Tableaux & dessins précieux des maîtres célebres des trois écoles, figures de marbres, de bronze & de terre cuite, estampes en feuilles & autres objets du cabinet PDF Download
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Author: Pierre Remy (Firm)
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Languages : fr
Pages :
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Author: Pierre Remy (Firm)
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Languages : fr
Pages :
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Author: Oliver Wunsch
Publisher: Penn State Press
ISBN: 0271096675
Category : Art
Languages : en
Pages : 268
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Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter, Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period’s reconceptualization of art. Drawing on sources ranging from eighteenth-century artists’ writings to twenty-first-century laboratory analyses, Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century’s end reimagined as the irreducible essence of art’s autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art’s meaning and purpose.
Author: J. Lewine
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 722
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Author: Monica Preti
Publisher: PU Rennes
ISBN:
Category : Art
Languages : fr
Pages : 508
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C'est dans cette époque charnière de l'histoire de la culture européenne que s'organise le système moderne du marché de l'art et que se transforme la conception même de l'héritage artistique. Etudes réunies autour de trois thèmes : La circulation des oeuvres d'art : organisation, pratiques et enjeux ; Marchands et collectionneurs ; Paris et l'Europe : mouvements de mode et diffusion.
![Catalogue de dessins, gouaches et aquarelles, des grands maitres des trois écoles, encadrés et en feuilles; estampes anciennes et modernes des trois écoles, en feuilles et en recueils; livres à figures; notes manuscrites; livres sur les arts; collections de catalogues curieux; figures et bas-reliefs en marbre et en terre cuite, vases, socles et autres objets en porhyre, et divers marbres, etc., etc. composant le cabinet de feu Mr. Regnault-Delalande, peintre et graveur [1825]. PDF](https://books.google.com/books/content/images/frontcover/A10WjwEACAAJ?fife=w80-h100)
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Languages : fr
Pages : 23
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![Catalogue d'une collection précieuse de dessins des trois ecoles, tant montés qu'en feuilles, de quelques tableaux & miniatures de différens, maîtres, & d'une suite de porcelaines des plusieurs genres, crystaux de roche, anciens laques; bijoux, comme boîtes d'ore, de lapis, piquées & coulées, perles fines, dioamans & autres objets curiuex: le tout provenant du cabinet de M.*** [1782]. PDF](https://books.google.com/books/content/images/frontcover/YhWNjwEACAAJ?fife=w80-h100)
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Category :
Languages : fr
Pages : 62
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Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
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Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
![Catalogue d'une riche collection de dessins & estampes des plus grands maîtres des trois ecoles, montés sous verre & en feuilles; pastls & miniatures de rosalba, & d'autres bons maîtres; de très belles gouaches, &c. qui composent le cabinet de M.*** [1779]. PDF](https://books.google.com/books/content/images/frontcover/f0wUjwEACAAJ?fife=w80-h100)
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Category :
Languages : fr
Pages : 104
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Author: Georges Riat
Publisher: Parkstone Press
ISBN:
Category : Art
Languages : en
Pages : 266
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Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.
Author: Ting Chang
Publisher: Routledge
ISBN: 1351538454
Category : Art
Languages : en
Pages : 210
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Book Description
Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.
