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Author: Reto Winckler
Publisher: Springer Nature
ISBN: 9811547203
Category : Performing Arts
Languages : en
Pages : 357
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Book Description
This book explores how television series can be understood as a form of literature, bridging the gap between literary and television studies. It goes beyond existing adaptation studies and narratological approaches to television series in both its scope and depth. The respective chapters address literary works, themes, tropes, techniques, values, genres, and movements in relation to a broad variety of television series, while drawing on the theoretical work of a host of scholars from Simone de Beauvoir and Yuri Lotman to Ted Nannicelli and Jason Mittel, and on critical approaches ranging from narratology and semiotics to empirical sociology and phenomenology. The book fosters new ways of understanding television series and literature and lays the groundwork for future scholarship in a number of fields. By questioning the alleged divide between television series and works of literature, it contributes not only to a better understanding of television series and literary texts themselves, but also to the development of interdisciplinary scholarship in the humanities.
Author: Reto Winckler
Publisher: Springer Nature
ISBN: 9811547203
Category : Performing Arts
Languages : en
Pages : 357
Get Book Here
Book Description
This book explores how television series can be understood as a form of literature, bridging the gap between literary and television studies. It goes beyond existing adaptation studies and narratological approaches to television series in both its scope and depth. The respective chapters address literary works, themes, tropes, techniques, values, genres, and movements in relation to a broad variety of television series, while drawing on the theoretical work of a host of scholars from Simone de Beauvoir and Yuri Lotman to Ted Nannicelli and Jason Mittel, and on critical approaches ranging from narratology and semiotics to empirical sociology and phenomenology. The book fosters new ways of understanding television series and literature and lays the groundwork for future scholarship in a number of fields. By questioning the alleged divide between television series and works of literature, it contributes not only to a better understanding of television series and literary texts themselves, but also to the development of interdisciplinary scholarship in the humanities.
Author: Reto Winckler
Publisher: Palgrave Macmillan
ISBN: 9789811547195
Category : Performing Arts
Languages : en
Pages : 355
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Book Description
This book explores how television series can be understood as a form of literature, bridging the gap between literary and television studies. It goes beyond existing adaptation studies and narratological approaches to television series in both its scope and depth. The respective chapters address literary works, themes, tropes, techniques, values, genres, and movements in relation to a broad variety of television series, while drawing on the theoretical work of a host of scholars from Simone de Beauvoir and Yuri Lotman to Ted Nannicelli and Jason Mittel, and on critical approaches ranging from narratology and semiotics to empirical sociology and phenomenology. The book fosters new ways of understanding television series and literature and lays the groundwork for future scholarship in a number of fields. By questioning the alleged divide between television series and works of literature, it contributes not only to a better understanding of television series and literary texts themselves, but also to the development of interdisciplinary scholarship in the humanities.
Author: Sarah Clarke Stuart
Publisher: Bloomsbury Publishing USA
ISBN: 1441176837
Category : Performing Arts
Languages : en
Pages : 174
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Book Description
From the moment that Watership Down made its appearance on screen in season one, speculation about Lost's literary allusions has played an important role in the larger discussion of the show. Fans and critics alike have noted the many references, from biblical passages and children's stories to science fiction and classic novels. Literary Lost teases out the critical significance of these featured books, demonstrating how literature has served to enhance the meaning of the show. It provides a fuller understanding of Lost and reveals how television can be used as a tool for stimulating a deeper interest in literary texts. The first chapter features an exhaustive list of "Lost books," including the show's predecessor texts. Subsequent chapters are arranged thematically, covering topics from free will and the nature of time to parenthood and group dynamics. From Lewis Carroll's creations, which appear as recurring images and themes throughout, to Slaughterhouse-Five's lessons on the nature of time, Literary Lost will help readers unravel the show's novelistic plot while celebrating its astonishing layers and nuances of text.
Author: Gary C. Burns
Publisher: Praeger
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 286
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Book Description
Burns and Thompson help to remedy the lack of a forum for current research on television by bringing together, in this volume, some of the best recent research in television studies. This work will begin to fill the gap in literature on television studies as a discipline. In compiling these 13 papers, the editors maintain a balance of timely interest and lasting relevance. The contributors study the texts of current TV dramatic and comic series, such as Dallas and Cheers, as well as current trends in nonfiction TV, such as network and local news coverage. Each analysis of a specific television text is complimented with rigorous theoretical argumentation. Students and scholars of communications and television criticism will find Television Studies valuable reading. The book begins with a two-chapter debate primarily seeking a definition of `television studies.' The debate includes a critical examination of the capitalist institutions that dominate television as an industry. Further chapters discuss dramatic television series; an examination of the development of the lengthy serial text of Dallas, and structural analysis of the pilot episode of Cheers. The book contains five essays on nonfiction television, including an insiders view of the production and promotion of local TV news and an analysis of CBS and ABC's TV news coverage of South Africa over a two week period in 1987. In a final essay, conventional wisdom about `the audience' is refuted.
Author: Alan Sepinwall
Publisher: Hachette+ORM
ISBN: 1455588202
Category : Performing Arts
Languages : en
Pages : 456
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Book Description
Is The Wire better than Breaking Bad? Is Cheers better than Seinfeld? What's the best high school show ever made? Why did Moonlighting really fall apart? Was the Arrested Development Netflix season brilliant or terrible? For twenty years-since they shared a TV column at Tony Soprano's hometown newspaper-critics Alan Sepinwall and Matt Zoller Seitz have been debating these questions and many more, but it all ultimately boils down to this: What's the greatest TV show ever? That debate reaches an epic conclusion in TV (THE BOOK). Sepinwall and Seitz have identified and ranked the 100 greatest scripted shows in American TV history. Using a complex, obsessively all-encompassing scoring system, they've created a Pantheon of top TV shows, each accompanied by essays delving into what made these shows great. From vintage classics like The Twilight Zone and I Love Lucy to modern masterpieces like Mad Men and Friday Night Lights, from huge hits like All in the Family and ER to short-lived favorites like Firefly and Freaks and Geeks, TV (THE BOOK) will bring the triumphs of the small screen together in one amazing compendium. Sepinwall and Seitz's argument has ended. Now it's time for yours to begin!
Author: G. Allrath
Publisher: Springer
ISBN: 0230501001
Category : Performing Arts
Languages : en
Pages : 235
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Book Description
In the context of a systematic overview of the possibilities of applying narratological concepts to a study of TV series, ten case studies are explored in depth, demonstrating how series such as 24, Buffy, Twin Peaks, Star Trek, Blackadder, and Sex and the City make use of innovative audiovisual means of storytelling. Transgressing the traditional confines of narrative theory, the chapter authors address the question of how form, content, and function intersect in these series.
Author: Ion Piso
Publisher: Cambridge Scholars Publishing
ISBN: 1527534715
Category : Social Science
Languages : en
Pages : 168
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Book Description
This study sheds light on the impressive work done by writers of television series, highlighting their sources of inspiration and their exceptional talent for maintaining interest and mirroring changes in mentalities in lifestyle. It offers numerous original interpretations of various categories of such television shows, and explores the ways in which older series have been developed, and what has been maintained and changed in more modern TV series.
Author: Monika Bednarek
Publisher: Cambridge University Press
ISBN: 1108472222
Category : Language Arts & Disciplines
Languages : en
Pages : 321
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Book Description
Explores contemporary US television dialogue - the on-screen language that viewers worldwide encounter as they watch popular television series.
Author: Thomas Richard Fahy
Publisher: Univ. Press of Mississippi
ISBN: 1617038776
Category : Biography & Autobiography
Languages : en
Pages : 157
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Book Description
Collected interviews with the screenwriter of the Academy Award-winning film American Beauty and creator of the Emmy Award-winning television series Six Feet Under and True Blood
Author: Christine Geraghty
Publisher: Rowman & Littlefield
ISBN: 9780742538214
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
Going beyond the process of adaptation, Geraghty is more interested in the films themselves and how they draw on our sense of recall. While a film reflects its literary source, it also invites comparisons to our memories and associations with other versions of the original. For example, a viewer may watch the 2005 big-screen production of Pride and Prejudice and remember Austen's novel as well as the BBC's 1995 television movie. Adaptations also rely on the conventions of genre, editing, acting, and sound to engage our recall--elements that many movie critics tend to forget when focusing solely on faithfulness to the written word.
