Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 704

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Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1040

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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312

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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 676

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Author: Bordeaux (France). Musée des beaux-arts
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 268

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Author: Jadwiga Kamola
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110740168
Category : Photography
Languages : en
Pages : 206

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Book Description
With the Jungian term of the complex the present volume inquires about the making of the artistic persona in twentieth-century photography. The articles examine photographic (self-)portraits, the dynamics between self-statements of artists and photographers, the interrelations of photography, of painting and of performance art and investigate their origins in the history of ideas. The volume traces a portrait of photography as a metascience; as preparatory work, a source of inspiration and an alternate medium in which artists could explore different subjects. With essays by Ulrike Blumenthal, Till Cremer, Victoria Fleury, Jadwiga Kamola, Weronika Kobylińska-Bunsch, Nadja Köffler, Constance Krüger, Wilma Scheschonk, Gerd Zillner.

Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 820

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Author:
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 1418

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Author: Amy Freund
Publisher: Penn State Press
ISBN: 0271065699
Category : Art
Languages : en
Pages : 312

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Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 140

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