Author: Howard Alden
Publisher: Mel Bay Publications
ISBN: 9780786670604
Category : Music
Languages : en
Pages : 80
Book Description
Sweet and Lowdown, Woody Allen's film from 1999, starred Sean Penn as the legendary, but fictitious jazz guitarist of the '30s, Emmett Ray. Emmett considered himself to be the second greatest jazz guitarist in the world next to Django Reinhardt. The versatile Howard Alden played all of the solo acoustic guitar parts for the movie, as well as coaching Mr. Penn to play guitar for his role (for which he received an Oscar nomination, best actor). This book contains note-for-note transcriptions in both standard notation and tab of Howard's Django-esque interpretations and improvisations of classic standards of the 1930s, as well as original solo guitar pieces written by Woody's longtime musical director, jazz pianist Dick Hyman. Sweet and Lowdown contributed greatly to the recent renewal of interest in and revival of swing and gypsy jazz guitar. Howard's guitar work is a warm and personal example of the timeless musical vocabulary of swing guitar.
Mel Bay Presents Sweet and Lowdown
Author: Howard Alden
Publisher: Mel Bay Publications
ISBN: 9780786670604
Category : Music
Languages : en
Pages : 80
Book Description
Sweet and Lowdown, Woody Allen's film from 1999, starred Sean Penn as the legendary, but fictitious jazz guitarist of the '30s, Emmett Ray. Emmett considered himself to be the second greatest jazz guitarist in the world next to Django Reinhardt. The versatile Howard Alden played all of the solo acoustic guitar parts for the movie, as well as coaching Mr. Penn to play guitar for his role (for which he received an Oscar nomination, best actor). This book contains note-for-note transcriptions in both standard notation and tab of Howard's Django-esque interpretations and improvisations of classic standards of the 1930s, as well as original solo guitar pieces written by Woody's longtime musical director, jazz pianist Dick Hyman. Sweet and Lowdown contributed greatly to the recent renewal of interest in and revival of swing and gypsy jazz guitar. Howard's guitar work is a warm and personal example of the timeless musical vocabulary of swing guitar.
Publisher: Mel Bay Publications
ISBN: 9780786670604
Category : Music
Languages : en
Pages : 80
Book Description
Sweet and Lowdown, Woody Allen's film from 1999, starred Sean Penn as the legendary, but fictitious jazz guitarist of the '30s, Emmett Ray. Emmett considered himself to be the second greatest jazz guitarist in the world next to Django Reinhardt. The versatile Howard Alden played all of the solo acoustic guitar parts for the movie, as well as coaching Mr. Penn to play guitar for his role (for which he received an Oscar nomination, best actor). This book contains note-for-note transcriptions in both standard notation and tab of Howard's Django-esque interpretations and improvisations of classic standards of the 1930s, as well as original solo guitar pieces written by Woody's longtime musical director, jazz pianist Dick Hyman. Sweet and Lowdown contributed greatly to the recent renewal of interest in and revival of swing and gypsy jazz guitar. Howard's guitar work is a warm and personal example of the timeless musical vocabulary of swing guitar.
Sweet and Lowdown
Author: Lloyd Michaels
Publisher: Columbia University Press
ISBN: 023185093X
Category : Performing Arts
Languages : en
Pages : 268
Book Description
Over a career that has spanned more than six decades, Woody Allen has explored the emotion of regret as a response to the existentialist dilemma of not being someone else. Tracing this recurrent theme from his stand-up comedy routines and apprentice work through classics like Annie Hall, Manhattan, The Purple Rose of Cairo, Hannah and Her Sisters, and Bullets Over Broadway as well as less esteemed accomplishments (Another Woman, Sweet and Lowdown, Cassandra's Dream), this volume argues that it is ultimately the shallowness of his protagonists' regret—their lack of deeply felt, sustained remorse—that defines Allen's pervasive view of human experience. Drawing on insights from philosophy, theology, psychology, and literature, the book discusses nearly every Woody Allen film, with extended analyses of the relationship films (including Alice and Husbands and Wives), the murder tetralogy (including Match Point and Irrational Man), the self-reflexive films (including Stardust Memories and Deconstructing Harry), and the movies about nostalgia (including Radio Days and Midnight in Paris). The book concludes by considering Allen's most affirmative resolution of regret (Broadway Danny Rose) and speculating about the relevance of this through-line for understanding Allen's personal life and prospects as an octogenarian auteur.
Publisher: Columbia University Press
ISBN: 023185093X
Category : Performing Arts
Languages : en
Pages : 268
Book Description
Over a career that has spanned more than six decades, Woody Allen has explored the emotion of regret as a response to the existentialist dilemma of not being someone else. Tracing this recurrent theme from his stand-up comedy routines and apprentice work through classics like Annie Hall, Manhattan, The Purple Rose of Cairo, Hannah and Her Sisters, and Bullets Over Broadway as well as less esteemed accomplishments (Another Woman, Sweet and Lowdown, Cassandra's Dream), this volume argues that it is ultimately the shallowness of his protagonists' regret—their lack of deeply felt, sustained remorse—that defines Allen's pervasive view of human experience. Drawing on insights from philosophy, theology, psychology, and literature, the book discusses nearly every Woody Allen film, with extended analyses of the relationship films (including Alice and Husbands and Wives), the murder tetralogy (including Match Point and Irrational Man), the self-reflexive films (including Stardust Memories and Deconstructing Harry), and the movies about nostalgia (including Radio Days and Midnight in Paris). The book concludes by considering Allen's most affirmative resolution of regret (Broadway Danny Rose) and speculating about the relevance of this through-line for understanding Allen's personal life and prospects as an octogenarian auteur.
The Soundtracks of Woody Allen
Author: Adam Harvey
Publisher: McFarland
ISBN: 0786429682
Category : Music
Languages : en
Pages : 229
Book Description
This comprehensive guide covers all of the music used in Woody Allen's films from Take the Money and Run (1969) to Match Point (2005). Each film receives scene-by-scene analysis with a focus on how Allen utilized music.
Publisher: McFarland
ISBN: 0786429682
Category : Music
Languages : en
Pages : 229
Book Description
This comprehensive guide covers all of the music used in Woody Allen's films from Take the Money and Run (1969) to Match Point (2005). Each film receives scene-by-scene analysis with a focus on how Allen utilized music.
Play the Way You Feel
Author: Kevin Whitehead
Publisher: Oxford University Press
ISBN: 0190847581
Category : Music
Languages : en
Pages : 401
Book Description
Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years--from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points. Examining the ways historical films have painted a clear picture of the past or overtly distorted history, Play the Way You Feel serves up capsule discussions of sundry topics including Duke Ellington's social life at the Cotton Club, avant-garde musical practices in 1930s vaudeville, and Martin Scorsese's improvisatory method on the set of New York, New York. Throughout the book, Whitehead brings the same analytical bent and concise, witty language listeners know from his jazz segments on NPR's Fresh Air with Terry Gross. He investigates well-known songs, traces the development of the stock jazz film ending, and offers fresh, often revisionist takes on works by such directors as Howard Hawks, John Cassavetes, Shirley Clarke, Francis Ford Coppola, Clint Eastwood, Spike Lee, Robert Altman, Woody Allen and Damien Chazelle. In all, Play the Way You Feel is a feast for film-genre fanatics and movie-watching jazz enthusiasts.
Publisher: Oxford University Press
ISBN: 0190847581
Category : Music
Languages : en
Pages : 401
Book Description
Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years--from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points. Examining the ways historical films have painted a clear picture of the past or overtly distorted history, Play the Way You Feel serves up capsule discussions of sundry topics including Duke Ellington's social life at the Cotton Club, avant-garde musical practices in 1930s vaudeville, and Martin Scorsese's improvisatory method on the set of New York, New York. Throughout the book, Whitehead brings the same analytical bent and concise, witty language listeners know from his jazz segments on NPR's Fresh Air with Terry Gross. He investigates well-known songs, traces the development of the stock jazz film ending, and offers fresh, often revisionist takes on works by such directors as Howard Hawks, John Cassavetes, Shirley Clarke, Francis Ford Coppola, Clint Eastwood, Spike Lee, Robert Altman, Woody Allen and Damien Chazelle. In all, Play the Way You Feel is a feast for film-genre fanatics and movie-watching jazz enthusiasts.
Reel Views 2
Author: James Berardinelli
Publisher: Justin, Charles & Co.
ISBN: 1932112405
Category : Performing Arts
Languages : en
Pages : 627
Book Description
Thoroughly revised and updated for 2005! Includes a new chapter on the best special edition DVDs and a new chapter on finding hidden easter egg features.
Publisher: Justin, Charles & Co.
ISBN: 1932112405
Category : Performing Arts
Languages : en
Pages : 627
Book Description
Thoroughly revised and updated for 2005! Includes a new chapter on the best special edition DVDs and a new chapter on finding hidden easter egg features.
Really the Blues
Author: Mezz Mezzrow
Publisher: New York Review of Books
ISBN: 1590179455
Category : Biography & Autobiography
Languages : en
Pages : 465
Book Description
Hailed as an “American counter-culture classic,” this “funny” and candid musical memoir offers a delicious glimpse into the 1930s jazz scene (The Wall Street Journal) Mezz Mezzrow was a boy from Chicago who learned to play the sax in reform school and pursued a life in music and a life of crime. He moved from Chicago to New Orleans to New York, working in brothels and bars, bootlegging, dealing drugs, getting hooked, doing time, producing records, and playing with the greats, among them Louis Armstrong, Bix Beiderbecke, and Fats Waller. Really the Blues—the jive-talking memoir that Mezzrow wrote at the insistence of, and with the help of, the novelist Bernard Wolfe—is the story of an unusual and unusually American life, and a portrait of a man who moved freely across racial boundaries when few could or did, “the odyssey of an individualist . . . the saga of a guy who wanted to make friends in a jungle where everyone was too busy making money.”
Publisher: New York Review of Books
ISBN: 1590179455
Category : Biography & Autobiography
Languages : en
Pages : 465
Book Description
Hailed as an “American counter-culture classic,” this “funny” and candid musical memoir offers a delicious glimpse into the 1930s jazz scene (The Wall Street Journal) Mezz Mezzrow was a boy from Chicago who learned to play the sax in reform school and pursued a life in music and a life of crime. He moved from Chicago to New Orleans to New York, working in brothels and bars, bootlegging, dealing drugs, getting hooked, doing time, producing records, and playing with the greats, among them Louis Armstrong, Bix Beiderbecke, and Fats Waller. Really the Blues—the jive-talking memoir that Mezzrow wrote at the insistence of, and with the help of, the novelist Bernard Wolfe—is the story of an unusual and unusually American life, and a portrait of a man who moved freely across racial boundaries when few could or did, “the odyssey of an individualist . . . the saga of a guy who wanted to make friends in a jungle where everyone was too busy making money.”
Play the Way You Feel
Author: Kevin Whitehead
Publisher: Oxford University Press
ISBN: 019084759X
Category : Music
Languages : en
Pages : 304
Book Description
Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years--from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points. Examining the ways historical films have painted a clear picture of the past or overtly distorted history, Play the Way You Feel serves up capsule discussions of sundry topics including Duke Ellington's social life at the Cotton Club, avant-garde musical practices in 1930s vaudeville, and Martin Scorsese's improvisatory method on the set of New York, New York. Throughout the book, Whitehead brings the same analytical bent and concise, witty language listeners know from his jazz segments on NPR's Fresh Air with Terry Gross. He investigates well-known songs, traces the development of the stock jazz film ending, and offers fresh, often revisionist takes on works by such directors as Howard Hawks, John Cassavetes, Shirley Clarke, Francis Ford Coppola, Clint Eastwood, Spike Lee, Robert Altman, Woody Allen and Damien Chazelle. In all, Play the Way You Feel is a feast for film-genre fanatics and movie-watching jazz enthusiasts.
Publisher: Oxford University Press
ISBN: 019084759X
Category : Music
Languages : en
Pages : 304
Book Description
Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years--from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points. Examining the ways historical films have painted a clear picture of the past or overtly distorted history, Play the Way You Feel serves up capsule discussions of sundry topics including Duke Ellington's social life at the Cotton Club, avant-garde musical practices in 1930s vaudeville, and Martin Scorsese's improvisatory method on the set of New York, New York. Throughout the book, Whitehead brings the same analytical bent and concise, witty language listeners know from his jazz segments on NPR's Fresh Air with Terry Gross. He investigates well-known songs, traces the development of the stock jazz film ending, and offers fresh, often revisionist takes on works by such directors as Howard Hawks, John Cassavetes, Shirley Clarke, Francis Ford Coppola, Clint Eastwood, Spike Lee, Robert Altman, Woody Allen and Damien Chazelle. In all, Play the Way You Feel is a feast for film-genre fanatics and movie-watching jazz enthusiasts.
Sweet and Lowdown
Author: Howard Alden
Publisher: Mel Bay Publications
ISBN: 1609745256
Category : Music
Languages : en
Pages : 81
Book Description
Sweet and Lowdown, Woody Allen's film from 1999, starred Sean Penn as the legendary, but fictitious jazz guitarist of the '30s, Emmett Ray. Emmett considered himself to be the second greatest jazz guitarist in the world next to Django Reinhardt. the versatile Howard Alden played all of the solo acoustic guitar parts for the movie, as well as coaching Mr. Penn to play guitar for his role (for which he received an Oscar nomination, best actor). This book contains note-for-note transcriptions in both standard notation and tab of Howard's Django-esque interpretations and improvisations of classic standards of the 1930s, as well as original solo guitar pieces written by Woody's longtime musical director, jazz pianist Dick Hyman. Sweet and Lowdown contributed greatly to the recent renewal of interest in and revival of swing and gypsy jazz guitar. Howard's guitar work is a warm and personal example of the timeless musical vocabulary of swing guitar.
Publisher: Mel Bay Publications
ISBN: 1609745256
Category : Music
Languages : en
Pages : 81
Book Description
Sweet and Lowdown, Woody Allen's film from 1999, starred Sean Penn as the legendary, but fictitious jazz guitarist of the '30s, Emmett Ray. Emmett considered himself to be the second greatest jazz guitarist in the world next to Django Reinhardt. the versatile Howard Alden played all of the solo acoustic guitar parts for the movie, as well as coaching Mr. Penn to play guitar for his role (for which he received an Oscar nomination, best actor). This book contains note-for-note transcriptions in both standard notation and tab of Howard's Django-esque interpretations and improvisations of classic standards of the 1930s, as well as original solo guitar pieces written by Woody's longtime musical director, jazz pianist Dick Hyman. Sweet and Lowdown contributed greatly to the recent renewal of interest in and revival of swing and gypsy jazz guitar. Howard's guitar work is a warm and personal example of the timeless musical vocabulary of swing guitar.
The Music of Django Reinhardt
Author: Benjamin Marx Givan
Publisher: University of Michigan Press
ISBN: 0472034081
Category : Biography & Autobiography
Languages : en
Pages : 258
Book Description
An in-depth analysis of the music and life of a gypsy music legend
Publisher: University of Michigan Press
ISBN: 0472034081
Category : Biography & Autobiography
Languages : en
Pages : 258
Book Description
An in-depth analysis of the music and life of a gypsy music legend
Bob Honey Who Just Do Stuff
Author: Sean Penn
Publisher: Atria Books
ISBN: 1501189050
Category : Fiction
Languages : en
Pages : 176
Book Description
“An incredibly interesting work.” —Jane Smiley “A straight up masterwork.” —Sarah Silverman “Blisteringly funny.” —Corey Seymour “A transcendent apocalyptic satire.” —Michael Silverblatt “Crackling with life.” —Paul Theroux “Great fun.” —Salman Rushdie “A provocative debut.” —Kirkus Reviews From legendary actor and activist Sean Penn comes a scorching, “charmingly weird” (Booklist, starred review) novel about Bob Honey—a modern American man, entrepreneur, and part-time assassin. Bob Honey has a hard time connecting with other people, especially since his divorce. He’s tired of being marketed to every moment, sick of a world where even an orgasm isn’t real until it is turned into a tweet. A paragon of old-fashioned American entrepreneurship, Bob sells septic tanks to Jehovah’s Witnesses and arranges pyrotechnic displays for foreign dictators. He’s also a contract killer for an off-the-books program run by a branch of United States intelligence that targets the elderly, the infirm, and others who drain society of its resources. When a nosy journalist starts asking questions, Bob can’t decide if it’s a chance to form some sort of new friendship or the beginning of the end for him. With treason on everyone’s lips, terrorism in everyone’s sights, and American political life sinking to ever-lower standards, Bob decides it’s time to make a change—if he doesn’t get killed by his mysterious controllers or exposed in the rapacious media first. A thunderbolt of startling images and painted “with a broadly satirical, Vonnegut-ian brush” (Kirkus Reviews), Bob Honey Who Just Do Stuff is one of the year's most controversial and talked about literary works.
Publisher: Atria Books
ISBN: 1501189050
Category : Fiction
Languages : en
Pages : 176
Book Description
“An incredibly interesting work.” —Jane Smiley “A straight up masterwork.” —Sarah Silverman “Blisteringly funny.” —Corey Seymour “A transcendent apocalyptic satire.” —Michael Silverblatt “Crackling with life.” —Paul Theroux “Great fun.” —Salman Rushdie “A provocative debut.” —Kirkus Reviews From legendary actor and activist Sean Penn comes a scorching, “charmingly weird” (Booklist, starred review) novel about Bob Honey—a modern American man, entrepreneur, and part-time assassin. Bob Honey has a hard time connecting with other people, especially since his divorce. He’s tired of being marketed to every moment, sick of a world where even an orgasm isn’t real until it is turned into a tweet. A paragon of old-fashioned American entrepreneurship, Bob sells septic tanks to Jehovah’s Witnesses and arranges pyrotechnic displays for foreign dictators. He’s also a contract killer for an off-the-books program run by a branch of United States intelligence that targets the elderly, the infirm, and others who drain society of its resources. When a nosy journalist starts asking questions, Bob can’t decide if it’s a chance to form some sort of new friendship or the beginning of the end for him. With treason on everyone’s lips, terrorism in everyone’s sights, and American political life sinking to ever-lower standards, Bob decides it’s time to make a change—if he doesn’t get killed by his mysterious controllers or exposed in the rapacious media first. A thunderbolt of startling images and painted “with a broadly satirical, Vonnegut-ian brush” (Kirkus Reviews), Bob Honey Who Just Do Stuff is one of the year's most controversial and talked about literary works.