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Author: Pratapaditya Pal
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 108
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Book Description
The subject of this volume is the fired earthen sculpture, commonly known as terracotta, whose history goes back to the dawn of civilization on the subcontinent. The aim is to provide new material and insights into early Indian terracotta art in a chronological framework, from pre-Harappan times to the Gupta period. Beginning with the prehistoric period, discoveries at several new Harappan sites in India excavated since 1947 and the remarkable terracotta figurines unearthed at Mehrgarh in Pakistan are discussed. Although the southern peninsula cannot boast either the antiquity or the richness of the prehistoric terracotta tradition of the north, one particular region around the Nilgiris studied here has yielded clay sculptures fascinating for their abstract yet robust forms which reveal connections with earlier northern figures. The typological continuity with Harappan culture is evident from material exacavated at Taxila. The lesser-known site of Sugh in Haryana reveals types that spread across the northern plains all the way to the most important site for terracotta sculpture discovered in the subcontinent, Chandraketugarh in West Bengal. The terracotta finds of the middle and lower Gangetic valley are studied in Pradesh whose exceptionally elegant figurines and decorative temple panels reveal astonishing eloquence of the pan-Indian aesthetic of the Gupta period. No single volume thus far has provided such an overview, and this book should therefore be useful for art historians and all those who are interested in this rich tradition which survives in India to this day.
Author: Allahabad (India). Museum
Publisher:
ISBN:
Category : India
Languages : en
Pages : 214
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Book Description
Author: Pratapaditya Pal
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 108
Get Book Here
Book Description
The subject of this volume is the fired earthen sculpture, commonly known as terracotta, whose history goes back to the dawn of civilization on the subcontinent. The aim is to provide new material and insights into early Indian terracotta art in a chronological framework, from pre-Harappan times to the Gupta period. Beginning with the prehistoric period, discoveries at several new Harappan sites in India excavated since 1947 and the remarkable terracotta figurines unearthed at Mehrgarh in Pakistan are discussed. Although the southern peninsula cannot boast either the antiquity or the richness of the prehistoric terracotta tradition of the north, one particular region around the Nilgiris studied here has yielded clay sculptures fascinating for their abstract yet robust forms which reveal connections with earlier northern figures. The typological continuity with Harappan culture is evident from material exacavated at Taxila. The lesser-known site of Sugh in Haryana reveals types that spread across the northern plains all the way to the most important site for terracotta sculpture discovered in the subcontinent, Chandraketugarh in West Bengal. The terracotta finds of the middle and lower Gangetic valley are studied in Pradesh whose exceptionally elegant figurines and decorative temple panels reveal astonishing eloquence of the pan-Indian aesthetic of the Gupta period. No single volume thus far has provided such an overview, and this book should therefore be useful for art historians and all those who are interested in this rich tradition which survives in India to this day.
Author: Susan L. Huntington
Publisher: Motilal Banarsidass
ISBN: 8120836170
Category : Art
Languages : en
Pages : 849
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Book Description
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
Author: Pratiba Prakash
Publisher:
ISBN:
Category : Animals in art
Languages : en
Pages : 194
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Book Description
Author: Arputha Rani Sengupta
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 310
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Book Description
The book focuses on cult and cultural synthesis in India. The terracotta images are of profound nature and have significant role in fertility and funerary rituals. The terracotta temples of Bishnupur have also been dealt with. The main focus in on votive terracotta, which includes portable icons and sculptured veneer on architectural monuments of Bengal in the late medieval period. The images are vaishnavite and saivite krishna, Buddha as avatara or vishnu, Ramayana and Mahabharata scenes, etc. have been depicted. T
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 392
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Book Description
Author: Urmila Sant
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 324
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Book Description
Author: Satish Chandra Kala
Publisher: Abhinav Publications
ISBN: 9780391022348
Category : Art
Languages : en
Pages : 242
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Book Description
Author: John Guy
Publisher: Metropolitan Museum of Art
ISBN: 1588396932
Category : Art
Languages : en
Pages : 348
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Book Description
A pioneering study of the emergence of Buddhist art in southern India, featuring vibrant photography of rare works, many published here for the first time Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest surviving bodies of Buddhist art, and among the most sublimely beautiful. An international team of researchers contributes new scholarship on the sculptural and devotional art associated with Buddhism, and masterpieces from recently excavated Buddhist sites are published here for the first time—including Kanaganahalli and Phanigiri, the most important new discoveries in a generation. With its exploration of Buddhism’s emergence in southern India, as well as of India’s deep commercial and cultural engagement with the Hellenized and Roman worlds, this definitive study expands our understanding of the origins of Buddhist art itself.
Author: Joachim Karl Bautze
Publisher: BRILL
ISBN: 9004666753
Category : Architecture
Languages : en
Pages : 106
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Book Description
This booklet publishes for the first time the most intact as well as the probably most attractive North-Indian terracottas from the 3rd century B.C. to the 1st century A.D. The survey covers figurines, moulded plaques and so called 'toy-carts' from outstanding Indian, American and European collections.
