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Author: Teodolinda Barolini
Publisher: Fordham Medieval Studies
ISBN: 9780823222711
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Table of contents
Author: Teodolinda Barolini
Publisher: Fordham Medieval Studies
ISBN: 9780823222711
Category : Literary Criticism
Languages : en
Pages : 0
Get Book Here
Book Description
Table of contents
Author: John Freccero
Publisher: Harvard University Press
ISBN: 9780674192263
Category : Education
Languages : en
Pages : 346
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Book Description
[The essays] are arranged to follow the order of the "Comedy," and they form the perfect companion for a reader of the poem. Throughout Freccero operates on the fundamental premise that there is always an intricate and crucial dialectic at work between Dante the poet and Dante the pilgrim. -- from cover.
Author: Edward Moore
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 428
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 802
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Book Description
Author: George Corbett
Publisher: Open Book Publishers
ISBN: 1783741724
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the ‘Cambridge Vertical Readings in Dante’s Comedy’ website.
Author: John Alfred Scott
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 512
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Book Description
"In Understanding Dante, Scott goes beyond simply explaining Dante's works and provides a detailed discussion of the medieval poet's writings. John A. Scott has given readers a comprehensive account of Dante's work that will be useful to new readers and Dante scholars alike. It contains a helpful chronology of the events in the poet's life and a short glossary of poetic forms." --Magill Book Reviews
Author: Giuseppe Mazzotta
Publisher: Yale University Press
ISBN: 0300191359
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
divdivA towering figure in world literature, Dante wrote his great epic poem Commedia in the early fourteenth century. The work gained universal acclaim and came to be known as La Divina Commedia, or The Divine Comedy. Giuseppe Mazzotta brings Dante and his masterpiece to life in this exploration of the man, his cultural milieu, and his endlessly fascinating works.div /DIVdivBased on Mazzotta’s highly popular Yale course, this book offers a critical reading of The Divine Comedy and selected other works by Dante. Through an analysis of Dante’s autobiographical Vita nuova, Mazzotta establishes the poetic and political circumstances of The Divine Comedy. He situates the three sections of the poem—Inferno, Purgatory, Paradise—within the intellectual and social context of the late Middle Ages, and he explores the political, philosophical, and theological topics with which Dante was particularly concerned./DIV/DIV/DIV
Author: Richard Lansing
Publisher: Routledge
ISBN: 1136849718
Category : History
Languages : en
Pages : 2067
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Book Description
Available for the first time in paperback, this essential resource presents a systematic introduction to Dante's life and works, his cultural context and intellectual legacy. The only such work available in English, this Encyclopedia: brings together contemporary theories on Dante, summarizing them in clear and vivid prose provides in-depth discussions of the Divine Comedy, looking at title and form, moral structure, allegory and realism, manuscript tradition, and also taking account of the various editions of the work over the centuries contains numerous entries on Dante's other important writings and on the major subjects covered within them addresses connections between Dante and philosophy, theology, poetics, art, psychology, science, and music as well as critical perspective across the ages, from Dante's first critics to the present.
Author: Robert M. Durling
Publisher: Univ of California Press
ISBN: 9780520064881
Category : Literary Criticism
Languages : en
Pages : 500
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Book Description
"A brilliant achievement. The range of learning is enormous, both in medieval scientific, philosophical lore and poetry and in the vast secondary literature on Dante. The authors bring the best traditions of Anglo-American formal analysis to bear upon the petrose, and produce powerful and original interpretations. . . . This will be a book that all serious readers of Dante's poetry--both of the petrose and the Comedy--will want to read."--David Quint, author of Origin and Originality in Renaissance Literature
Author: Brenda Deen Schildgen
Publisher: University of Notre Dame Pess
ISBN: 0268200661
Category : Literary Criticism
Languages : en
Pages : 393
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Book Description
This study explores how Dante represents violence in the Comedy and reveals the connection between contemporary private and public violence and civic and canon law violations. Although a number of articles have addressed particular aspects of violence in discrete parts of Dante’s oeuvre, a systematic treatment of violence in the Commedia is lacking. This ambitious overview of violence in Dante’s literary works and his world examines cases of violence in the domestic, communal, and cosmic spheres while taking into account medieval legal approaches to rights and human freedom that resonate with the economy of justice developed in the Commedia. Exploring medieval concerns with violence both in the home and in just war theory, as well as the Christian theology of the Incarnation and Redemption, Brenda Deen Schildgen examines violence in connection to the natural rights theory expounded by canon lawyers beginning in the twelfth century. Partially due to the increased attention to its Greco-Roman cultural legacy, the twelfth-century Renaissance produced a number of startling intellectual developments, including the emergence of codified canon law and a renewed interest in civil law based on Justinian’s sixth-century Corpus juris civilis. Schildgen argues that, in addition to “divine justice,” Dante explores how the human system of justice, as exemplified in both canon and civil law and based on natural law and legal concepts of human freedom, was consistently violated in the society of his era. At the same time, the redemptive violence of the Crucifixion, understood by Dante as the free act of God in choosing the Incarnation and death on the cross, provides the model for self-sacrifice for the communal good. This study, primarily focused on Dante’s representation of his contemporary reality, demonstrates that the punishments and rewards in Dante’s heaven and hell, while ostensibly a staging of his vision of eternal justice, may in fact be a direct appeal to his readers to recognize the crimes that pervade their own world. Dante and Violence will have a wide readership, including students and scholars of Dante, medieval culture, violence, and peace studies.
