Author: Robert Kirkwood Paterson
Publisher:
ISBN: 9788874399659
Category : Art
Languages : en
Pages : 164
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Book Description
- Tattooed History: The Story of Mokomokai presents in a new way, and in a new light, the ancient art of tattooing among the Maori peopleTattooed History: The Story of Mokomokai is the first book to comprehensively explore the history of these remarkable Maori ancestors. The elaborate facial markings (ta moko) of the Maori are well-known, but less so is the unique process of preserving the tattooed heads of both enemies and loved ones. This work presents many sources, documents and illustrations for the first time to explore its subject in a new and original way.Mokomokai were first encountered by Europeans during the exploration of New Zealand by James Cook. When missionaries, traders and other visitors learnt more about mokomokai they published the first descriptions of how they were preserved and the customs surrounding them. This book examines these early nineteenth century writings and describes how mokomokai were first exhibited to curious foreign onlookers around the same time. The acquisition of mokomokai by outsiders, often in exchange for weapons, is discussed along with how these heads formed part of the earliest collections of museums and other institutions.Once European settlement expanded, the practice of preserving heads ended and there were very few left in New Zealand. While New Zealand established its own first museums they often had to acquire mokomokai from outside the country. This work describes the auction and sale of mokomokai in Britain for a period of over 150 years. It discusses the collecting of mokomokai by such renowned British collectors as Horatio Gordon Robley and W.O. Oldman, who were sometimes the source of mokomokai for New Zealand institutions.The public sale of mokomokai at auction in Britain ended when Maori mounted legal challenges to such sales. These legal strategies are discussed along with how they were replaced by comprehensive repatriation strategies that received government support and are ongoing.Tattooed History presents the 250 year-long story of mokomokai in a new and exciting way, through rich historical and illustrative documentation. This book places these unique remains in the overall context of New Zealand history, the characters who formed part of it, and the emergence of an international market for ethnography after the Second World War.
Author: Margot Mifflin
Publisher: powerHouse Books
ISBN: 1576876926
Category : Art
Languages : en
Pages : 164
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Book Description
"In this provocative work full of intriguing female characters from tattoo history, Margot Mifflin makes a persuasive case for the tattooed woman as an emblem of female self-expression." —Susan Faludi Bodies of Subversion is the first history of women’s tattoo art, providing a fascinating excursion to a subculture that dates back into the nineteenth-century and includes many never-before-seen photos of tattooed women from the last century. Author Margot Mifflin notes that women’s interest in tattoos surged in the suffragist 20s and the feminist 70s. She chronicles: * Breast cancer survivors of the 90s who tattoo their mastectomy scars as an alternative to reconstructive surgery or prosthetics. * The parallel rise of tattooing and cosmetic surgery during the 80s when women tattooists became soul doctors to a nation afflicted with body anxieties. * Maud Wagner, the first known woman tattooist, who in 1904 traded a date with her tattooist husband-to-be for an apprenticeship. * Victorian society women who wore tattoos as custom couture, including Winston Churchill’s mother, who wore a serpent on her wrist. * Nineteeth-century sideshow attractions who created fantastic abduction tales in which they claimed to have been forcibly tattooed. “In Bodies of Subversion, Margot Mifflin insightfully chronicles the saga of skin as signage. Through compelling anecdotes and cleverly astute analysis, she shows and tells us new histories about women, tattoos, public pictures, and private parts. It’s an indelible account of an indelible piece of cultural history.” —Barbara Kruger, artist
Author: Aaron Deter-Wolf
Publisher: University of Texas Press
ISBN: 0292749120
Category : Art
Languages : en
Pages : 312
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Book Description
For thousands of years, Native Americans used the physical act and visual language of tattooing to construct and reinforce the identity of individuals and their place within society and the cosmos. This book offers an examination into the antiquity, meaning, and significance of Native American tattooing in the Eastern Woodlands and Great Plains.--Publisher description.
Author: Alison McGhee
Publisher: Chronicle Books
ISBN: 1452154171
Category : Juvenile Fiction
Languages : en
Pages : 33
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Book Description
A bestselling author-illustrator duo join forces to create a modern father-son love story. The father tells his little son the story behind each of his tattoos, and together they go on a beautiful journey through family history. There's a tattoo from a favorite book his mother used to read him, one from something his father used to tell him, and one from the longest trip he ever took. And there is a little heart with numbers inside—which might be the best tattoo of them all. Tender pictures by New York Times bestselling illustrator Eliza Wheeler complement this lovely ode to all that's indelible—ink and love. Plus, this is the fixed-format version, which looks almost identical to the print edition!
Author: Margo DeMello
Publisher: Duke University Press
ISBN: 9780822324676
Category : Art
Languages : en
Pages : 260
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Book Description
An ethnography of the tattoo community, tracing the practice's transformation from a mostly male, working-class phenomenon to one adapted and propagated by a more middle-class movement in the period from the 1970s to the present.
Author: Sinah Theres Kloß
Publisher: Routledge
ISBN: 1000707989
Category : History
Languages : en
Pages : 346
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Book Description
Tattoo Histories is an edited volume which analyses and discusses the relevance of tattooing in the socio-cultural construction of bodies, boundaries, and identities, among both individuals and groups. Its interdisciplinary approach facilitates historical as well as contemporary perspectives. Rather than presenting a universal, essentialized history of tattooing, the volume’s objective is to focus on the entangled and transcultural histories, narratives, and practices related to tattoos. Contributions stem from various fields, including Archaeology, Art History, Classics, History, Linguistics, Media and Literary Studies, Social and Cultural Anthropology, and Sociology. They advance the current endeavour on the part of tattoo scholars to challenge Eurocentric and North American biases prevalent in much of tattoo research, by including various analyses based in locations such as Malaysia, Israel, East Africa, and India. The thematic focus is on the transformative capacity of tattoos and tattooing, with regard to the social construction of bodies and subjectivity; the (re-)creation of social relationships through the definition of (non-)tattooed others; the formation and consolidation of group identities, traditions, and authenticity; and the conceptualization of art and its relevance to tattoo artist–tattooee relations.
Author: Amelia Klem Osterud
Publisher: Rowman & Littlefield
ISBN: 1589799976
Category : Performing Arts
Languages : en
Pages : 160
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Book Description
Living in a time when it was scandalous even to show a bit of ankle, a small number of courageous women covered their bodies in tattoos and traveled the country, performing nearly nude on carnival stages. These gutsy women spun amazing stories for captivated audiences about abductions and forced tattooing at the hands of savages, but little has been shared of their real lives. Though they spawned a cultural movement—almost a quarter of Americans now have tattoos—these women have largely faded into history. The Tattooed Lady uncovers the true stories behind these women, bringing them out of the sideshow realm and into their working class realities. Combining thorough research with more than a hundred historical photos, this updated second edition explores tattoo origins, women's history, circus lore, and includes even more personal and professional details from modern tattooed ladies. A fascinating read, The Tattooed Lady pays tribute to a group of unique and amazing women whose legacy lives on.
Author: Anna Felicity Friedman
Publisher: Yale University Press
ISBN: 0300210485
Category : Art
Languages : en
Pages : 401
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Book Description
"A grand tour of the world's great tattoos"--Atlas Obscura "This book--part global art historical tome, part coffee-table book of visual wonders--is a valuable corrective to many silly things that we assume about tattooing."--The New Republic A lavishly illustrated global exploration of the vast array of styles and most significant practitioners of tattoo from ancient times to today Tattoo art and practice has seen radical changes in the 21st century, as its popularity has exploded. An expanding number of tattoo artists have been mining the past for lost traditions and innovating with new technology. An enormous diversity of styles, genres, and techniques has emerged, ranging from geometric blackwork to vibrant, painterly styles, and from hand-tattooed works to machine-produced designs. With over 700 stunning color illustrations, this volume considers historical and contemporary tattoo practices in Europe, the Americas, the Middle East, North and Sub-Saharan Africa, Asia, Australia, and the Pacific Islands. Each section, dedicated to a specific geographic region, features fascinating text by tattoo experts that explores the history and traditions native to that area as well as current styles and trends. The World Atlas of Tattoo also tracks the movement of styles from their indigenous settings to diasporic communities, where they have often been transformed into creative, multicultural, hybrid designs. The work of 100 notable artists from around the globe is showcased in this definitive reference on a widespread and intriguing art practice.
Author: Wilfrid Dyson Hambly
Publisher:
ISBN:
Category : Tattooing
Languages : en
Pages : 368
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Book Description
Author: Simon Barnard
Publisher: Text Publishing
ISBN: 1925410234
Category : Art
Languages : en
Pages : 129
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Book Description
At least thirty-seven per cent of male convicts and fifteen per cent of female convicts were tattooed by the time they arrived in the penal colonies, making Australians quite possibly the world's most heavily tattooed English-speaking people of the nineteenth century. Each convict’s details, including their tattoos, were recorded when they disembarked, providing an extensive physical account of Australia's convict men and women. Simon Barnard has meticulously combed through those records to reveal a rich pictorial history. Convict Tattoos explores various aspects of tattooing—from the symbolism of tattoo motifs to inking methods, from their use as means of identification and control to expressions of individualism and defiance—providing a fascinating glimpse of the lives of the people behind the records. Simon Barnard was born and grew up in Launceston. He spent a lot of time in the bush as a boy, which led to an interest in Tasmanian history. He is a writer, illustrator and collector of colonial artifacts. He now lives in Melbourne. He won the Eve Pownall Award for Information Books in the 2015 Children’s Book Council of Australia’s Book of the Year awards for his first book, A-Z of Convicts in Van Diemen’s Land. Convict Tattoos is his second book. ‘The early years of penal settlement have been recounted many times, yet Convict Tattoos genuinely breaks new ground by examining a common if neglected feature of convict culture found among both male and female prisoners.’ Australian ‘This niche subject has proved fertile ground for Barnard—who is ink-free—by providing a glimpse into the lives of the people behind the historical records, revealing something of their thoughts, feelings and experiences.’ Mercury 'The best thing to happen in Australian tattoo history since Cook landed. A must-have for any tattoo historian.’ Brett Stewart, Australian Tattoo Museum
