Techniques and Training for Staged Fighting

Techniques and Training for Staged Fighting PDF Author: James D. Strider
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 260

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Book Description
This study offers practical suggestions for training actor-combatants in a university environment. Guidelines for teaching staged fighting are based on the author's first-hand experience in both performance and education at the college level. The study also examines the ethics of staging violence in light of modern sociological studies.

Techniques and Training for Staged Fighting

Techniques and Training for Staged Fighting PDF Author: James D. Strider
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 260

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Book Description
This study offers practical suggestions for training actor-combatants in a university environment. Guidelines for teaching staged fighting are based on the author's first-hand experience in both performance and education at the college level. The study also examines the ethics of staging violence in light of modern sociological studies.

Real Fighting

Real Fighting PDF Author: Peyton Quinn
Publisher: Paladin Press
ISBN: 9780873648936
Category :
Languages : en
Pages : 0

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Book Description
Techniques learned in the dojo rarely work in a real fight. Here the author of A Bouncer's Guide to Barroom Brawling offers a practical solution. Learn how to control the rush of adrenaline into your system and harness it effectively to shut down the bully's antics or pound him into the pavement when all else fails.

Basics of Stage Combat

Basics of Stage Combat PDF Author: Andrew Ashenden
Publisher: Universal-Publishers
ISBN: 1612330711
Category : Performing Arts
Languages : en
Pages : 127

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Book Description
This book is an introduction to the basics of stage combat in the area of unarmed combat. It holds enough information to give students an understanding of the subject, as well as how to perform some of the more simple "tricks of the trade." The importance of the safety involved in performing stage combat is also discussed.

The Art of Unarmed Stage Combat

The Art of Unarmed Stage Combat PDF Author: Robert Najarian
Publisher: CRC Press
ISBN: 1317804899
Category : Performing Arts
Languages : en
Pages : 476

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Book Description
The Art of Unarmed Stage Combat is a guide to the principles and techniques of theatrical violence, combining detailed discussions of the mechanics of stage fighting with the nuances of acting decisions to make fighting styles reflect character and story. Expert Fight Director Robert Najarian offers never-before-published games and exercises that allows actors to develop the skills and concepts for performing violence for stage and screen. This title utilizes a unique system of training techniques that result in stage violence that is both physically engaging for the performer, while remaining viscerally engaging for the audience. This book is written for the actor and fight director.

Stage Combat Arts

Stage Combat Arts PDF Author: Christopher DuVal
Publisher: Bloomsbury Publishing
ISBN: 1472532554
Category : Performing Arts
Languages : en
Pages : 305

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Book Description
The art of armed and unarmed stage combat thrills actors and audiences alike the world over. This book details many of the foundational techniques used by actors studying stage combat and actor-movement disciplines. A variety of specific training exercises are described that connect the actor's imagination to a cohesive and meaningful actor-training curriculum – integrating stage combat with the actor's process of developing a fully embodied awareness of the physical life of the character. Developing physical awareness and dexterity is an essential component of an actor's training and rehearsal processes. Engagement, connection, the ability to listen and respond with authenticity, clarity, flexibility, intentionality, tactical response, variety are all helpful aspects for the actor studying combat movement. With practical exercises and expert advice, Stage Combat Arts allows the actor to further hone their emotional connection and extension, breath and voice, intention and focus, movement and freedom, and their ability to connect physically to imagery and text – disciplines that are at the foundation of actor-training – all through the art of combat movement.

Combat Techniques of Taiji, Xingyi, and Bagua

Combat Techniques of Taiji, Xingyi, and Bagua PDF Author: Lu Shengli
Publisher: Blue Snake Books
ISBN: 9781583941454
Category : Sports & Recreation
Languages : en
Pages : 404

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Book Description
The combat techniques of Tai Ji, Ba Gua, and Xing Yi were forbidden during China's Cultural Revolution, but the teachings of grandmaster Wang Pei Shing have survived. This comprehensive guide, written by one of his students, selects core movements from each practice and gives the student powerful tools to recognize the unique strategies and skills, and to develop a deeper understanding, of each style. It contains complete instructions for a 16-posture form to gain mastery of combat techniques. The book helps practitioners achieve a new level of practice, where deeply ingrained skills are brought forth in a more fluid, intuitive, and fast-paced fashion.

Stage Combat Resource Materials

Stage Combat Resource Materials PDF Author: Michael Kirkland
Publisher: Bloomsbury Publishing USA
ISBN: 0313089051
Category : Literary Criticism
Languages : en
Pages : 362

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Book Description
This book is designed to educate the reader about the evolution and development of arms, armor, and personal combat for the stage. It is the perfect guide for locating books, articles, and videos for those involved in the historical reenactment of duels and battles. It simultaneously offers historical context and points the reader toward useful and easily obtainable resources to inform their fights, costumes, and stage weaponry. This resource text is a must have for fight directors, teachers of stage combat, historical re-enactors, costumers, and weapons makers. The body of the work is divided up into five chapters and a series of appendices containing a compendium of useful information for fight directors and weapons makers. Chapter one surveys the evolution and development of arms, armor, and personal combat. Chapters two, three, and four consist of annotations of books, articles, and videos respectively. Chapter five offers concluding remarks on the project.

Burn this

Burn this PDF Author: Lanford Wilson
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822216254
Category : Drama
Languages : en
Pages : 76

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Book Description
THE STORY: The place is a Manhattan loft shared by Anna, a lithe young dancer-choreographer, and her two gay roommates--her collaborator, Robby, who has just been killed in a freak boating accident, and Larry, a world-weary, caustically funny young adverti

The Elite Forces Handbook of Unarmed Combat

The Elite Forces Handbook of Unarmed Combat PDF Author: Ron Shillingford
Publisher: Macmillan
ISBN: 9780312264369
Category : History
Languages : en
Pages : 202

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Book Description
Examines techniques used by special forces around the world: the lethal strikes of the Spetsnaz, locks and constrictions used by the Egyptian special forces, U.S. Army throws and holds, and elementary methods taught to Britain's Parachute Regiment.

Fighting As Real As It Gets

Fighting As Real As It Gets PDF Author: Michael Staack
Publisher: Springer
ISBN: 3476049914
Category : Sports & Recreation
Languages : en
Pages : 217

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Book Description
Michael Staack’s multi-year ethnography is the first and only comprehensive social-scientific analysis of the combat sport ‘Mixed Martial Arts’. Based on systematic training observations, the author meticulously analyses how Mixed Martial Arts practitioners conjointly create and immerse themselves into their own world of ultimate bodily combat. With his examination of concentrative technique demonstrations, cooperative technique train-ings, and chaotic sparring practices, Staack not only provides a sociological illumination of Mixed Martial Arts culture’s defining theme – the quest of ‘Fighting As Real As It Gets’. Rather further-more, he provides a compelling cultural-sociological case study on practical social constructions of ‘authenticity’.