Author: Percy Mansell Jones
Publisher: Manchester University Press
ISBN:
Category : French literature
Languages : en
Pages : 376
Book Description
Studies in Modern French Literature
Author: Percy Mansell Jones
Publisher: Manchester University Press
ISBN:
Category : French literature
Languages : en
Pages : 376
Book Description
Publisher: Manchester University Press
ISBN:
Category : French literature
Languages : en
Pages : 376
Book Description
French Literature, Thought and Culture in the Nineteenth Century
Author: Brian Rigby
Publisher: Springer
ISBN: 1349118249
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
This volume adopts a varied approach to the study of the 'material world' in the French literature, thought and visual arts of the 19th century. Contributors look not only at the Romantic and Realist transcendence of the Neo-classical heritage of abstraction and idealism, but also adopt modern critical perspectives to analyse central themes such as urbanisation, fetishism and the representation of the female body.
Publisher: Springer
ISBN: 1349118249
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
This volume adopts a varied approach to the study of the 'material world' in the French literature, thought and visual arts of the 19th century. Contributors look not only at the Romantic and Realist transcendence of the Neo-classical heritage of abstraction and idealism, but also adopt modern critical perspectives to analyse central themes such as urbanisation, fetishism and the representation of the female body.
The Assault on French Literature, and Other Essays
Author: Percy Mansell Jones
Publisher: Manchester University Press
ISBN:
Category : French literature
Languages : en
Pages : 224
Book Description
This book offers one professor's critical observations and constructive suggestions on the teaching of foreign literatures, specifically French, which is his métier. The condition of humane studies, and their risk of being degraded to the status of poor relations to the sciences, are a continuing source of disquiet. Thus, the descriptions and disclosures of what went wrong in the past are meant to encourage, demonstrating by contrast the improvements in the organization of studies that have been made. With one exception, the pieces in Part Two, Commentaries & Discussions, are exercises in how to introduce literary topics within the official lecture 'hour' of fifty minutes.
Publisher: Manchester University Press
ISBN:
Category : French literature
Languages : en
Pages : 224
Book Description
This book offers one professor's critical observations and constructive suggestions on the teaching of foreign literatures, specifically French, which is his métier. The condition of humane studies, and their risk of being degraded to the status of poor relations to the sciences, are a continuing source of disquiet. Thus, the descriptions and disclosures of what went wrong in the past are meant to encourage, demonstrating by contrast the improvements in the organization of studies that have been made. With one exception, the pieces in Part Two, Commentaries & Discussions, are exercises in how to introduce literary topics within the official lecture 'hour' of fifty minutes.
Comparative Criticism: Volume 9, Cultural Perceptions and Literary Values
Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521341721
Category : Drama
Languages : en
Pages : 432
Book Description
The ninth volume of this annual journal continues the consideration of the relations of European with non-European literatures begun in volume 8. It brings the series of special bibliographies on the history of comparative literary studies in the UK up to 1965, and contains the annual bibliography of comparative literature, covering 1984.
Publisher: Cambridge University Press
ISBN: 9780521341721
Category : Drama
Languages : en
Pages : 432
Book Description
The ninth volume of this annual journal continues the consideration of the relations of European with non-European literatures begun in volume 8. It brings the series of special bibliographies on the history of comparative literary studies in the UK up to 1965, and contains the annual bibliography of comparative literature, covering 1984.
Baudelaire
Author: F. W. Leakey
Publisher: Cambridge University Press
ISBN: 9780521323352
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
This book of linked essays contains the first critical study of Baudelaire's development as a poet, from his youth onward. It also includes studies of the development of Baudelaire's aesthetic, detailed commentaries on a number of his finest poems, and accounts of three intriguing and crucial "encounters" with notable contemporaries. Three of the essays are previously unpublished and four very recent; the other eleven have been thoroughly updated, revised, and, in some cases, substantially expanded. Together, they constitute a new and important contribution to the understanding and appreciation of Baudelaire's work.
Publisher: Cambridge University Press
ISBN: 9780521323352
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
This book of linked essays contains the first critical study of Baudelaire's development as a poet, from his youth onward. It also includes studies of the development of Baudelaire's aesthetic, detailed commentaries on a number of his finest poems, and accounts of three intriguing and crucial "encounters" with notable contemporaries. Three of the essays are previously unpublished and four very recent; the other eleven have been thoroughly updated, revised, and, in some cases, substantially expanded. Together, they constitute a new and important contribution to the understanding and appreciation of Baudelaire's work.
Formal Revolution in the Work of Baudelaire and Flaubert
Author: Kathryn Oliver Mills
Publisher: Lexington Books
ISBN: 1611493951
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
In Formal Revolution in the Work of Baudelaire and Flaubert, Kathryn Oliver Mills argues that despite the enduring celebrity of Baudelaire and Flaubert, their significance to modern art has been miscast and misunderstood. To date, literary criticism has paid insufficient attention to these authors' literary form and their socio-cultural context. In addition, critical literature has not always adequately integrated individual works to each author’s broader oeuvre: on the one hand critics do not often maintain rigorous distinctions among texts when discussing Baudelaire and Flaubert, and on the other hand scholars of Baudelaire and Flaubert have not consistently considered the relationship of individual texts to either writer’s corpus. Furthermore, critical focus has been on the modernity of Les Fleurs du mal, Madame Bovary, and L'Education Sentimentale. Addressing these lacunae in scholarship, Mills puts forth the argument that Baudelaire's collection of prose poems, Le Spleen de Paris, and Flaubert's short, poetic tales, Trois contes, best embody the modern aesthetic that Baudelaire develops in Le Peintre de la vie moderne and that Flaubert elaborates in his correspondence. Formal Revolution places these relatively less well-known but last published works in relationship with the artistic goals of their authors, showing that Baudelaire and Flaubert were both acutely aware of the need to launch a new form of literature in order to literally “come to terms with” the dramatic changes transforming the nineteenth-century into the Modern Age. More specifically, Formal Revolution demonstrates that for Baudelaire and Flaubert the formal project of fusing prose with poetry—as poetic prose in the case of Flaubert, as poetry in prose in the case of Baudelaire—was crucial to their mission of “painting modern life.” This work concludes that experimentation with literary form represents these two seminal writers’ major legacy to modernity; suggests that the twentieth-century might have gone too far down that road; and speculates about the future direction of literature. The modernity of Baudelaire and Flaubert, still relevant today but often taken for granted, needs to be reexamined in light of the cultural, formal, and contextual considerations that inform Formal Revolution in the Work of Baudelaire and Flaubert.
Publisher: Lexington Books
ISBN: 1611493951
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
In Formal Revolution in the Work of Baudelaire and Flaubert, Kathryn Oliver Mills argues that despite the enduring celebrity of Baudelaire and Flaubert, their significance to modern art has been miscast and misunderstood. To date, literary criticism has paid insufficient attention to these authors' literary form and their socio-cultural context. In addition, critical literature has not always adequately integrated individual works to each author’s broader oeuvre: on the one hand critics do not often maintain rigorous distinctions among texts when discussing Baudelaire and Flaubert, and on the other hand scholars of Baudelaire and Flaubert have not consistently considered the relationship of individual texts to either writer’s corpus. Furthermore, critical focus has been on the modernity of Les Fleurs du mal, Madame Bovary, and L'Education Sentimentale. Addressing these lacunae in scholarship, Mills puts forth the argument that Baudelaire's collection of prose poems, Le Spleen de Paris, and Flaubert's short, poetic tales, Trois contes, best embody the modern aesthetic that Baudelaire develops in Le Peintre de la vie moderne and that Flaubert elaborates in his correspondence. Formal Revolution places these relatively less well-known but last published works in relationship with the artistic goals of their authors, showing that Baudelaire and Flaubert were both acutely aware of the need to launch a new form of literature in order to literally “come to terms with” the dramatic changes transforming the nineteenth-century into the Modern Age. More specifically, Formal Revolution demonstrates that for Baudelaire and Flaubert the formal project of fusing prose with poetry—as poetic prose in the case of Flaubert, as poetry in prose in the case of Baudelaire—was crucial to their mission of “painting modern life.” This work concludes that experimentation with literary form represents these two seminal writers’ major legacy to modernity; suggests that the twentieth-century might have gone too far down that road; and speculates about the future direction of literature. The modernity of Baudelaire and Flaubert, still relevant today but often taken for granted, needs to be reexamined in light of the cultural, formal, and contextual considerations that inform Formal Revolution in the Work of Baudelaire and Flaubert.
Baudelaire and Nature
Author: F. W. Leakey
Publisher: Manchester University Press
ISBN: 9780719003455
Category : Nature in literature
Languages : en
Pages : 408
Book Description
Publisher: Manchester University Press
ISBN: 9780719003455
Category : Nature in literature
Languages : en
Pages : 408
Book Description
Poetic Principles and Practice
Author: Lloyd Austin
Publisher: Cambridge University Press
ISBN: 0521327377
Category : Literary Criticism
Languages : en
Pages : 374
Book Description
The central theme here is the constant confrontation of theory and practice in the work of Baudelaire, Mallarmé and Valéry.
Publisher: Cambridge University Press
ISBN: 0521327377
Category : Literary Criticism
Languages : en
Pages : 374
Book Description
The central theme here is the constant confrontation of theory and practice in the work of Baudelaire, Mallarmé and Valéry.
Story and Situation
Author: Ross Chambers
Publisher: U of Minnesota Press
ISBN: 9781452900452
Category :
Languages : en
Pages : 284
Book Description
Studies the relation between teller and listener in a set of French, English, and American short stories from the nineteenth and early twentieth centuries.
Publisher: U of Minnesota Press
ISBN: 9781452900452
Category :
Languages : en
Pages : 284
Book Description
Studies the relation between teller and listener in a set of French, English, and American short stories from the nineteenth and early twentieth centuries.
Baudelaire's Le Spleen de Paris
Author: Maria C. Scott
Publisher: Routledge
ISBN: 1351574361
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Maria Scott's study of the operation of irony in Baudelaire's Le Spleen de Paris contends that the principal target of the collection's spleen is its own readership. Baudelaire, as one of the most perceptive cultural commentators of the nineteenth century, was naturally very keenly aware of the growing dominance of the bourgeoisie in France, not least as a market for art and literature. Despite being dependent on this market for his own writing, the poet was highly critical of bourgeois values and attitudes. Scott builds on existing criticism of the collection to argue that these are indirectly mocked in Le Spleen de Paris, often in the person of the poet's supposed textual alter ego. The contention is that the prose poems betray the trust of readers by way of an apparent transparency of meaning that functions to blind us to their embedded irony. Though focused on Le Spleen de Paris, Scott's study engages with the full range of Baudelaire's writings, including his art and literary criticism. Her book will be of interest not only to Baudelaire scholars but also to those engaged more generally with nineteenth-century French culture.
Publisher: Routledge
ISBN: 1351574361
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Maria Scott's study of the operation of irony in Baudelaire's Le Spleen de Paris contends that the principal target of the collection's spleen is its own readership. Baudelaire, as one of the most perceptive cultural commentators of the nineteenth century, was naturally very keenly aware of the growing dominance of the bourgeoisie in France, not least as a market for art and literature. Despite being dependent on this market for his own writing, the poet was highly critical of bourgeois values and attitudes. Scott builds on existing criticism of the collection to argue that these are indirectly mocked in Le Spleen de Paris, often in the person of the poet's supposed textual alter ego. The contention is that the prose poems betray the trust of readers by way of an apparent transparency of meaning that functions to blind us to their embedded irony. Though focused on Le Spleen de Paris, Scott's study engages with the full range of Baudelaire's writings, including his art and literary criticism. Her book will be of interest not only to Baudelaire scholars but also to those engaged more generally with nineteenth-century French culture.