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Author: Madeline Roycroft
Publisher: Lyrebird Press lyrebirdpress.music.unimelb.edu.au
ISBN: 0734037961
Category : Music
Languages : en
Pages : 216
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Book Description
What is the creative process? Is there an Australian voice? Does tonality have a place in music of this century? These and many other questions relating to composition, its philosophy and individual works are answered by nineteen Australian composers in a fascinating collection of interviews dating from 1996 to 2021. Composers in the spotlight are: Larry Sitsky, Elena Kats-Chernin, Chris Dench, Julian Yu, Brenton Broadstock, Richard Mills, Nigel Westlake, Neil Kelly, Carl Vine, Elliott Gyger, Joseph Twist, Felicity Wilcox, Gordon Kerry, Liza Lim, Linda Kouvaras, Helen Gifford, Paul Stanhope, Stuart Greenbaum and Melody Eötvös.
Author: Madeline Roycroft
Publisher: Lyrebird Press lyrebirdpress.music.unimelb.edu.au
ISBN: 0734037961
Category : Music
Languages : en
Pages : 216
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Book Description
What is the creative process? Is there an Australian voice? Does tonality have a place in music of this century? These and many other questions relating to composition, its philosophy and individual works are answered by nineteen Australian composers in a fascinating collection of interviews dating from 1996 to 2021. Composers in the spotlight are: Larry Sitsky, Elena Kats-Chernin, Chris Dench, Julian Yu, Brenton Broadstock, Richard Mills, Nigel Westlake, Neil Kelly, Carl Vine, Elliott Gyger, Joseph Twist, Felicity Wilcox, Gordon Kerry, Liza Lim, Linda Kouvaras, Helen Gifford, Paul Stanhope, Stuart Greenbaum and Melody Eötvös.
Author: Kerry Murphy
Publisher: Lyrebird Press lyrebirdpress.music.unimelb.edu.au
ISBN: 0734038011
Category : Music
Languages : en
Pages : 286
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Book Description
This book on the Australian music publisher and patron Louise Hanson-Dyer brings together, for the first time, an international group of scholars with expertise in the history of early French musicology and sound recording; fine art and design; and critical editions and music publishing in France. With a focus on the interwar period, it aims to synchronise Hanson-Dyer’s Melbourne and Paris ventures, seeing her work in a global perspective and showing how she played a significant role in the transnational cultural relationship between Australia and France. Hanson-Dyer had vision and objectives and the drive to realise them; this volume situates the consolidation of her role as cultural activist in early twentieth-century Europe and Australia and presents new light on her publication of critical musical editions, her art collections and early sound recordings.
Author: Stephen Pleskun
Publisher: Xlibris Corporation
ISBN: 1493135376
Category : Music
Languages : en
Pages : 953
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Book Description
In this 4th and fi nal volume of a series that includes more than 800 composers and over 30,000 compositions Stephen traces the history and development of Classical music in Australia. From obscure and forgotten composers to those who attained an international reputation this volume reveals their output, unique experiences and travails. The foundation and demise of music ensembles, institutions, venues and festivals is part of the story and included in the narrative are performers, conductors, entrepreneurs, educators, administrators, instrument makers, musicologists, music critics and philanthropists. A concise yet comprehensive picture of Australian music making can be found in any given year.
Author: Carolyn Philpott
Publisher: Lyrebird Press lyrebirdpress.music.unimelb.edu.au
ISBN: 0734037899
Category : Music
Languages : en
Pages : 250
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Book Description
Brilliant, provocative, compassionate—the composer Malcolm Williamson was one of Australia’s most famous expatriates. As Carolyn Philpott explains, his nostalgia for his homeland lasted fifty years, from his emigration in 1953 until his death in 2003. In works such as the ballet The Display, Symphony no. 6 and The Dawn Is at Hand, he explored inventive ways of expressing his Australian identity, collaborating with Australian artists, paying homage to Australian musicians and exposing his sorrow for the treatment of Indigenous peoples. As the first book-length examination of Williamson’s music, Composing Australia is a portrait of an intriguing and always imaginative Australian.
Author: Linda Kouvaras
Publisher: Springer Nature
ISBN: 3030955575
Category : Music
Languages : en
Pages : 450
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Book Description
This book presents accounts of creative processes and contextual issues of current-day and early-twentieth century women composers. This collection of essays balances narratives of struggle, artistic prowess, and of "breaking through" the obstacles in the profession. Part I: Creative Work – Then and Now illuminates historical and present-day women’s composition and various iterations and conceptions of the “feminine voice”; Part II: The State of the Industry in the Present Day provides solutions from the frontline to sector inequities; and Part III: Creating; Collaborating: Composer and Performer Reflections offers personal stories of current creation in music. A Century of Composition by Women: Music Against the Odds draws together topical issues in feminist musicology over the past century. This volume provides insight into the professional and compositional procedures of creative women in music and stands to be relevant for composers, performers, industry professionals, students, and feminist and musicological scholars for many years to come.
Author: Linda Ioanna Kouvaras
Publisher: Routledge
ISBN: 1317103831
Category : Music
Languages : en
Pages : 288
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Book Description
The experimentalist phenomenon of 'noise' as constituting 'art' in much twentieth-century music (paradoxically) reached its zenith in Cage’s (’silent’ piece) 4’33 . But much post-1970s musical endeavour with an experimentalist telos, collectively known as 'sound art', has displayed a postmodern need to ’load’ modernism’s ’degree zero’. After contextualizing experimentalism from its inception in the early twentieth century, Dr Linda Kouvaras’s Loading the Silence: Australian Sound Art in the Post-Digital Age explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments. Taking Australian music as its primary - but not sole - focus, the book not only covers discussions of technological advancement, but also engages with aesthetic standpoints, through numerous interviews, theoretical developments, analysis and cultural milieux for a contemporary Australian, and wider postmodern, context. Developing new methodologies for synergies between musicology and cultural studies, the book uncovers a new post-postmodern aesthetic trajectory, which Kouvaras locates as developing over the past two decades - the altermodern. Australian sound art is here put firmly on the map of international debates about contemporary music, providing a standard reference and valuable resource for practitioners in the artform, music critics, scholars and educators.
Author: Roger Covell
Publisher: Lyrebird Press lyrebirdpress.music.unimelb.edu.au
ISBN: 073403783X
Category : Music
Languages : en
Pages : 342
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Book Description
Described on its first publication in 1967 as “a scholarly account of Australian music that is also entertaining social history”, Roger Covell’s Austrlaia’s Music: Themes of a New Society has become a classic of Australian music history for its beautifully written explorations of almost two hundred years of music-making across classical, Indigenous and Anglo-Celtic traditions. This revised edition, including more than sixty musical examples, is supplemented by a new postscript written by the author.
Author: Amy C. Beal
Publisher: Univ of California Press
ISBN: 0520401271
Category : Biography & Autobiography
Languages : en
Pages : 280
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Book Description
From her childhood in Detroit to her professional career in New York City, American composer Lucia Dlugoszewski (1925–2000) lived a life of relentless creativity as a poet and writer, composer for dance, theater, and film, and, eventually, choreographer. Forging her own path after briefly studying with John Cage and Edgard Varèse, Dlugoszewski tackled the musical issues of her time. She expanded sonic resources, invented instruments, brought new focus to timbre and texture, collaborated with artists across disciplines, and incorporated spiritual, psychological, and philosophical influences into her work. Remembered today almost solely as the musical director for the Erick Hawkins Dance Company, Dlugoszewski's compositional output, writings on aesthetics, creative relationships, and graphic poetry deserve careful examination on their own terms within the history of American experimental music.
Author: Sally Macarthur
Publisher: Routledge
ISBN: 131700910X
Category : Music
Languages : en
Pages : 206
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Book Description
Towards a Twenty-First-Century Feminist Politics of Music opens up a new way of thinking about the absence of women's music. It does not aim to find 'a solution' in a liberal feminist sense, but to discover new potentialities, new possibilities for thought and action. Sally Macarthur encourages us, with the assistance of Deleuze, and feminist-Deleuzian work, to begin the important work of imagining what else might be possible, not in order to provide answers but to open up the as yet unknown. The power of thought - or what Deleuze calls the 'virtual' - opens up new possibilities. Macarthur suggests that the future for women's 'new' music is not tied to the predictable and known but to futures beyond the already-known. Previous research concludes that women's music is virtually absent from the concert hall, and yet fails to find a way of changing this situation. Macarthur finds that the flaw in the recommendations flowing from past research is that it envisages the future from the standpoint of the present, and it relies on a set of pre-determined goals. It thus replicates the present reality, so reinforcing rather than changing the status quo. Macarthur challenges this thinking, and argues that this repetitive way of thinking is stuck in the present, unable to move forward. Macarthur situates her argument in the context of current dominant neoliberal thought and practice. She argues that women have generally not thrived in the neoliberal model of the composer, which envisages the composer as an individual, autonomous creator and entrepreneur. Successful female composers must work with this dominant, modernist aesthetic and exploit the image of the neo-romantic, entrepreneurial creator. This book sets out in contrast to develop a new conception of subjectivity that sows the seeds of a twenty-first-century feminist politics of music.
Author: Dr Sally Macarthur
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409494160
Category : Music
Languages : en
Pages : 210
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Book Description
Towards a Twenty-First-Century Feminist Politics of Music opens up a new way of thinking about the absence of women's music. It does not aim to find 'a solution' in a liberal feminist sense, but to discover new potentialities, new possibilities for thought and action. Sally Macarthur encourages us, with the assistance of Deleuze, and feminist-Deleuzian work, to begin the important work of imagining what else might be possible, not in order to provide answers but to open up the as yet unknown. The power of thought - or what Deleuze calls the 'virtual' - opens up new possibilities. Macarthur suggests that the future for women's 'new' music is not tied to the predictable and known but to futures beyond the already-known. Previous research concludes that women's music is virtually absent from the concert hall, and yet fails to find a way of changing this situation. Macarthur finds that the flaw in the recommendations flowing from past research is that it envisages the future from the standpoint of the present, and it relies on a set of pre-determined goals. It thus replicates the present reality, so reinforcing rather than changing the status quo. Macarthur challenges this thinking, and argues that this repetitive way of thinking is stuck in the present, unable to move forward. Macarthur situates her argument in the context of current dominant neoliberal thought and practice. She argues that women have generally not thrived in the neoliberal model of the composer, which envisages the composer as an individual, autonomous creator and entrepreneur. Successful female composers must work with this dominant, modernist aesthetic and exploit the image of the neo-romantic, entrepreneurial creator. This book sets out in contrast to develop a new conception of subjectivity that sows the seeds of a twenty-first-century feminist politics of music.
