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Author: Runtang Lu
Publisher: Chinese University Press
ISBN: 9789622014510
Category : Drama
Languages : en
Pages : 248
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Book Description
Author: Runtang Lu
Publisher: Chinese University Press
ISBN: 9789622014510
Category : Drama
Languages : en
Pages : 248
Get Book Here
Book Description
Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521790727
Category : Drama
Languages : en
Pages : 332
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Book Description
Comparative Criticism, first published in 2000, addresses itself to the questions of literary theory and criticism, to comparative studies in terms of theme, genre movement and influence, and to interdisciplinary perspectives. Articles include: Afloat on the Sea of Stories: World tales, English Literature, and geopolitical aesthetics; Classics and the comparison of adjacent literatures: some Pakistani perspectives; Performance Literature: the traditional Japanese theatre as model; 'Am I in that name?' Women's writing as cultural translation in early modern China; stabat mater: reflections on a theme in German-Jewish and Palestinian-Arab poetry. The winning entries in the 1999 BCLA/BCLT translation competition are also published.
Author: Alfred Owen Aldridge
Publisher: University of Delaware Press
ISBN: 9780874136395
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
The essays in this volume provide a straightforward approach to East-West literary relationships, in contrast to the marginalized and Eurocentric perspectives that still dominate mainstream comparative literature.
Author: Elliot S. Valenstein
Publisher: Columbia University Press
ISBN: 0231135882
Category : Computers
Languages : en
Pages : 257
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Book Description
The question of how nerves communicate with one another was the subject of a heated & protracted dispute between pharmacologists & neurophysiologists. This book recalls the debate & how the theory of chemical transmission was eventually confirmed by the discovery of neurotransmitters.
Author: Shouhua Qi
Publisher: Routledge
ISBN: 1315446146
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
Adapting Western Classics for the Chinese Stage presents a comprehensive study of transnational, transcultural, and translingual adaptations of Western classics from the turn of the twentieth century to present-day China in the age of globalization. Supported by a wide range of in-depth research, this book Examines the complex dynamics between texts, both dramatic and socio-historical; contexts, both domestic and international; and intertexts, Western classics and their Chinese reinterpretations in huaju and/or traditional Chinese xiqu; Contemplates Chinese adaptations of a range of Western dramatic works, including Greek, English, Russian, and French; Presents case studies of key Chinese adaptation endeavors, including the 1907 adaptation of Uncle Tom’s Cabin by the Spring Willow Society and the 1990 adaptation of Hamlet by Lin Zhaohua; Lays out a history of uneasy convergence of East and West, complicated by tensions between divergent sociopolitical forces and cultural proclivities. Drawing on disciplines and critical perspectives, including theatre and adaptation studies, comparative literature, translation studies, reception theory, post-colonialism, and intertextuality, this book is key reading for students and researchers in any of these fields.
Author: Da Zheng
Publisher: Rowman & Littlefield
ISBN: 1683931076
Category : Biography & Autobiography
Languages : en
Pages : 367
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Book Description
In 1933, Shih-I Hsiung (1902–1991), a student from China, met with Allardyce Nicoll, a Shakespearean scholar at the University of London, to discuss his PhD study in English drama. After learning about Hsiung’s interest and background, Nicoll suggested that he should consider studying Chinese drama for his dissertation and writing a play of a Chinese subject. Hsiung took the advice to heart and set out to write Lady Precious Stream, a play based on a classical Beijing opera. In six weeks, the writing was completed; six months later, the manuscript was accepted for publication by Methuen; and not long after, Little Theater in London agreed to produce the play, which ran for 900 successive shows. The phenomenal success turned Hsiung into stardom all at once: he became the first Chinese to write and direct a West End play in England; in 1936, the play had its Broadway premiere and subsequent performances in Chicago, Cleveland, Boston, and other U.S. cities; and it has been produced and staged in Europe, North America, South America, Africa, Asia, and Australia ever since. Following the success of Lady Precious Stream, Hsiung translated into English the Chinese classic The Romance of the Western Chamber; in addition, he wrote a number of plays, novels, and essays, in both English and Chinese, as well as the biography The Life of Chiang Kai-shek.Shih-I Hsiung: A Glorious Showman unfolds the transnational and transcultural life experience of an extraordinary showman: a literary master, a theater man, and a social actor bold and impassioned on socio-cultural stages. Hsiung introduced English and American literature to readers in China through his translation works in the 1920s and early 1930s. After his arrival in England, he began writing in English for audiences not familiar with the Chinese culture. His works were known for their originality, humor, and a deep sense of cultural and historical engagement. Later in his life when he was residing in Hong Kong, he was devoted to education and was also active in Chinese literary and theater circles.
Author: Xiaomei Chen
Publisher: Rowman & Littlefield
ISBN: 9780847698752
Category : History
Languages : en
Pages : 292
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Book Description
This revised and expanded edition of the first comprehensive study of Occidentalism in post-Mao China includes a new preface, foreword, and chapter on Chinese diaspora writings in the Chinese language. Xiaomei Chen offers an insightful account of the unremittingly favorable depiction of Western culture and its negative characterization of Chinese culture in post-Mao China since 1978. She examines the cultural and political interrelationship between the East and West from a vantage point more complex than that accommodated by most current theories of Western imperialism and colonialism. Going beyond Edward Said's construction in Orientalism of cross-cultural appropriations as a defining facet of Western imperialism, Chen argues that the appropriation of Western discourse--what she calls "Occidentalism"--can actually have a politically and ideologically liberating effect on contemporary non-Western culture. She maintains that simplistic allegations of Orientalism frequently found in current critical discourses seriously underestimate the complexities of intercultural and multicultural relationships. Using China as the focus of her analysis, Chen examines a variety of cultural media, from Shakespearean drama, to modernist poetry, to contemporary Chinese television and popular fiction. She thus places sinology in the general context of Western theoretical discourses, such as Eurocentrism, postcolonialism, nationalism, modernism, feminism, and literary hermeneutics, showing that it has a vital role to play in the study of Orient and Occident and their now unavoidable symbiotic relationship. Occidentalism presents a new model of comparative literary and cultural studies that reenvisions cross-cultural appropriation. It will be indispensable to future discussions of Orientalism, Occidentalism, and postcolonialism, as well as subaltern studies, Asian studies, comparative literature, cultural studies, and non-Western drama.
Author: Xingjian Gao
Publisher: Yale University Press
ISBN: 9780300124217
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
When Gao Xingjian was crowned Nobel Laureate in 2000, it was the first time in the hundred-year history of the Nobel Prize that this honor had been awarded to an author for a body of work written in Chinese. The same year, American readers embraced Mabel Lee's translation of Gao's lyrical and autobiographical novel Soul Mountain, making it a national best seller. Gao's plays, novels, and short fiction have won the Chinese expatriate an international following and a place among the world's greatest living writers. The bold and extraordinary essays in this volume ... embody an argument for literature as a universal human endeavor rather than one defined and limited by national boundaries. Gao believes in the need for the writer to stand apart from collective movements, regardless of whether these are engineered by political parties or driven by economic or other forces not related to literature. This collection presents Gao's innovative ideas on aesthetics, and it constitutes the very kernel of his thinking on literary creation.--Book jacket.
Author: Xiaomei Chen
Publisher: Columbia University Press
ISBN: 0231535546
Category : Performing Arts
Languages : en
Pages : 655
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Book Description
This condensed anthology reproduces close to a dozen plays from Xiaomei Chen's well-received original collection, The Columbia Anthology of Modern Chinese Drama, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Comprising representative works from the Republican era to postsocialist China, the book encapsulates the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty and vividly portrays the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. Chosen works from 1919 to 1990 also highlight the formation of national and gender identities during a period of tremendous social, cultural, and political change in China and the genesis of contemporary attitudes toward the West. PRC theater tracks the rise of communism, juxtaposing ideals of Chinese socialism against the sacrifices made for a new society. Post-Mao drama addresses the nation's socialist legacy, its attempt to reexamine its cultural roots, and postsocialist reflections on critical issues such as nation, class, gender, and collective memories. An essential, portable guide for easy reference and classroom use, this abridgment provides a concise yet well-rounded survey of China's theatricality and representation of political life. The original work not only established a canon of modern Chinese drama in the West but also made it available for the first time in English in a single volume.
Author: Wilt Idema
Publisher: University of Michigan Press
ISBN: 0892641231
Category : Social Science
Languages : en
Pages : 393
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Book Description
Selected for Choice's list of Outstanding Academic Books for 1997. A comprehensive overview of China's 3,000 years of literary history, from its beginnings to the present day. After an introductory section discussing the concept of literature and other features of traditional Chinese society crucial to understanding its writings, the second part is broken into five major time periods (earliest times to 100 c.e.; 100-1000; 1000-1875; 1875-1915; and 1915 to the present) corresponding to changes in book production. The development of the major literary genres is traced in each of these periods. The reference section in the cloth edition includes an annotated bibliography of more than 120 pages; the paper edition has a shorter bibliography and is intended for classroom use.
