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Author: James Redmond
Publisher: Cambridge University Press
ISBN: 9780521088695
Category : Drama
Languages : en
Pages : 340
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Book Description
Themes in Drama is a journal which brings together articles and review about the dramatic and theatrical activity of a wide range of cultures and periods. The articles offer original contributions to their own specialised fields, but are presented in such a way that their significance may be readily appreciated by non-specialists. The review section is especially important since reviewers have more than usual scope to give critical accounts of drama in performance and to discuss the most significant contributions to dramatic scholarship and criticism.
Author: James Redmond
Publisher: Cambridge University Press
ISBN: 9780521088695
Category : Drama
Languages : en
Pages : 340
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Book Description
Themes in Drama is a journal which brings together articles and review about the dramatic and theatrical activity of a wide range of cultures and periods. The articles offer original contributions to their own specialised fields, but are presented in such a way that their significance may be readily appreciated by non-specialists. The review section is especially important since reviewers have more than usual scope to give critical accounts of drama in performance and to discuss the most significant contributions to dramatic scholarship and criticism.
Author: John Racin
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 296
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Book Description
The sensational onstage suicide of Russian actress and opera singer Kadmina in 1881 led Alexei Suvorin to memorialize her in his 1888 four-act play Tatyana Repina. One year later, his friend Anton Chekhov, himself fascinated by Kadmina, sent Suvorin a one-act play, which was in fact a fifth act continuation of Tatyana Repina, with instructions to show it to no one. When the play was finally made public years later by Chekhov's brother Mikhail, it presented a mystery: Was it, as the brother claimed, a parody? Or was the brother simply distancing himself from a then controversial Suvorin? Russian historian and linguist John Racin examines the enormous documentary record to make the case that Chekhov's one-act was written as an earnest artistic complement to Suvorin's. Racin's convictions led him to retranslate both Tatyana Repinas, presented here with additional relevant texts.
Author: Anton Chekhov
Publisher: W. W. Norton & Company
ISBN: 9780393330694
Category : Drama
Languages : en
Pages : 1128
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Book Description
"The most complete collection of the Russian playwright's repertoire."—Vogue This stunning new translation presents the only truly complete edition of the plays of one of the greatest dramatists in history. Anton Chekhov is a unique force in modern drama, his works interpreted and adapted internationally and beloved for their brilliant wit and understanding of the human condition.This volume contains work never previously translated, including the newly discovered farce The Power of Hypnotism, the first version of Ivanov, Chekhov's early humorous dialogues, and a description of lost plays and those Chekhov intended to write but never did.
Author: Vera Gottlieb
Publisher: Cambridge University Press
ISBN: 0521241707
Category : Drama
Languages : en
Pages : 242
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Book Description
This book examines the strangely neglected area of Chekhov's one-act plays, written between 1885 and 1903. Still frequently performed, they reveal many of the comic and distancing effects which are to be found in the major plays and tell us as much about Chekhov's philosophy as his use of theatre.
Author: Donald Rayfield
Publisher: Univ of Wisconsin Press
ISBN: 9780299163143
Category : Drama
Languages : en
Pages : 324
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Book Description
Of all Russian writers, Chekhov is one of the best liked and most easily appreciated. Yet because his work is subtle and understated, we need help to understand him. Chekhov can be (as his friends complained) the most elusive of writers, and one who appears capable of having two opposite views and opposite intentions simultaneously. Donald Rayfield, one of the world's foremost Chekhov scholars, reveals the layers of meaning on which the stories and plays are built. All Chekhov's important works are studied: we see how closely the two genres are connected and gain insight into Chekhov's rapid development over his brief twenty years of creative life, from medical student supplementing his income by writing comic stories, to father of twentieth-century drama and narrative prose.
Author: Anton Pavlovich Chekhov
Publisher:
ISBN:
Category :
Languages : en
Pages : 372
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Book Description
Author: Rachel Morley
Publisher: Bloomsbury Publishing
ISBN: 1786730588
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
Oriental dancers, ballerinas, actresses and opera singers the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From the first feature film, Romashkov's Stenka Razin (1908), through the sophisticated melodramas of the 1910s, to Viskovsky's The Last Tango (1918), made shortly before the pre-Revolutionary film industry was dismantled by the new Soviet government, the female performer remains central. In this groundbreaking new study, Rachel Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers repeatedly used this archetype of femininity to experiment with cinematic technology and develop a specific cinematic language."
Author: Laurence Senelick
Publisher: Routledge
ISBN: 1136343415
Category : Performing Arts
Languages : en
Pages : 672
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Book Description
Konstantin Stanislavsky transformed theatre in the West and was indisputably one of the twentieth century’s greatest innovators. His life and work mark some of the most significant artistic and political milestones of that tumultuous century, from the emancipation of the serfs to the Russian Revolution. Little wonder, then, that his correspondence contains gripping exchanges with the famous and infamous of his day: men such as Tolstoy, Chekhov, Trotsky and Stalin, among others. Laurence Senelick, one of the world’s foremost scholars of Russian literature, mines the Moscow archives and the definitive Russian edition of Stanislavsky’s letters, to produce the fullest collection of the letters in any language other than Russian. He sheds new light on this fascinating field. Senelick takes us from the earliest extant letter of an eleven-year-old Konstantin in 1874, through his work as actor, director and actor trainer with the Moscow Art Theatre, to messages written just before his death in 1938 at the age of seventy-five. We discover Stanislavsky as son, brother and father, as lover and husband, as businessman and "internal emigre." He is seen as a wealthy tourist and an impoverished touring actor, a privileged subject of the Tsar and a harried victim of the Bolsheviks. Senelick shares key insights into Stanislavsky's work on such important productions as The Seagull, The Cherry Orchard, Hamlet, Othello, and The Marriage of Figaro. The letters also reveal the steps that led up to the publication of his writings My Life in Art and An Actor’s Work on Himself. This handsome edition is also comprehensively annotated and fully illustrated.
Author: Vera Gottlieb
Publisher: Cambridge University Press
ISBN: 1139825658
Category : Drama
Languages : en
Pages : 436
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Book Description
This volume of specially commissioned essays explores the world of Anton Chekhov - one of the most important dramatists in the repertoire - and the creation, performance and interpretation of his works. The Companion, first published in 2000, begins with an examination of Chekhov's life, his Russia, and the original productions of his plays at the Moscow Art Theatre. Later film versions and adaptations of Chekhov's works are analysed, with valuable insights also offered on acting Chekhov, by Ian McKellen, and directing Chekhov, by Trevor Nunn and Leonid Heifetz. The volume also provides essays on 'special topics' such as Chekhov as writer, Chekhov and women, and the Chekhov comedies and stories. Key plays, such as The Cherry Orchard and The Seagull, receive dedicated chapters while lesser-known works and genres are also brought to light. The volume concludes with appendices of primary sources, lists of works, and a select bibliography.
Author: Michael C. Finke
Publisher: Reaktion Books
ISBN: 1789144299
Category : Biography & Autobiography
Languages : en
Pages : 237
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Book Description
An enlightening, nuanced, and accessible introduction to the life and work of one of the greatest writers of short fiction in history. Anton Chekhov’s stories and plays endure, far beyond the Russian context, as outstanding modern literary models. In a brief, remarkable life, Chekhov rose from lower-class, provincial roots to become a physician, leading writer, and philanthropist, all in the face of a progressive fatal disease. In this new biography, Michael C. Finke analyzes Chekhov’s major stories, plays, and nonfiction in the context of his life, both fleshing out the key features of Chekhov’s poetics of prose and drama and revealing key continuities across genres, as well as between his lesser-studied early writings and the later works. An excellent resource for readers new to Chekhov, this book also presents much original scholarship and is an accessible, comprehensive overview of one of the greatest modern dramatists and writers of short fiction in history.
