Author: Magdalena Panek
Publisher: GRIN Verlag
ISBN: 3640594940
Category : Language Arts & Disciplines
Languages : en
Pages : 69
Book Description
Master's Thesis from the year 2009 in the subject English - Pedagogy, Didactics, Literature Studies, grade: 1, Wroclaw University of Technology (Institute of English Studies), language: English, abstract: With the development and growing popularity of new technologies, audiovisual translation is becoming of paramount importance in recent translation studies. One of the most intricate forms of translation is subtitling because of its semiotic composition and limitations. In addition, different kinds of movies can be found in the media, for example comedies, that also involve particularly intricate aspects. One of them is humor, which requires extra attention. This multifarious phenomenon entails handling language- and culture-specific elements. While watching a subtitled foreign comedy, we do not realize what a complex process the translator has carried out. This paper will study the idea of how humor is best rendered in subtitles and evaluate selected techniques used in translating humorous excerpts of movies. The theoretical part of this paper comprised of two chapters will thoroughly study audiovisual translation, especially subtitling, Relevance Theory and humor with special focus on its translation. The practical part, which is the third chapter, will deal with translation techniques that I have selected from recent studies and, which is new in the field of translation study, will asses their application specifically in subtitling humor. To clarify, the chapter will exemplify and discuss the techniques a translator can use when translating humor. Crucial as the techniques are, I will look into their use within particular contexts. Their application will be illustrated by authentic excerpts taken from the recently produced box-office comedies Bridget Jones: The Edge of Reason, Love Actually and Scary Movie 3. Using Relevance Theory as a reference point, the final intended effect of humor will be the focus of this study. In other words, I will attempt to scrutini
Subtitling Humor - The Analysis of Selected Translation Techniques in Subtitling Elements Containing Humor
Author: Magdalena Panek
Publisher: GRIN Verlag
ISBN: 3640594940
Category : Language Arts & Disciplines
Languages : en
Pages : 69
Book Description
Master's Thesis from the year 2009 in the subject English - Pedagogy, Didactics, Literature Studies, grade: 1, Wroclaw University of Technology (Institute of English Studies), language: English, abstract: With the development and growing popularity of new technologies, audiovisual translation is becoming of paramount importance in recent translation studies. One of the most intricate forms of translation is subtitling because of its semiotic composition and limitations. In addition, different kinds of movies can be found in the media, for example comedies, that also involve particularly intricate aspects. One of them is humor, which requires extra attention. This multifarious phenomenon entails handling language- and culture-specific elements. While watching a subtitled foreign comedy, we do not realize what a complex process the translator has carried out. This paper will study the idea of how humor is best rendered in subtitles and evaluate selected techniques used in translating humorous excerpts of movies. The theoretical part of this paper comprised of two chapters will thoroughly study audiovisual translation, especially subtitling, Relevance Theory and humor with special focus on its translation. The practical part, which is the third chapter, will deal with translation techniques that I have selected from recent studies and, which is new in the field of translation study, will asses their application specifically in subtitling humor. To clarify, the chapter will exemplify and discuss the techniques a translator can use when translating humor. Crucial as the techniques are, I will look into their use within particular contexts. Their application will be illustrated by authentic excerpts taken from the recently produced box-office comedies Bridget Jones: The Edge of Reason, Love Actually and Scary Movie 3. Using Relevance Theory as a reference point, the final intended effect of humor will be the focus of this study. In other words, I will attempt to scrutini
Publisher: GRIN Verlag
ISBN: 3640594940
Category : Language Arts & Disciplines
Languages : en
Pages : 69
Book Description
Master's Thesis from the year 2009 in the subject English - Pedagogy, Didactics, Literature Studies, grade: 1, Wroclaw University of Technology (Institute of English Studies), language: English, abstract: With the development and growing popularity of new technologies, audiovisual translation is becoming of paramount importance in recent translation studies. One of the most intricate forms of translation is subtitling because of its semiotic composition and limitations. In addition, different kinds of movies can be found in the media, for example comedies, that also involve particularly intricate aspects. One of them is humor, which requires extra attention. This multifarious phenomenon entails handling language- and culture-specific elements. While watching a subtitled foreign comedy, we do not realize what a complex process the translator has carried out. This paper will study the idea of how humor is best rendered in subtitles and evaluate selected techniques used in translating humorous excerpts of movies. The theoretical part of this paper comprised of two chapters will thoroughly study audiovisual translation, especially subtitling, Relevance Theory and humor with special focus on its translation. The practical part, which is the third chapter, will deal with translation techniques that I have selected from recent studies and, which is new in the field of translation study, will asses their application specifically in subtitling humor. To clarify, the chapter will exemplify and discuss the techniques a translator can use when translating humor. Crucial as the techniques are, I will look into their use within particular contexts. Their application will be illustrated by authentic excerpts taken from the recently produced box-office comedies Bridget Jones: The Edge of Reason, Love Actually and Scary Movie 3. Using Relevance Theory as a reference point, the final intended effect of humor will be the focus of this study. In other words, I will attempt to scrutini
Subtitling humor - The analysis of selected translation techniques in subtitling elements containing humor
Author: Magdalena Panek
Publisher: GRIN Verlag
ISBN: 3640594894
Category : Foreign Language Study
Languages : en
Pages : 68
Book Description
Master's Thesis from the year 2009 in the subject Didactics for the subject English - Pedagogy, Literature Studies, grade: 1, Wroclaw University of Technology (Institute of English Studies), language: English, abstract: With the development and growing popularity of new technologies, audiovisual translation is becoming of paramount importance in recent translation studies. One of the most intricate forms of translation is subtitling because of its semiotic composition and limitations. In addition, different kinds of movies can be found in the media, for example comedies, that also involve particularly intricate aspects. One of them is humor, which requires extra attention. This multifarious phenomenon entails handling language- and culture-specific elements. While watching a subtitled foreign comedy, we do not realize what a complex process the translator has carried out. This paper will study the idea of how humor is best rendered in subtitles and evaluate selected techniques used in translating humorous excerpts of movies. The theoretical part of this paper comprised of two chapters will thoroughly study audiovisual translation, especially subtitling, Relevance Theory and humor with special focus on its translation. The practical part, which is the third chapter, will deal with translation techniques that I have selected from recent studies and, which is new in the field of translation study, will asses their application specifically in subtitling humor. To clarify, the chapter will exemplify and discuss the techniques a translator can use when translating humor. Crucial as the techniques are, I will look into their use within particular contexts. Their application will be illustrated by authentic excerpts taken from the recently produced box-office comedies Bridget Jones: The Edge of Reason, Love Actually and Scary Movie 3. Using Relevance Theory as a reference point, the final intended effect of humor will be the focus of this study. In other words, I will attempt to scrutinize whether the humorous effect is achieved in each of the target texts. Summing up, this paper aims to discuss the main issues pertaining to subtitling and humor with reference to Relevance Theory. As both subtitling and humor cause some challenges for the translator, both possible problems and possible solutions will be considered. In the case of a subtitled comedy, the audience is supposed to interpret the intended humor supported by a written text and image.
Publisher: GRIN Verlag
ISBN: 3640594894
Category : Foreign Language Study
Languages : en
Pages : 68
Book Description
Master's Thesis from the year 2009 in the subject Didactics for the subject English - Pedagogy, Literature Studies, grade: 1, Wroclaw University of Technology (Institute of English Studies), language: English, abstract: With the development and growing popularity of new technologies, audiovisual translation is becoming of paramount importance in recent translation studies. One of the most intricate forms of translation is subtitling because of its semiotic composition and limitations. In addition, different kinds of movies can be found in the media, for example comedies, that also involve particularly intricate aspects. One of them is humor, which requires extra attention. This multifarious phenomenon entails handling language- and culture-specific elements. While watching a subtitled foreign comedy, we do not realize what a complex process the translator has carried out. This paper will study the idea of how humor is best rendered in subtitles and evaluate selected techniques used in translating humorous excerpts of movies. The theoretical part of this paper comprised of two chapters will thoroughly study audiovisual translation, especially subtitling, Relevance Theory and humor with special focus on its translation. The practical part, which is the third chapter, will deal with translation techniques that I have selected from recent studies and, which is new in the field of translation study, will asses their application specifically in subtitling humor. To clarify, the chapter will exemplify and discuss the techniques a translator can use when translating humor. Crucial as the techniques are, I will look into their use within particular contexts. Their application will be illustrated by authentic excerpts taken from the recently produced box-office comedies Bridget Jones: The Edge of Reason, Love Actually and Scary Movie 3. Using Relevance Theory as a reference point, the final intended effect of humor will be the focus of this study. In other words, I will attempt to scrutinize whether the humorous effect is achieved in each of the target texts. Summing up, this paper aims to discuss the main issues pertaining to subtitling and humor with reference to Relevance Theory. As both subtitling and humor cause some challenges for the translator, both possible problems and possible solutions will be considered. In the case of a subtitled comedy, the audience is supposed to interpret the intended humor supported by a written text and image.
The Dubbing Translation of Humorous Audiovisual Texts
Author: Pietro Luigi Iaia
Publisher: Cambridge Scholars Publishing
ISBN: 1443881988
Category : Language Arts & Disciplines
Languages : en
Pages : 240
Book Description
This book provides a theoretical and practical framework for researchers and practitioners who focus on the construction, interpretation and retextualisation of audiovisual texts. It defines translation as a communicative and interpretative process, with translators seen as cross-cultural mediators who make the denotative-semantic and connotative-pragmatic dimensions of source scripts accessible to target receivers, prompting equivalent perlocutionary effects, while still respecting the original illocutionary force. While existing research on audiovisual translation generally adopts a product-based perspective, examining the lexico-semantic and syntactic features of source and target versions, this book proposes an “Interactive Model”, in order to explore what happens in the translators’ minds, as well as the influence of the interaction between the linguistic and extralinguistic dimensions in the construction and interpretation of audiovisual texts. The application of this Model to the analysis of a corpus of humorous films, TV series and video games foregrounds the integration between the analysis of the source-text features and the knowledge of the target linguacultural backgrounds in the creation of pragmalingustic equivalent scripts. At the same time, this book also provides valuable insights into the audience’s reception of these translations, by submitting close-ended and open-ended questionnaires to subjects representing empirical receivers, thus helping to evaluate the degree of linguistic and functional equivalence of target versions.
Publisher: Cambridge Scholars Publishing
ISBN: 1443881988
Category : Language Arts & Disciplines
Languages : en
Pages : 240
Book Description
This book provides a theoretical and practical framework for researchers and practitioners who focus on the construction, interpretation and retextualisation of audiovisual texts. It defines translation as a communicative and interpretative process, with translators seen as cross-cultural mediators who make the denotative-semantic and connotative-pragmatic dimensions of source scripts accessible to target receivers, prompting equivalent perlocutionary effects, while still respecting the original illocutionary force. While existing research on audiovisual translation generally adopts a product-based perspective, examining the lexico-semantic and syntactic features of source and target versions, this book proposes an “Interactive Model”, in order to explore what happens in the translators’ minds, as well as the influence of the interaction between the linguistic and extralinguistic dimensions in the construction and interpretation of audiovisual texts. The application of this Model to the analysis of a corpus of humorous films, TV series and video games foregrounds the integration between the analysis of the source-text features and the knowledge of the target linguacultural backgrounds in the creation of pragmalingustic equivalent scripts. At the same time, this book also provides valuable insights into the audience’s reception of these translations, by submitting close-ended and open-ended questionnaires to subjects representing empirical receivers, thus helping to evaluate the degree of linguistic and functional equivalence of target versions.
Audiovisual Translation: Subtitling
Author: Jorge Díaz-Cintas
Publisher: Routledge
ISBN: 1317639871
Category : Language Arts & Disciplines
Languages : en
Pages : 278
Book Description
"Audiovisual Translation: Subtitling" is an introductory textbook which provides a solid overview of the world of subtitling. Based on sound research and first-hand experience in the field, the book focuses on generally accepted practice but identifies current points of contention, takes regional and medium-bound variants into consideration, and traces new developments that may have an influence on the evolution of the profession. The individual chapters cover the rules of good subtitling practice, the linguistic and semiotic dimensions of subtitling, the professional environment, technical considerations, and key concepts and conventions, providing access to the core skills and knowledge needed to subtitle for television, cinema and DVD. Also included are graded exercises covering core skills. "Audiovisual Translation: Subtitling" can be used by teachers and students as a coursebook for the classroom or for self-learning.It is also aimed at translators and other language professionals wishing to expand their sphere of activity. While the working language of the book is English, an accompanying DVD contains sample film material in Dutch, English, French, Italian and Spanish, as well as a range of dialogue lists and a key to some of the exercises. The DVD also includes WinCAPS, SysMedia's professional subtitling preparation software package, used for broadcast television around the world and for many of the latest multinational DVD releases of major Hollywood projects.
Publisher: Routledge
ISBN: 1317639871
Category : Language Arts & Disciplines
Languages : en
Pages : 278
Book Description
"Audiovisual Translation: Subtitling" is an introductory textbook which provides a solid overview of the world of subtitling. Based on sound research and first-hand experience in the field, the book focuses on generally accepted practice but identifies current points of contention, takes regional and medium-bound variants into consideration, and traces new developments that may have an influence on the evolution of the profession. The individual chapters cover the rules of good subtitling practice, the linguistic and semiotic dimensions of subtitling, the professional environment, technical considerations, and key concepts and conventions, providing access to the core skills and knowledge needed to subtitle for television, cinema and DVD. Also included are graded exercises covering core skills. "Audiovisual Translation: Subtitling" can be used by teachers and students as a coursebook for the classroom or for self-learning.It is also aimed at translators and other language professionals wishing to expand their sphere of activity. While the working language of the book is English, an accompanying DVD contains sample film material in Dutch, English, French, Italian and Spanish, as well as a range of dialogue lists and a key to some of the exercises. The DVD also includes WinCAPS, SysMedia's professional subtitling preparation software package, used for broadcast television around the world and for many of the latest multinational DVD releases of major Hollywood projects.
Perspectives
Author: Cay Dollerup
Publisher:
ISBN: 9788772892238
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9788772892238
Category :
Languages : en
Pages : 0
Book Description
Translating Humour in Audiovisual Texts
Author: Gian Luigi De Rosa
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783034315555
Category : Audio-visual materials
Languages : en
Pages : 0
Book Description
This collection of essays introduces the reader to the specificities of humour in audiovisual products and presents a series of case studies in audiovisual translation, from films to video-games, exemplifying problems and solutions to audiovisual humour in the dubs and subs in a variety of language combinations.
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783034315555
Category : Audio-visual materials
Languages : en
Pages : 0
Book Description
This collection of essays introduces the reader to the specificities of humour in audiovisual products and presents a series of case studies in audiovisual translation, from films to video-games, exemplifying problems and solutions to audiovisual humour in the dubs and subs in a variety of language combinations.
Non-Professional Subtitling
Author: Yvonne Lee
Publisher: Cambridge Scholars Publishing
ISBN: 1527500748
Category : Language Arts & Disciplines
Languages : en
Pages : 320
Book Description
From fansubbing, fan-generated translation, to user-generated translation, from amateur translation to social translation, non-professional subtitling has come a long way since its humble beginning in the 1980s. The prevailing technological affordance enables and mobilises the digital generation to turn subtitling into a method of self-expression and mediation, and their activities have made translation a more social and visible activity than ever before. This volume provides a comprehensive review of the current state of play of this user-generated subtitling phenomenon. It includes projects and research focusing on various aspects of non-professional subtitling, including the communities at work, the agents at play, the production conditions and the products. The perspectives in the book explore the role played by the agents involved in the emerging subtitling networks worldwide, and their impact on the communities is also discussed, based on empirical data generated from observations on active fansubbing communities. The collection demonstrates, from various viewpoints, the ways in which non-professional subtitling connects languages, cultures and communities in a global setting.
Publisher: Cambridge Scholars Publishing
ISBN: 1527500748
Category : Language Arts & Disciplines
Languages : en
Pages : 320
Book Description
From fansubbing, fan-generated translation, to user-generated translation, from amateur translation to social translation, non-professional subtitling has come a long way since its humble beginning in the 1980s. The prevailing technological affordance enables and mobilises the digital generation to turn subtitling into a method of self-expression and mediation, and their activities have made translation a more social and visible activity than ever before. This volume provides a comprehensive review of the current state of play of this user-generated subtitling phenomenon. It includes projects and research focusing on various aspects of non-professional subtitling, including the communities at work, the agents at play, the production conditions and the products. The perspectives in the book explore the role played by the agents involved in the emerging subtitling networks worldwide, and their impact on the communities is also discussed, based on empirical data generated from observations on active fansubbing communities. The collection demonstrates, from various viewpoints, the ways in which non-professional subtitling connects languages, cultures and communities in a global setting.
Subtitling Norms for Television
Author: Jan Pedersen
Publisher: John Benjamins Publishing
ISBN: 9027224463
Category : Language Arts & Disciplines
Languages : en
Pages : 261
Book Description
In most subtitling countries, those lines at the bottom of the screen are the most read medium of all, for which reason they deserve all the academic attention they can get. This monograph represents a large-scale attempt to provide such attention, by exploring the norms of subtitling for television. It does so by empirically investigating a large corpus of television subtitles from Scandinavia, one of the bastions of subtitling, along with other European data. The aim of the book is twofold: first, to provide an advanced and comprehensive model for investigating translation problems in the form of Extralinguistic Cultural References (ECRs). Second, to empirically explore current European television subtitling norms, and to look into future developments in this area. This book will be of interest to anyone interested in gaining access to state-of-the-art tools for translation analysis, or in learning more about the norms of subtitling, based on empirically reliable and current material.
Publisher: John Benjamins Publishing
ISBN: 9027224463
Category : Language Arts & Disciplines
Languages : en
Pages : 261
Book Description
In most subtitling countries, those lines at the bottom of the screen are the most read medium of all, for which reason they deserve all the academic attention they can get. This monograph represents a large-scale attempt to provide such attention, by exploring the norms of subtitling for television. It does so by empirically investigating a large corpus of television subtitles from Scandinavia, one of the bastions of subtitling, along with other European data. The aim of the book is twofold: first, to provide an advanced and comprehensive model for investigating translation problems in the form of Extralinguistic Cultural References (ECRs). Second, to empirically explore current European television subtitling norms, and to look into future developments in this area. This book will be of interest to anyone interested in gaining access to state-of-the-art tools for translation analysis, or in learning more about the norms of subtitling, based on empirically reliable and current material.
Translation Strategies and Techniques in Audiovisual Translation of Humour: Analysis of "Shrek 2" and "Ice Age"
Author: Ewelina Bruździak
Publisher: GRIN Verlag
ISBN: 3656095752
Category : Language Arts & Disciplines
Languages : en
Pages : 73
Book Description
Thesis (M.A.) from the year 2011 in the subject Interpreting / Translating , grade: A, University of Gdansk (Institute of English), course: Translation studies, language: English, abstract: Humour translation is an extremely difficult process which causes translators many problems. Rendering humour into a different language becomes even more complicated when the translator translates film dialogues for the purpose of dubbing or subtitling. The aim of this thesis is to analyse translation strategies and techniques applied in the process of humour translation in dubbing and subtitling. The analysis is based on two animated films: Shrek 2 and Ice Age. In the thesis the original version of film dialogues is compared with its dubbed and subtitled versions in Polish. The material for the study comes from DVD releases. The thesis is divided into two chapters. In the first chapter the concept of humour is explained and humour translation is described. In this chapter I also provide definitions of translation strategy and translation technique, explain the difference between these two concepts and describe possible translation strategies and techniques in humour translation. In the second part of the first chapter the specificity of audiovisual translation is discussed, and subtitling and dubbing are described as two different translation methods. The second chapter offers a comparison between the Polish dubbed and subtitled dialogue versions. In this chapter I describe translation strategies and techniques used by the translators and compare the humorous effect evoked by them with the humorous effect of the original dialogues.
Publisher: GRIN Verlag
ISBN: 3656095752
Category : Language Arts & Disciplines
Languages : en
Pages : 73
Book Description
Thesis (M.A.) from the year 2011 in the subject Interpreting / Translating , grade: A, University of Gdansk (Institute of English), course: Translation studies, language: English, abstract: Humour translation is an extremely difficult process which causes translators many problems. Rendering humour into a different language becomes even more complicated when the translator translates film dialogues for the purpose of dubbing or subtitling. The aim of this thesis is to analyse translation strategies and techniques applied in the process of humour translation in dubbing and subtitling. The analysis is based on two animated films: Shrek 2 and Ice Age. In the thesis the original version of film dialogues is compared with its dubbed and subtitled versions in Polish. The material for the study comes from DVD releases. The thesis is divided into two chapters. In the first chapter the concept of humour is explained and humour translation is described. In this chapter I also provide definitions of translation strategy and translation technique, explain the difference between these two concepts and describe possible translation strategies and techniques in humour translation. In the second part of the first chapter the specificity of audiovisual translation is discussed, and subtitling and dubbing are described as two different translation methods. The second chapter offers a comparison between the Polish dubbed and subtitled dialogue versions. In this chapter I describe translation strategies and techniques used by the translators and compare the humorous effect evoked by them with the humorous effect of the original dialogues.
Linguistic Issues and Quality Assessment of English-Arabic Audiovisual Translation
Author: Ahmad Khuddro
Publisher: Cambridge Scholars Publishing
ISBN: 152752597X
Category : Language Arts & Disciplines
Languages : en
Pages : 214
Book Description
Due to a dearth of academic references in the area of English-Arabic audiovisual translation (AVT), this book represents a unique resource, in that it explores dubbing and subtitling into Arabic, a topic hardly discussed among academics both in the Arab world and worldwide. The book starts with some linguistic and audiovisual background, and lays new foundations for a discussion about the similarities between the translation of drama texts and AVT. It then moves on to highlight some grammatical, syntactic, semantic and functional challenges faced in subtitling with examples from various recent audiovisual material, as deictics, exophora, idiomatic language, register, negation, duality and plurality, and subject-predicate agreement in the target subtitled text. The book’s originality is manifest in its investigation of the obstacles encountered by new anonymous subtitlers by providing evidence in the form of genuine samples of their work. The book concludes with some original subtitling quality assessment reports, and presents effective strategies of subtitling.
Publisher: Cambridge Scholars Publishing
ISBN: 152752597X
Category : Language Arts & Disciplines
Languages : en
Pages : 214
Book Description
Due to a dearth of academic references in the area of English-Arabic audiovisual translation (AVT), this book represents a unique resource, in that it explores dubbing and subtitling into Arabic, a topic hardly discussed among academics both in the Arab world and worldwide. The book starts with some linguistic and audiovisual background, and lays new foundations for a discussion about the similarities between the translation of drama texts and AVT. It then moves on to highlight some grammatical, syntactic, semantic and functional challenges faced in subtitling with examples from various recent audiovisual material, as deictics, exophora, idiomatic language, register, negation, duality and plurality, and subject-predicate agreement in the target subtitled text. The book’s originality is manifest in its investigation of the obstacles encountered by new anonymous subtitlers by providing evidence in the form of genuine samples of their work. The book concludes with some original subtitling quality assessment reports, and presents effective strategies of subtitling.