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Author: Svetlana- Kueiiumdzhieva
Publisher:
ISBN: 9781032454894
Category :
Languages : en
Pages : 0
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Book Description
"The focus is on the study of important oldest genres, liturgical books and distinguished men of letters revealing the compilation of different practices and languages. It is done for the first time. For the first time also, are introduced newly found sources, some of which are unique, and unknown men of letters with their contribution to the field of Eastern Orthodox chant. The book gives a possibility of the reader to have various medieval sources in different languages in one place. The topics discussed are from the entire history of Eastern chant - from the ninth to the nineteenth century. They are studied on the ground of a complex interdisciplinary approach. The book consists of 16 topics, grouped in 4 chapters. The author discusses unknown or not well-known topics of the history of Eastern Orthodox church chant. The aim of the book is to present the Eastern chant as a phase in the evolution of Mediterranean art, which in fact is the cradle of our common Graeco-Roman heritage. The complex study of genres, liturgical books and the work of distinguished men of letters of this chant shows its ability to compile various traditions in different languages and national practices, to contaminate their wealth in order to strengthen the Christian faith during the Middle Ages and the early Balkan National Revival. The book's audience will include everyone interested in liturgical musical books, liturgy and chant repertory. Likewise, it will include those engaged in the study of medieval and the early Balkan National Revival music and liturgical history"--
Author: Svetlana- Kueiiumdzhieva
Publisher:
ISBN: 9781032454894
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
"The focus is on the study of important oldest genres, liturgical books and distinguished men of letters revealing the compilation of different practices and languages. It is done for the first time. For the first time also, are introduced newly found sources, some of which are unique, and unknown men of letters with their contribution to the field of Eastern Orthodox chant. The book gives a possibility of the reader to have various medieval sources in different languages in one place. The topics discussed are from the entire history of Eastern chant - from the ninth to the nineteenth century. They are studied on the ground of a complex interdisciplinary approach. The book consists of 16 topics, grouped in 4 chapters. The author discusses unknown or not well-known topics of the history of Eastern Orthodox church chant. The aim of the book is to present the Eastern chant as a phase in the evolution of Mediterranean art, which in fact is the cradle of our common Graeco-Roman heritage. The complex study of genres, liturgical books and the work of distinguished men of letters of this chant shows its ability to compile various traditions in different languages and national practices, to contaminate their wealth in order to strengthen the Christian faith during the Middle Ages and the early Balkan National Revival. The book's audience will include everyone interested in liturgical musical books, liturgy and chant repertory. Likewise, it will include those engaged in the study of medieval and the early Balkan National Revival music and liturgical history"--
Author: Svetlana Kujumdzieva
Publisher: Taylor & Francis
ISBN: 1000931927
Category : History
Languages : en
Pages : 257
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Book Description
This book focuses on the compilation of the different practices of Eastern Orthodox Chant, looking at the subject through various languages, practices, and liturgical books and letters. The subject of this book is also analysed through newly found, unique material, to provide the entire history of Eastern Orthodox Chant, from the ninth to the nineteenth centuries and approached through a number of different disciplines. The book consists of sixteen topics, grouped in four parts: Studies on Genre, Studies on Liturgical Books, Studies on Distinguished Men of Letters, and Studies on Bulgarian Orthodox Church Chant. The aim of the book is to present the Eastern chant as a phase in the evolution of Mediterranean art, which is the cradle of Graeco-Roman heritage. This complex study brings in a variety of sources to show the purpose of Eastern Orthodox Chant as strengthening the Christian faith during the Middle Ages and the revival of Balkan nationalism in the nineteenth century. This book will appeal to students and scholars alike, interested in liturgical musical books, liturgy, and chant repertory. Likewise, it will be of interest to those engaged in medieval and early modern history, music, and culture.
Author: Miloš Velimirović
Publisher: London, Oxford U. P, 1966- .
ISBN:
Category : Byzantine chants
Languages : en
Pages : 168
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Book Description
Author: William Oliver Strunk
Publisher:
ISBN: 9780393332766
Category : Church music
Languages : en
Pages : 0
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Book Description
In this companion volume to Essays on Music in the Western World, Oliver Strunk focuses on the area of study that has dominated his interest for the last thirty years--the chant and liturgy of the Eastern Orthodox church.
Author: David Drillock
Publisher: St Vladimir's Seminary Press
ISBN: 0881410977
Category : Lenten music
Languages : en
Pages : 272
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Book Description
Complete music and text for the Liturgy of the Presanctified Gifts. With rubrics and two appendices containing all the necessary texts from the Triodion and the Octoechos in new translation.
Author: Ann Mitsakos Bezzerides
Publisher: University of Notre Dame Pess
ISBN: 0268101299
Category : Religion
Languages : en
Pages : 456
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Book Description
Over the last two decades, the American academy has engaged in a wide-ranging discourse on faith and learning, religion and higher education, and Christianity and the academy. Eastern Orthodox Christians, however, have rarely participated in these conversations. The contributors to this volume aim to reverse this trend by offering original insights from Orthodox Christian perspectives that contribute to the ongoing discussion about religion, higher education, and faith and learning in the United States. The book is divided into two parts. Essays in the first part explore the historical experiences and theological traditions that inform (and sometimes explain) Orthodox approaches to the topic of religion and higher education—in ways that often set them apart from their Protestant and Roman Catholic counterparts. Those in the second part problematize and reflect on Orthodox thought and practice from diverse disciplinary contexts in contemporary higher education. The contributors to this volume offer provocative insights into philosophical questions about the relevance and application of Orthodox ideas in the religious and secular academy, as well as cross-disciplinary treatments of Orthodoxy as an identity marker, pedagogical framework, and teaching and research subject.
Author: Merih Erol
Publisher: Indiana University Press
ISBN: 0253018420
Category : Music
Languages : en
Pages : 289
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Book Description
A study of the musical discourse among Ottoman Greek Orthodox Christians during a complicated time for them in the nineteenth and early twentieth centuries. During the late Ottoman period (1856–1922), a time of contestation about imperial policy toward minority groups, music helped the Ottoman Greeks in Istanbul define themselves as a distinct cultural group. A part of the largest non-Muslim minority within a multi-ethnic and multi-religious empire, the Greek Orthodox educated elite engaged in heated discussions about their cultural identity, Byzantine heritage, and prospects for the future, at the heart of which were debates about the place of traditional liturgical music in a community that was confronting modernity and westernization. Merih Erol draws on archival evidence from ecclesiastical and lay sources dealing with understandings of Byzantine music and history, forms of religious chanting, the life stories of individual cantors, and other popular and scholarly sources of the period. Audio examples keyed to the text are available online. “Merih Erol’s careful examination of the prominent church cantors of this period, their opinions on Byzantine, Ottoman and European musics as well as their relationship with both the Patriarchate and wealthy Greeks of Istanbul presents a detailed picture of a community trying to define their national identity during a transition. . . . Her study is unique and detailed, and her call to pluralism is timely.” —Mehmet Ali Sanlikol, author of The Musician Mehters “Overall, the book impresses me as a sophisticated work that avoids the standard nationalist views on the history of the Ottoman Greeks.” —Risto Pekka Pennanen, University of Tampere, Finland “This book is a great contribution to the fields of historical ethnomusicology, religious studies, ethnic studies, and Ottoman and Greek studies. It offers timely research during a critical period for ethnic minorities in the Middle East in general and Christians in particular as they undergo persecution and forced migration.” —Journal of the American Academy of Religion
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 578
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Book Description
Author: Nicholas Denysenko
Publisher: James Clarke & Company
ISBN: 0227179994
Category : Religion
Languages : en
Pages : 175
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Book Description
How do Orthodox Christians celebrate Pascha (Easter) and Christmas? What is the purpose of the blessing of waters? How does the Orthodox liturgical year compare with Western Christianity? Through an analysis of the feasts within the Orthodox Liturgical year, Denysenko explores how rituals, Bible readings and hymns form part of common festivals, such as Lent, Holy Week, Pascha, Christmas, and the feasts of Mary. He also discusses feasts particular to Orthodox Christianity, allowing readers to explore occasions such as the Exaltation of the Cross and the Baptism of Rus', and discover the importance of domestic traditions like the Vasilopita and the Sviata Vechera (Holy Supper). Ideal for interested readers at college-level or above, This is the Day that the Lord has Made is an excellent guide for all seeking to understand the significance of Orthodox liturgy.
Author: Peter Jeffery
Publisher: Boydell & Brewer Ltd
ISBN: 0851158005
Category : History
Languages : en
Pages : 426
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Book Description
Comparative studies of medieval chant traditions in western Europe, Byzantium and the Slavic nations illuminate music, literacy and culture. Gregorian chant was the dominant liturgical music of the medieval period, from the time it was adopted by Charlemagne's court in the eighth century; but for centuries afterwards it competed with other musical traditions, local repertories from the great centres of Rome, Milan, Ravenna, Benevento, Toledo, Constantinople, Jerusalem, and Kievan Rus, and comparative study of these chant traditions can tell us much about music, liturgy, literacy and culture a thousand years ago. This is the first book-length work to look at the issues in a global, comprehensive way, in the manner of the work of Kenneth Levy, the leading exponent of comparative chant studies. It covers the four most fruitful approaches for investigators: the creation and transmission of chant texts, based on the psalms and other sources, and their assemblage into liturgical books; the analysis and comparison of musical modes and scales; the usesof neumatic notation for writing down melodies, and the differences wrought by developmental changes and notational reforms over the centuries; and the use of case studies, in which the many variations in a specific text or melodyare traced over time and geographical distance. The book is therefore of profound importance for historians of medieval music or religion - Western, Byzantine, or Slavonic - and for anyone interested in issues of orality and writing in the transmission of culture. PETER JEFFERY is Professor of Music History, Princeton University. Contributors: JAMES W. McKINNON, MARGOT FASSLER, MICHEL HUGLO, NICOLAS SCHIDLOVSKY, KEITH FALCONER, PETER JEFFERY, DAVID G.HUGHES, SYSSE GUDRUN ENGBERG, CHARLES M. ATKINSON, MILOS VELIMIROVIC, JORGEN RAASTED+, RUTH STEINER, DIMITRIJE STEFANOVIC, ALEJANDRO PLANCHART.
