Tendencies of Modern English Drama PDF Download
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Author: Arthur Eustace Morgan
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 338
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Book Description
Author: Arthur Eustace Morgan
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 338
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Book Description
Author: Kathryn Eleanor Browne
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 34
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Book Description
This work is a thesis by Kathryn Eleanor Browne based on the development of certain tendencies in modern Opera and was submitted in 1907 to the University of Illinois. Browne has endeavored to track the roots, growth, evolution, and improvement of various tendencies in the Opera. Only the form of Opera has been evaluated in this study, and no attempt has been made towards the harmonic breakdown of the various operas. The primary tendencies that have been examined are the dissimilarities concerning: The number of acts employed The number and kind of characters A comparison: of the proportion of orchestral work, overtures, ballets and ritornelli; of solo work and the various voices employed; of recitative, spoken, accompanied, and unaccompanied; of ensemble work, duets, trios, quartets, quintets and sextets; separate from this last, a consideration of the proportion of chorus work mixed and sung by the men and the women alone. It contains research on thirty-four operas, and tables have been prepared to accurately consider these proportions, showing the percentage of the factors described. These percentages were acquired by the precise count of the measures dedicated to the solos, choruses, ensembles, etc.
Author: Francis Keese Wynkoop Drury
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 128
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Book Description
Author: John Michael Wilson
Publisher:
ISBN:
Category : Religion in drama
Languages : en
Pages : 444
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Book Description
Author: David Krasner
Publisher: John Wiley & Sons
ISBN: 1444343742
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
Covering the period 1879 to 1959, and taking in everything from Ibsen to Beckett, this book is volume one of a two-part comprehensive examination of the plays, dramatists, and movements that comprise modern world drama. Contains detailed analysis of plays and playwrights, connecting themes and offering original interpretations Includes coverage of non-English works and traditions to create a global view of modern drama Considers the influence of modernism in art, music, literature, architecture, society, and politics on the formation of modern dramatic literature Takes an interpretative and analytical approach to modern dramatic texts rather than focusing on production history Includes coverage of the ways in which staging practices, design concepts, and acting styles informed the construction of the dramas
Author: Sidney Shrager
Publisher: Ardent Media
ISBN: 9780829002614
Category : Language Arts & Disciplines
Languages : en
Pages : 128
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Book Description
Technically, scatology has been used for various purposes: to shock, to smash puritanical taboos, to exptess hate and disgust, to explain psychological motivation, to satirise, to preach acceptance of the body, to project moral indignation, to shake the fist at God, and to have pure Rabelaisian fun. Above all, modern playwrights have used scatology, verbal and visual, for one great thematic purpose -- as a metaphor for the human condition.
Author: Peter Szondi
Publisher: John Wiley & Sons
ISBN: 150954559X
Category : Literary Criticism
Languages : en
Pages : 129
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Book Description
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 104
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Book Description
Author: Nathaniel Wright Stephenson
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 562
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Book Description
Author: Ric Knowles
Publisher: University of Toronto Press
ISBN: 1442658630
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Theatre, like other subjects in the humanities, has recently undergone quintessential changes in theory, approach, and research. Modern Drama – a collection of twelve essays from leading theatre and drama scholars – investigates the contemporary meanings and the cultural and political resonances of the terms inherent in the concepts of 'modern' and 'drama,' delving into a range of theoretical questions on the history of modernism, modernity, postmodernism, and postmodernity as they have intersected with the shifting histories of drama, theatre, and performance. Using incisive analyses of both modern and postmodern plays, the contributors examine varied topics such as the analysis of periodicity; the articulation of social, political, and cultural production in theatre; the re-evaluation of texts, performances, and canons; and demonstrations of how interdisciplinarity inflects theatre and its practice. Including work by Sue-Ellen Case, Elin Diamond, Harry J. Elam Jr, Alan Filewod, Erika Fischer-Lichte, Stanton B. Garner Jr, Shannon Jackson, Loren Kruger, Josephine Lee, David Savran, Michael Sidnell, and Ann Wilson, the collection highlights the importance of continuing to investigate not only critical texts but also the terms of the debate themselves. Incorporating both drama history and modern studies, this compilation will be an invaluable work to all scholars of theatre and drama, and as well as those students of the humanities and modernism.
