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Author: CarrieLynn D. Reinhard
Publisher: Rowman & Littlefield
ISBN: 1666915629
Category : Performing Arts
Languages : en
Pages : 227
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Book Description
This book of empirical studies analyzes examples of televisual shared universes since the 1960s to understand how the nature of televised serial narratives and network corporate policies have long created shared storyworlds. While there has been much discussion about shared cinematic universes and comic book universes, the concept has had limited exploration in other media, such as those seen on the smaller screen. By applying convergence culture and other contemporary media studies concepts to television’s history, contributors demonstrate the common activities and practices in serial narratives that align older television with contemporary television, simultaneously bridging the gap between old media and new media studies. Scholars of film studies, media studies, and popular culture will find this book of particular interest.
Author: CarrieLynn D. Reinhard
Publisher: Rowman & Littlefield
ISBN: 1666915629
Category : Performing Arts
Languages : en
Pages : 227
Get Book Here
Book Description
This book of empirical studies analyzes examples of televisual shared universes since the 1960s to understand how the nature of televised serial narratives and network corporate policies have long created shared storyworlds. While there has been much discussion about shared cinematic universes and comic book universes, the concept has had limited exploration in other media, such as those seen on the smaller screen. By applying convergence culture and other contemporary media studies concepts to television’s history, contributors demonstrate the common activities and practices in serial narratives that align older television with contemporary television, simultaneously bridging the gap between old media and new media studies. Scholars of film studies, media studies, and popular culture will find this book of particular interest.
Author: Amy Holdsworth
Publisher: Bloomsbury Publishing USA
ISBN: 1501342843
Category : Social Science
Languages : en
Pages : 270
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Book Description
Bringing together scholars from film and television studies, media and cultural studies, literary studies, medical humanities, and disability studies, Discourses of Care collectively examines how the analysis of media texts and practices can contribute to scholarship on and understandings of health and social care, and how existing research focusing on the ethics of care can inform our understanding of media. Featuring a critical introductory essay and 13 specially commissioned original chapters, this is the first edited collection to address the relationship between media and the concept and practice of care and caregiving. Contributors consider the representation of care and caregiving through a range of forms and practices – the television documentary, photography, film, non-theatrical cinema, tabloid media, autobiography, and public service broadcasting - and engage with the labour, as well as the practical and ethical dimensions of media production. Together, they offer an original and wide ranging exploration of the various ways in which media forms represent, articulate and operate within caring relationships and practices of care; whether this is between individuals, communities as well as audiences and institutions.
Author: Ted Bergmann
Publisher: Rlpg/Galleys
ISBN:
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
ABC, NBC, CBS are the three names commonly associated with network television. The fourth name, Du Mont, is not usually recognizable by those younger than 50 or those who are not communications students. The Du Mont Television Network tells the story of the rise, the development, and the failure of this fourth network. Bergmann and Skutch present the Du Mont network's story in a dramatic, narrative style, from its days in the basement of an old pickle factory to its collaborations with the Paramount company. The story of the network's founder, Dr. Allen Du Mont, as well as details about management, programs, new technologies, and the network's fall from grace are a fascinating read. Bergmann, a former managing director of the Du Mont network, provides a rare insider's view of the network's history and its eventual demise. The Du Mont Television Network will intrigue television history fans, as well as communications students and media professionals.
Author: David P. Pierson
Publisher: Lexington Books
ISBN: 073917925X
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
Breaking Bad: Critical Essays on the Contexts, Politics, Style, and Reception of the Television Series, edited by David P. Pierson, explores the contexts, politics, and style of AMC's original series Breaking Bad. The book's first section locates and addresses the series from several contemporary social contexts, including neo-liberalism, its discourses and policies, the cultural obsession with the economy of time and its manipulation, and the epistemological principles and assumptions of Walter White's criminal alias Heisenberg. Section two investigates how the series characterizes and intersects with current cultural politics, such as male angst and the re-emergence of hegemonic masculinity, the complex portrayal of Latinos, and the depiction of physical and mental impairment and disability. The final section takes a close look at the series' distinctive visual, aural, and narrative stylistics. Under examination are Breaking Bad's unique visual style whereby image dominates sound, the distinct role and use of beginning teaser segments to disorient and enlighten audiences, the representation of geographic space and place, the position of narrative songs to complicate viewer identification, and the integral part that emotions play as a form of dramatic action in the series.
Author: Trischa Goodnow Knapp
Publisher:
ISBN: 9780739150030
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Examines the popular Comedy Central program from a rhetorical perspective to uncover the way in which Jon Stewart, the cast, and the writers critique mainstream media and politicians.
Author: Isabel Pinedo
Publisher: Oxford University Press
ISBN: 0197650740
Category : Performing Arts
Languages : en
Pages : 361
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Book Description
Camp TV of the 1960s offers a comprehensive understanding of all of the many forms camp TV took during that critical decade. In reevaluating the history of camp on television, the authors reconsider the infantilized conceptualization of sixties television, which has generally been characterized as the creative and cultural ebb between the 1950s Golden Age of television and the networks' shift to "relevance" in the early 1970s. Encompassing contributions from a broad range of media and television scholars that (re)consider programs like Batman, The Monkees, The Addams Family, Bewitched, F Troop, The Beverly Hillbillies, and Rowan & Martin's Laugh-In, chapters closely examine beloved 1960s American prime-time programs that drew significantly on aspects of camp, many of which were widely syndicated and left continuing imprints on popular culture. Other chapters consider key TV precursors from the early sixties; British camp television programs such as The Avengers; the use of musical codes to convey camp humor (even on black-and-white sets); the role that the viewing strategies of queer communities played - and continued to play even decades later; and how camp's multivalence allowed for more conservative readings, especially among older audiences, which were critical for the move to "mass camp" throughout American culture by the early seventies. Camp TV of the 1960s is essential reading for students and scholars in television studies and others interested in the history and theory of camp, the 1960s, or popular culture, as well as fans of these well-known but generally understudied television programs.
Author: Michele Byers
Publisher: Lexington Books
ISBN: 9780739116913
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
Dear Angela includes fourteen critical essays that examine the brief-lived but landmark television series, My So-Called Life (1994-1995). Tackling a broad range of topics_from identity politics, to music, to infidelity, and death_each essay builds upon a belief that My So-Called Life is a particularly rich text worth studying for the clues it offers about a particular moment in cultural and television history.
Author: Matt Yockey
Publisher: University of Texas Press
ISBN: 1477312501
Category : Business & Economics
Languages : en
Pages : 369
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Book Description
Tracing the rise of the Marvel Comics brand from the creation of the Fantastic Four to the development of the Marvel Cinematic Universe, this volume of original essays considers how a comic book publisher became a transmedia empire.
Author: Lara C. Stache
Publisher: Rowman & Littlefield
ISBN: 1538112841
Category : Performing Arts
Languages : en
Pages : 243
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Book Description
No longer just a cult classic, Gilmore Girls is a cultural staple for TV fans. Airing from 2000–2007, Gilmore Girls focused on the relationship between thirty-something single mom Lorelai and her teenage daughter, Rory. While exploring themes of family, romantic love, friendship, and life’s choices, this quirky show featured fast-paced dialogue, funny quips, and a steady stream of pop-culture references. Created by Amy Sherman-Palladino (The Marvelous Mrs. Maisel), Gilmore Girls served as a launching pad for the careers of its stars—including Lauren Graham, Melissa McCarthy, Alexis Bledel, Jared Padalecki, and Milo Ventimiglia. The series’ popularity was so enduring that ten years after its initial run, a revival season was released on Netflix. In Gilmore Girls: A Cultural History, Lara C. Stache and Rachel Davidson offer an engaging analysis of the popular series. The authors examine how the show serves as a representation of American culture and politics, reflects complexity within multiple mother-daughter dynamics, and employed literature, movies, and music to drive the dialogue and plot. They also explore how the choices made in the series reflect social values of the time, reinforce and challenge traditional ideas of gender and feminism, and unpack the cultural significance of this endearing series. As both a mirror and a construction of contemporary American culture, the series achieved critical accolades and became a cult classic, at once both unassuming and dynamic. This book offers new ways for fans to appreciate the appeal and value of this binge-worthy favorite as part of the larger culture in which it exists. Gilmore Girls: A Cultural History will be of interest to fans of the show as well as to scholars and students of television, media, and American popular culture.
Author: Shelley S. Rees
Publisher: Scarecrow Press
ISBN: 0810891417
Category : Performing Arts
Languages : en
Pages : 176
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Book Description
First broadcast in the not too distant past on a television station in Minnesota, Mystery Science Theater 3000 soon grew out of its humble beginnings and found a new home on cable television. This simple show about a man and two robots forced to watch bad movies became a cult classic, and episodes of the series continue to be packaged in DVD collections to this day. Before its final run, the show received Emmy nominations and a Peabody award for Television excellence, and in 2007, Time magazine declared MST3K one of “The 100 Best Shows of All-Time.” In Reading Mystery Science Theater 3000: Critical Approaches, Shelley S. Rees presents a collection of essays that examines the complex relationship between narrative and audience constructed by this baffling but beloved television show. Invoking literary theory, cultural criticism, pedagogy, feminist criticism, humor theory, rhetorical analysis, and film and media studies, these essays affirm the show’s narrative and rhetorical intricacy. The first section, “Rhetoric and the Empowered Audience,” addresses MST3K’s function as an exercise in rhetorical resistance. Part Two, “Mystery Science Theater 3000 and Genre,” analyzes MST3K through distinct generic traditions, including humor studies, traditional science fiction tropes, and the B-movie. Finally, the third section addresses postmodern and intertextual readings of the show. By providing an academic treatment of an iconic television phenomenon, these essays argue that Mystery Science Theater 3000 is worthy of serious scholarly attention. Though aimed at a discerning readership of academics, this collection will also appeal to the intellectual nature of the show’s well-educated audience.
