Studies in Language, Literature, and Culture of the Middle Ages and Later

Studies in Language, Literature, and Culture of the Middle Ages and Later PDF Author: Elmer Bagby Atwood
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 398

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Studies in Language, Literature, and Culture of the Middle Ages and Later

Studies in Language, Literature, and Culture of the Middle Ages and Later PDF Author: Elmer Bagby Atwood
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 398

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Book Description


Language and Culture in Medieval Britain

Language and Culture in Medieval Britain PDF Author: Jocelyn Wogan-Browne
Publisher: Boydell & Brewer Ltd
ISBN: 1903153476
Category : Foreign Language Study
Languages : en
Pages : 562

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Book Description
The essays in this volume form a new cultural history focused round, but not confined to, the presence and interactions of francophone speakers, writers, readers, texts and documents in England from the 11th to the later 15th century.

The Art of Vision

The Art of Vision PDF Author: Andrew James Johnston
Publisher:
ISBN: 9780814293997
Category : Description (Rhetoric)
Languages : en
Pages : 307

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Book Description
One of the most common ways of setting the arts in parallel, at least from the literary side, is through the popular rhetorical device of ekphrasis. The original meaning of this term is simply an extended and detailed, lively description, but it has been used most commonly in reference to painting or sculpture. In this lively collection of essays, Andrew James Johnston, Ethan Knapp, and Margitta Rouse offer a major contribution to the study of text-image relationships in medieval Europe. Resisting any rigid definition of ekphrasis, The Art of Vision is committed to reclaiming medieval ekphrasis, which has not only been criticized for its supposed aesthetic narcissism but has also frequently been depicted as belonging to an epoch when the distinctions between word and image were far less rigidly drawn. Examples studied range from the eleventh through the seventeenth centuries and include texts written in Medieval Latin, Medieval French, Middle English, Middle Scots, Middle High German, and Early Modern English. The essays in this volume highlight precisely the entanglements that ekphrasis suggests and/or rejects: not merely of word and image, but also of sign and thing, stasis and mobility, medieval and (early) modern, absence and presence, the rhetorical and the visual, thinking and feeling, knowledge and desire, and many more. The Art of Vision furthers our understanding of the complexities of medieval ekphrasis while also complicating later understandings of this device. As such, it offers a more diverse account of medieval ekphrasis than previous studies of medieval text-image relationships, which have normally focused on a single country, language, or even manuscript.

Studies in Medieval and Renaissance Literature

Studies in Medieval and Renaissance Literature PDF Author: C. S. Lewis
Publisher: Cambridge University Press
ISBN: 1107658926
Category : Literary Criticism
Languages : en
Pages : 213

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Book Description
An invaluable collection for those who read and love Lewis and medieval and Renaissance literature.

Translating Christ in the Middle Ages

Translating Christ in the Middle Ages PDF Author: Barbara Zimbalist
Publisher: University of Notre Dame Pess
ISBN: 0268202214
Category : Literary Criticism
Languages : en
Pages : 426

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Book Description
This study reveals how women’s visionary texts played a central role within medieval discourses of authorship, reading, and devotion. From the twelfth to the fifteenth centuries, women across northern Europe began committing their visionary conversations with Christ to the written word. Translating Christ in this way required multiple transformations: divine speech into human language, aural event into textual artifact, visionary experience into linguistic record, and individual encounter into communal repetition. This ambitious study shows how women’s visionary texts form an underexamined literary tradition within medieval religious culture. Barbara Zimbalist demonstrates how, within this tradition, female visionaries developed new forms of authorship, reading, and devotion. Through these transformations, the female visionary authorized herself and her text, and performed a rhetorical imitatio Christi that offered models of interpretive practice and spoken devotion to her readers. This literary-historical tradition has not yet been fully recognized on its own terms. By exploring its development in hagiography, visionary texts, and devotional literature, Zimbalist shows how this literary mode came to be not only possible but widespread and influential. She argues that women’s visionary translation reconfigured traditional hierarchies and positions of spiritual power for female authors and readers in ways that reverberated throughout late-medieval literary and religious cultures. In translating their visionary conversations with Christ into vernacular text, medieval women turned themselves into authors and devotional guides, and formed their readers into textual communities shaped by gendered visionary experiences and spoken imitatio Christi. Comparing texts in Latin, Dutch, French, and English, Translating Christ in the Middle Ages explores how women’s visionary translation of Christ’s speech initiated larger transformations of gendered authorship and religious authority within medieval culture. The book will interest scholars in different linguistic and religious traditions in medieval studies, history, religious studies, and women’s and gender studies.

Material Remains

Material Remains PDF Author: Jan-Peer Hartmann
Publisher:
ISBN: 9780814257999
Category : Literary Criticism
Languages : en
Pages : 0

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Book Description
Examines how medieval and early modern British texts use descriptions of archaeological objects to produce aesthetic and literary responses to questions of historicity and epistemology.

Emotion and the History of Rhetoric in the Middle Ages

Emotion and the History of Rhetoric in the Middle Ages PDF Author: Rita Copeland
Publisher: Oxford University Press
ISBN: 0192659758
Category : Literary Criticism
Languages : en
Pages : 432

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Book Description
Rhetoric is an engine of social discourse and the art charged with generating and swaying emotion. The history of rhetoric provides a continuous structure by which we can measure how emotions were understood, articulated, and mobilized under various historical circumstances and social contracts. This book is about how rhetoric in the West, from Late Antiquity to the later Middle Ages, represented the role of emotion in shaping persuasions. It is the first book-length study of medieval rhetoric and the emotions, coloring that rhetorical history between about 600 CE and the cusp of early modernity. Rhetoric in the Middle Ages, as in other periods, constituted the gateway training for anyone engaged in emotionally persuasive writing. Medieval rhetorical thought on emotion has multiple strands of influence and sedimentations of practice. The earliest and most persistent tradition treated emotional persuasion as a property of surface stylistic effect, which can be seen in the medieval rhetorics of poetry and prose, and in literary production. But the impact of Aristotelian rhetoric, which reached the Latin West in the thirteenth century, gave emotional persuasion a core role in reasoning, incorporating it into the key device of proof, the enthymeme. In Aristotle, medieval teachers and writers found a new rhetorical language to explain the social and psychological factors that affect an audience. With Aristotelian rhetoric, the emotions became political. The impact of Aristotle's rhetorical approach to emotions was to be felt in medieval political treatises, in poetry, and in preaching.

The Oral Epic

The Oral Epic PDF Author: Karl Reichl
Publisher: Routledge
ISBN: 1000409201
Category : Literary Criticism
Languages : en
Pages : 257

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Book Description
This book focuses on the performance of oral epics and explores the significance of performance features for the interpretation of epic poetry. The leading question of the book is how the socio-cultural context of performance and the various performance elements contribute to the meaning of oral epics. This is a question which not only concerns epics collected from living oral tradition, but which is also of importance for the understanding of the epics of antiquity and the Middle Ages which originated and flourished in an oral milieu. The book is based on fieldwork in the still vibrant oral traditions of the Turkic peoples of Central Asia and Siberia. The discussion combines fieldwork with theory; it is not limited to Turkic epics but branches out into other oral traditions.

Norse-derived Vocabulary in Late Old English Texts

Norse-derived Vocabulary in Late Old English Texts PDF Author: Sara María Pons Sanz
Publisher: John Benjamins Publishing
ISBN: 8776741966
Category : Language Arts & Disciplines
Languages : en
Pages : 337

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Book Description
The ancient Romans believed that the Gods sent signs of future events to them through the flight of birds, meteorological disturbances and other natural phenomena. These signs influenced every sphere of ancient life, both public and private, from a state's decision to go to war or make peace, hold an election or meet a public crisis to an individual's business, marriage or travel plans. The articles in this book illustrate how the various Roman divinatory techniques were inter-woven into the structures of ancient society as well as how they were used in literary contexts. The intriguing question of the alleged doublethink among Roman intellectuals in their attitude to Divination is an important theme taken up in this book.

Polyphony and the Modern

Polyphony and the Modern PDF Author: Jonathan Fruoco
Publisher: Routledge
ISBN: 1000391086
Category : Literary Criticism
Languages : en
Pages : 240

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Book Description
Polyphony and the Modern asks one fundamental question: what does it mean to be modern in one’s own time? To answer that question, this volume focuses on polyphony as an index of modernity. In The Principle of Hope, Ernst Bloch showed that each moment in time is potentially fractured: people living in the same country can effectively live in different centuries – some making their alliances with the past and others betting on the future – but all of them, at least technically, enclosed in the temporal moment. But can a claim of modernity also mean something more ambitious? Can an artist, by accident or design, escape the limits of his or her own time, and somehow precociously embody the outlook of a subsequent age? This book sees polyphony as a bridge providing a terminology and a stylistic practice by which the period barrier between Medieval and Early Modern can be breached. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at https://www.taylorfrancis.com/books/edit/10.4324/9781003129837