Tercera Parte de la Tragicomedia de Celestina PDF Download
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Author: Gaspar Gómez de Toledo
Publisher: University of Pennsylvania Press
ISBN: 1512814164
Category : Literary Collections
Languages : en
Pages : 608
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Book Description
Carefully and judiciously edited by Mac E. Barrick, the Tercera Celestina is a rare piece of Spanish Renaissance prose fiction, a literary masterpiece, and a mine of linguistic and proverbial materials.
Author: Gaspar Gómez de Toledo
Publisher: University of Pennsylvania Press
ISBN: 1512814164
Category : Literary Collections
Languages : en
Pages : 608
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Book Description
Carefully and judiciously edited by Mac E. Barrick, the Tercera Celestina is a rare piece of Spanish Renaissance prose fiction, a literary masterpiece, and a mine of linguistic and proverbial materials.
Author: Gaspar Gómez de Toledo
Publisher:
ISBN:
Category :
Languages : es
Pages : 256
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Book Description
Author: Gaspar Gomez de Toledo
Publisher:
ISBN:
Category :
Languages : es
Pages : 597
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Book Description
Author: Gaspar Gómez de Toledo
Publisher:
ISBN:
Category :
Languages : es
Pages : 597
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Book Description
Author: Gaspar Gomez
Publisher:
ISBN:
Category :
Languages : es
Pages : 248
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Book Description
Author:
Publisher: BRILL
ISBN: 9004349324
Category : Literary Criticism
Languages : en
Pages : 444
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Book Description
Twenty-three hitherto unpublished contributions by leading experts that summarize and expand on the main areas of Celestina scholarship, offering a critical overview of the field together with innovative approaches and readings.
Author: William H. Hinrichs
Publisher: Boydell & Brewer Ltd
ISBN: 1855662329
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
This book proposes a new way of tracing the history of the Early Modern Spanish novel through the prism of literary continuation. It identifies and examines the Golden Age narratives that invented the sequel and the narrative genres that the sequel in turn invented. This book proposes a new way of tracing the history of the Early Modern Spanish novel through the prism of literary continuation. It identifies and examines the Golden Age narratives that invented the sequel and the narrative genres that the sequel in turn invented. The author explores the rivalries between apocryphal and authorized sequelists that forged modern notions of authorship and authorial property. The book also defines the sequel's forms and functions, filling a major gap in literary theory in general and Peninsular literary studies in particular. Notably, the author demonstrates that the sequel develops first and foremost in Early Modern Spain, an unacknowledged and unexamined contribution to Western letters. With its panoramic scope, this study serves as an introduction to the central novelistic genres and texts of Early Modern Spain. From this foundational starting point, it alsooffers a general framework for understanding imaginative expansion in subsequent time periods and literary traditions. William H. Hinrichs is a founding faculty member and Assistant Professor of Modern Languages at Bard High School Early College, Queens.
Author: Ted Lars Lennard Bergman
Publisher: Boydell & Brewer
ISBN: 1855663392
Category : Drama
Languages : en
Pages : 271
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Book Description
TEMPORARY Bergman looks at the representation of criminals in early modern Spanish theatre and the connection between criminality, the portrayal of criminal heroes on stage, and public displays of law enforcement within and outside the playhouse. His main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day. His main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated. Ted L. L. Bergman is a Lecturer in Spanish, University of St Andrews.
Author: J. A. G. Ardila
Publisher: Oxford University Press, USA
ISBN: 0199641927
Category : Literary Criticism
Languages : en
Pages : 417
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Book Description
"The origins of the Spanish novel date back to the early picaresque novels and Don Quixote, in the sixteenth and seventeenth centuries, and the history of the genre in Spain presents the reader with such iconic works as Galdaos's Fortunata and Jacinta, Clarain's La Regenta, or Unamuno's Mist. A History of the Spanish Novel traces the developments of Spanish prose fiction in order to offer a comprehensive and detailed account of this important literary tradition. It opens with an introductory chapter that examines the evolution of the novel in Spain, with particular attention to the rise and emergence of the novel as a genre, during the sixteenth and seventeenth centuries, and the bearing of Golden-Age fiction in later novelists of all periods. The introduction contextualizes the Spanish novel in the circumstances and milestones of Spain's history, and in the wider setting of European literature. The volume is comprised of chapters presented diachronically, from the sixteenth to the twenty-first century and others concerned with specific traditions (the chivalric romance, the picaresque, the modernist novel, the avant-gardist novel) and with some of the most salient authors (Cervantes, Zayas, Pardo Bazaan Galdaos, and Baroja). A History of the Spanish Novel takes the reader across the centuries to reveal the captivating life of the Spanish novel tradition, in all its splendour, and its phenomenal contribution to Western literature"--Back cover of book jacket.
Author: Robert Lima
Publisher: University Press of Kentucky
ISBN: 0813184509
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms "occult" and "occultism" broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, séances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderón de la Barca, to modern stage works by Valle-Inclán, García Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.
