective on one of the most enduring problems to occupy theatre practice and scholarship.
Author: Jon Venn
Publisher: Springer Nature
ISBN: 3030797821
Category : Performing Arts
Languages : en
Pages : 229
Get Book Here
Book Description
This book considers the representation of madness in contemporary British theatre, examining the rich relationship between performance and mental health, and questioning how theatre can potentially challenge dominant understandings of mental health. Carefully, it suggests what it means to represent madness in theatre, and the avenues through which such representations can become radical, whereby theatre can act as a site of resistance. Engaging with the heterogeneity of madness, each chapter covers different attributes and logics, including: the constitution and institutional structures of the contemporary asylum; the cultural idioms behind hallucination; the means by which suicide is apprehended and approached; how testimony of the mad person is interpreted and encountered. As a study that interrogates a wide range of British theatre across the past 30 years, and includes a theoretical interrogation of the politics of madness, this is a crucial work for any student or researcher, across disciplines, considering the politics of madness and its relationship to performance.
Author: Janelle G. Reinelt
Publisher: University of Michigan Press
ISBN: 9780472084081
Category : Drama
Languages : en
Pages : 250
Get Book Here
Book Description
How contemporary British political theater has evolved and expanded from the legacy of Bertolt Brecht
Author: Millie Taylor
Publisher: Intellect Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 212
Get Book Here
Book Description
"This original anlaysis of contemporary British pantomime addresses the question of how pantomime creates a unique interactive relationship with, and potentially transformative experience for, its audiences." --book cover.
Author: S. Greer
Publisher: Springer
ISBN: 1137027339
Category : Psychology
Languages : en
Pages : 366
Get Book Here
Book Description
This book examines queer performance in Britain since the early 1990s, arguing for the significance of emerging collaborative modes of practice. Using queer theory and the history of early lesbian and gay theatre to examine claims to representation among other things, it interrogates the relationships through which recent works have been presented.
Author: Tim Etchells
Publisher: Psychology Press
ISBN: 9780415173827
Category : Art
Languages : en
Pages : 240
Get Book Here
Book Description
An exploration of what lies at the heart of contemporary theatre. Written by the artistic director of Forced Entertainment, it investigates the process of devising performance, theatre's interdisciplinary role, and the city's influence.
Author: Petra Kuppers
Publisher: Routledge
ISBN: 1000155366
Category : Performing Arts
Languages : en
Pages : 302
Get Book Here
Book Description
Community Performance: A Reader is the first book to provide comprehensive teaching materials for this significant part of the theatre studies curriculum. It brings together core writings and critical approaches to community performance work, presenting practices in the UK, USA, Australia and beyond. Offering a comprehensive anthology of key writings in the vibrant field of community performance, spanning dance, theatre and visual practices, this Reader uniquely combines classic writings from major theorists and practitioners such as Augusto Boal, Paolo Freire, Dwight Conquergood and Jan Cohen Cruz, with newly commissioned essays that bring the anthology right up to date with current practice. This book can be used as a stand-alone text, or together with its companion volume, Community Performance: An Introduction, to offer an accessible and classroom-friendly introduction to the field of community performance.
Author: Patrick Duggan
Publisher: Intellect (UK)
ISBN: 9781783202973
Category : Experimental theater
Languages : en
Pages : 0
Get Book Here
Book Description
Between 1960 and 2010, a new generation of British avant-garde theater companies, directors, designers, and performers emerged. Some of these companies and individuals have endured to become part of theater history while others have disappeared from the scene, mutated into new forms, or become part of the establishment. Reverberations across Small-Scale British Theatre at long last puts these small-scale British theater companies and personalities in the scholarly spotlight. By questioning what "Britishness" meant in relation to the small-scale work of these practitioners, contributors articulate how it is reflected in the goals, manifestos, and aesthetics of these companies.
Author: Tom Drayton
Publisher: Bloomsbury Publishing
ISBN: 1350286443
Category : Performing Arts
Languages : en
Pages : 225
Get Book Here
Book Description
Postmodern theatre is dead. A new theatre is rising – one that combines the well-worn postmodern aesthetics of irony, detachment, and deconstruction with a paradoxical interest in authenticity, engagement, and re-construction. Whilst recent scholarship has treated these evolving interests as unrelated shifts in performance aesthetics, this volume proposes a new understanding: that these are part of a wider emerging cultural paradigm – metamodernism. Metamodernism in Contemporary British Theatre is the first book to focus on metamodernism and performance, offering a pioneering framework by which to identify and understand metamodern theatre. By drawing critical links between the works of performance theorists such as Anne Bogart and Andy Lavender and the metamodern as defined by Timotheus Vermeulen and Robin van den Akker, this book makes a clear, vital, and urgent case for the use of the term metamodernism within mainstream theatre scholarship. Focussing on small-scale theatre companies across the UK – including Poltergeist, YESYESNONO, Middle Child and The Gramophones, many of whom have not been documented in academia before – this book also provides a unique analysis of the theatre made by British millennials, a generation who have been distinctly affected by specific structures of contemporary precarity coinciding with this wider cultural shift. Through this, Metamodernism in Contemporary British Theatre makes a crucial contribution towards understanding emergent developments in post-millennial theatre practice across Britain and beyond.
Author: Caridad Svich
Publisher: Theatre Communications Group
ISBN: 1559365110
Category : Literary Collections
Languages : en
Pages : 242
Get Book Here
Book Description
An inspirational sourcebook of innovative techniques for creating theatre, with contributions from experienced playwrights, directors, performers, teachers, dramaturgs, artistic directors and founders. Editor Caridad Svich has gathered forty-one essays from admired theatre professionals in response to a call to write about 'artistic innovation'. Each of them shares the creative challenges and triumphs of developing original works for today's stages. 'With intelligence, thoughtfulness, rigor and wit, author after author offer their considered take on the subject, unlocking new perspectives, unearthing old ones, and in general, doing what artists do best when they are walking on ground they trust and among colleagues who are not sitting before them in continual and sometimes stultifying judgment--and that is, open our eyes, hearts and minds again.' Caridad Svich, from the Introduction Contributors include: Ayad Akhtar; Deborah Asiimwe; Elaine Avila; Arthur Bartow; Gary D. Beckman; John Biguenet; Daniel Brunet; Leila Buck; Maddy Costa; Dominic D'Andrea; Pedro de Senna; Julie Felise Dubiner; Daniel Gallant; Michael John Garces; Anne Garcia-Romero; Jim Hart; David Herskovits; Rachel Jendrzejewski; John Jesurun; Mariana Carreno King; Zac Kline; Aaron Landsman; E.M. Lewis; Catherine Love; Oliver Mayer; Jeff McMahon; Emily Mendelsohn; John Moletress; Kali Quinn; Katie Pearl; Jeremy Pickard; Duska Radosavljevic; Ian Rowlands; Lisa Schlesinger; Howard Shalwitz; August Schulenburg; Mark Schultz; Andy Smith; Octavio Solis; Saviana Stanescu; Caridad Svich; Chris Wells; Heather Woodbury; Stephen Wrentmore
