Author: Luiz Renato Martins
Publisher: BRILL
ISBN: 9004346082
Category : Political Science
Languages : en
Pages : 316
Book Description
In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of Paris and New York - embodying Revolution, Thermidor, Bonapartistm and Bourgeois ‘Triumph' - once more pulsates in tragic key. Equally attentive to form and politics, Martins invites us to look again at familiar pictures. In the process, modern art appears in a new light. These essays, largely unknown to an English-speaking audience, may be the most important contribution to the account of modern painting since the important debates of the 1980s.
Studies in Modern Art 2
Author: John Elderfield
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 192
Book Description
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 192
Book Description
Theories of Modern Art
Author: Herschel Browning Chipp
Publisher: Univ of California Press
ISBN: 9780520014503
Category : Art
Languages : en
Pages : 692
Book Description
Publisher: Univ of California Press
ISBN: 9780520014503
Category : Art
Languages : en
Pages : 692
Book Description
Contemporary Art and Disability Studies
Author: Alice Wexler
Publisher: Routledge
ISBN: 0429536496
Category : Art
Languages : en
Pages : 325
Book Description
This book presents interdisciplinary scholarship on art and visual culture that explores disability in terms of lived experience. It will expand critical disability studies scholarship on representation and embodiment, which is theoretically rich, but lacking in attention to art. It is organized in five thematic parts: methodologies of access, agency, and ethics in cultural institutions; the politics and ethics of collaboration; embodied representations of artists with disabilities in the visual and performing arts; negotiating the outsider art label; and first-person reflections on disability and artmaking. This volume will be of interest to scholars who study disability studies, art history, art education, gender studies, museum studies, and visual culture.
Publisher: Routledge
ISBN: 0429536496
Category : Art
Languages : en
Pages : 325
Book Description
This book presents interdisciplinary scholarship on art and visual culture that explores disability in terms of lived experience. It will expand critical disability studies scholarship on representation and embodiment, which is theoretically rich, but lacking in attention to art. It is organized in five thematic parts: methodologies of access, agency, and ethics in cultural institutions; the politics and ethics of collaboration; embodied representations of artists with disabilities in the visual and performing arts; negotiating the outsider art label; and first-person reflections on disability and artmaking. This volume will be of interest to scholars who study disability studies, art history, art education, gender studies, museum studies, and visual culture.
Imagining the Future of the Museum of Modern Art
Author: Museum of Modern Art (New York, N.Y.)
Publisher: The Museum of Modern Art
ISBN: 9780870700569
Category : Architecture
Languages : en
Pages : 348
Book Description
Edited by John Elderfield. Introduction by Glenn D. Lowry.
Publisher: The Museum of Modern Art
ISBN: 9780870700569
Category : Architecture
Languages : en
Pages : 348
Book Description
Edited by John Elderfield. Introduction by Glenn D. Lowry.
A History of Modern Art
Author: H.H. Arnason
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Les Demoiselles D'Avignon
Author: William Rubin
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 290
Book Description
"This painting, Les Demoiselles d'Avignon, was painted in 1907 and is the most famous example of cubism painting. In this painting, Picasso abandoned all known form and representation of traditional art. He used distortion of female's body and geometric forms in an innovative way, which challenge the expectation that paintings will offer idealized representations of female beauty. It also shows the influence of African art on Picasso."--Pablopicasso.org.
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 290
Book Description
"This painting, Les Demoiselles d'Avignon, was painted in 1907 and is the most famous example of cubism painting. In this painting, Picasso abandoned all known form and representation of traditional art. He used distortion of female's body and geometric forms in an innovative way, which challenge the expectation that paintings will offer idealized representations of female beauty. It also shows the influence of African art on Picasso."--Pablopicasso.org.
Studies in Modern Art 2
Author: John Elderfield
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 192
Book Description
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 192
Book Description
The Politics of Furniture
Author: Fredie Floré
Publisher: Taylor & Francis
ISBN: 1317020472
Category : Architecture
Languages : en
Pages : 250
Book Description
In many different parts of the world modern furniture elements have served as material expressions of power in the post-war era. They were often meant to express an international and in some respects apolitical modern language, but when placed in a sensitive setting or a meaningful architectural context, they were highly capable of negotiating or manipulating ideological messages. The agency of modern furniture was often less overt than that of political slogans or statements, but as the chapters in this book reveal, it had the potential of becoming a persuasive and malleable ally in very diverse politically charged arenas, including embassies, governmental ministries, showrooms, exhibitions, design schools, libraries, museums and even prisons. This collection of chapters examines the consolidating as well as the disrupting force of modern furniture in the global context between 1945 and the mid-1970s. The volume shows that key to understanding this phenomenon is the study of the national as well as transnational systems through which it was launched, promoted and received. While some chapters squarely focus on individual furniture elements as vehicles communicating political and social meaning, others consider the role of furniture within potent sites that demand careful negotiation, whether between governments, cultures, or buyer and seller. In doing so, the book explicitly engages different scholarly fields: design history, history of interior architecture, architectural history, cultural history, diplomatic and political history, postcolonial studies, tourism studies, material culture studies, furniture history, and heritage and preservation studies. Taken together, the narratives and case studies compiled in this volume offer a better understanding of the political agency of post-war modern furniture in its original historical context. At the same time, they will enrich current debates on reuse, relocation or reproduction of some of these elements.
Publisher: Taylor & Francis
ISBN: 1317020472
Category : Architecture
Languages : en
Pages : 250
Book Description
In many different parts of the world modern furniture elements have served as material expressions of power in the post-war era. They were often meant to express an international and in some respects apolitical modern language, but when placed in a sensitive setting or a meaningful architectural context, they were highly capable of negotiating or manipulating ideological messages. The agency of modern furniture was often less overt than that of political slogans or statements, but as the chapters in this book reveal, it had the potential of becoming a persuasive and malleable ally in very diverse politically charged arenas, including embassies, governmental ministries, showrooms, exhibitions, design schools, libraries, museums and even prisons. This collection of chapters examines the consolidating as well as the disrupting force of modern furniture in the global context between 1945 and the mid-1970s. The volume shows that key to understanding this phenomenon is the study of the national as well as transnational systems through which it was launched, promoted and received. While some chapters squarely focus on individual furniture elements as vehicles communicating political and social meaning, others consider the role of furniture within potent sites that demand careful negotiation, whether between governments, cultures, or buyer and seller. In doing so, the book explicitly engages different scholarly fields: design history, history of interior architecture, architectural history, cultural history, diplomatic and political history, postcolonial studies, tourism studies, material culture studies, furniture history, and heritage and preservation studies. Taken together, the narratives and case studies compiled in this volume offer a better understanding of the political agency of post-war modern furniture in its original historical context. At the same time, they will enrich current debates on reuse, relocation or reproduction of some of these elements.
Register of the University of California
Author: University of California (1868-1952)
Publisher:
ISBN:
Category : Universities and colleges
Languages : en
Pages : 1204
Book Description
Publisher:
ISBN:
Category : Universities and colleges
Languages : en
Pages : 1204
Book Description
The Conspiracy of Modern Art
Author: Luiz Renato Martins
Publisher: BRILL
ISBN: 9004346082
Category : Political Science
Languages : en
Pages : 316
Book Description
In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of Paris and New York - embodying Revolution, Thermidor, Bonapartistm and Bourgeois ‘Triumph' - once more pulsates in tragic key. Equally attentive to form and politics, Martins invites us to look again at familiar pictures. In the process, modern art appears in a new light. These essays, largely unknown to an English-speaking audience, may be the most important contribution to the account of modern painting since the important debates of the 1980s.
Publisher: BRILL
ISBN: 9004346082
Category : Political Science
Languages : en
Pages : 316
Book Description
In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of Paris and New York - embodying Revolution, Thermidor, Bonapartistm and Bourgeois ‘Triumph' - once more pulsates in tragic key. Equally attentive to form and politics, Martins invites us to look again at familiar pictures. In the process, modern art appears in a new light. These essays, largely unknown to an English-speaking audience, may be the most important contribution to the account of modern painting since the important debates of the 1980s.