Stories from the Greek Comedians

Stories from the Greek Comedians PDF Author: Alfred John Church
Publisher:
ISBN:
Category : Conduct of life
Languages : en
Pages : 414

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Book Description

Stories from the Greek Comedians

Stories from the Greek Comedians PDF Author: Alfred John Church
Publisher:
ISBN:
Category : Conduct of life
Languages : en
Pages : 414

Get Book Here

Book Description


Stories from the Greek Comedians

Stories from the Greek Comedians PDF Author: Alfred John Church
Publisher: Biblo & Tannen Publishers
ISBN: 9780819620811
Category : Drama
Languages : en
Pages : 388

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Book Description


Greek Comedy and Ideology

Greek Comedy and Ideology PDF Author: David Konstan
Publisher: Oxford University Press
ISBN: 0195357698
Category : Literary Criticism
Languages : en
Pages : 257

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Book Description
In comedy, happy endings resolve real-world conflicts. These conflicts, in turn, leave their mark on the texts in the form of gaps in plot and inconsistencies of characterization. Greek Comedy and Ideology analyzes how the structure of ancient Greek comedy betrays and responds to cultural tensions in the society of the classical city-state. It explores the utopian vision of Aristophanes' comedies--for example, an all-powerful city inhabited by birds, or a world of limitless wealth presided over by the god of wealth himself--as interventions in the political issues of his time. David Konstan goes on to examine the more private world of Menandrean comedy (including two adaptations of Menander by the Roman playwright Terence), in which problems of social status, citizenship, and gender are negotiated by means of elaborately contrived plots. In conclusion, Konstan looks at an imitation of ancient comedy by Moliére, and the way in which the ideology of emerging capitalism transforms the premises of the classical genre.

The Cambridge Companion to Greek Comedy

The Cambridge Companion to Greek Comedy PDF Author: Martin Revermann
Publisher: Cambridge University Press
ISBN: 0521760283
Category : Drama
Languages : en
Pages : 523

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Book Description
This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.

Performing Greek Comedy

Performing Greek Comedy PDF Author: Alan Hughes
Publisher: Cambridge University Press
ISBN: 1107009308
Category : Drama
Languages : en
Pages : 329

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Book Description
A new account of Greek comedy performance from its sixth-century origins to New Comedy, drawing upon fresh visual evidence.

The Oxford Handbook of Greek and Roman Comedy

The Oxford Handbook of Greek and Roman Comedy PDF Author: Michael Fontaine
Publisher: Oxford University Press
ISBN: 0199743541
Category : Drama
Languages : en
Pages : 913

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Book Description
The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.

Greek Comedy

Greek Comedy PDF Author: GILBERT. NORWOOD
Publisher: Routledge
ISBN: 9781032218045
Category : Greek drama (Comedy)
Languages : en
Pages : 420

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Book Description
Originally published in 1931, this book surveys the origin and development of Greek Comic Drama, with full discussion not only of Aristophanes and Menander but also of other important playwrights whose work had usually received scant notice because only fragments of it have survived. The important papyrus-finds of the previous forty years have been expounded and used. The final chapter is an introduction to comic metre and rhythm.

The Art of Greek Comedy

The Art of Greek Comedy PDF Author: Katherine Lever
Publisher: Taylor & Francis
ISBN: 1000579271
Category : Literary Criticism
Languages : en
Pages : 227

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Book Description
Originally published in 1956, this is a critical analysis of the comedies of Aristophanes and Menander studied in the context of the history of comedy, of the allied arts, and of contemporary life. Aristophanes and Menander are deservedly the most famous writers of Greek comedy. The extant comedies of Aristophanes are notable for wit, comical action, beautiful poetry, and the dramatization of such problems as health of mind and body, sex, money, government, law, religion, education, and drama, music and poetry. Menander portrays with delicate and sympathetic understanding a world in which the seeming evils of loss and discord eventually lead to the genuine goods of discovery and concord. The art of Aristophanes is critically examined in three chapters and that of Menander in one. For centuries Dionysos had been worshipped in a spirit of ecstasy which manifested itself in song, dance and the wearing of masks and costumes, pantomime, farce, and satire. The processes by which these diverse elements were developed and fused into the complex literary form of Old Comedy are the subject of the first three chapters. Aristophanes was not only pre-eminent as a writer of Old Comedy; he also participated in the transformation of Old Comedy into Middle Comedy, a curious and interesting dramatic form which is fully treated in the seventh chapter. In the last chapter the emergence of New Comedy is traced and the art of Menander criticized. The book ends with a brief indication of the various forms in which the spirit of Greek comedy had survived to the present day.

Aristophanes: Four Plays: Clouds, Birds, Lysistrata, Women of the Assembly

Aristophanes: Four Plays: Clouds, Birds, Lysistrata, Women of the Assembly PDF Author: Aristophanes
Publisher: Liveright Publishing
ISBN: 1631496336
Category : Drama
Languages : en
Pages : 452

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Book Description
Capturing the antic outrageousness and lyrical brilliance of antiquity’s greatest comedies, Aaron Poochigian’s Aristophanes: Four Plays brings these classic dramas to vivid life for a twenty-first century audience. The citizens of ancient Athens enjoyed a freedom of speech as broad as our own. This freedom, parrhesia, the right to say what one pleased, how and when one pleased, and to whom, had no more fervent champion than the brilliant fifth-century comic playwright Aristophanes. His plays, immensely popular with the Athenian public, were frequently crude, even obscene. He ridiculed the great and the good of the city, showing up their hypocrisy and arrogance in ways that went far beyond the standards of good taste, securing the ire (and sometimes the retaliation) of his powerful targets. He showed his contemporaries, and he teaches us now, that when those in power act obscenely, patriotic obscenity is a fitting response. Aristophanes’s satirical masterpieces were also surpassingly virtuosic works of poetry. The metrical variety of his plays has always thrilled readers who can access the original Greek, but until now, English translations have failed to capture their lyrical genius. Aaron Poochigian, the first poet-classicist to tackle these plays in a generation, brings back to life four of Aristophanes’s most entertaining, wickedly crude, and frequently beautiful lyric comedies—the pinnacle of his comic art: · Clouds, a play famous for its caricature of antiquity’s greatest philosopher, Socrates; · Lysistrata, in which a woman convinces her female compatriots to withhold sex from their warmongering lovers unless they negotiate peace; · Birds, in which feathered creatures build a great city and become like gods; · and Women of the Assembly, Aristophones’s most revolutionary play, which inverts the norms of gender and power. Poochigian’s new rendering of these comic masterpieces finally gives contemporary readers a sense of the subversive pleasure Aristophones’s original audiences felt when they were first performed on the Athenian stage.

Greek Comedy and the Discourse of Genres

Greek Comedy and the Discourse of Genres PDF Author: Emmanuela Bakola
Publisher: Cambridge University Press
ISBN: 1107355508
Category : History
Languages : en
Pages : 421

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Book Description
Recent scholarship has acknowledged that the intertextual discourse of ancient comedy with previous and contemporary literary traditions is not limited to tragedy. This book is a timely response to the more sophisticated and theory-grounded way of viewing comedy's interactions with its cultural and intellectual context. It shows that in the process of its self-definition, comedy emerges as voracious and multifarious with a wide spectrum of literary, sub-literary and paraliterary traditions, the engagement with which emerges as central to its projected literary identity and, subsequently, to the reception of the genre itself. Comedy's self-definition through generic discourse far transcends the (narrowly conceived) 'high-low' division of genres. This book explores ancient comedy's interactions with Homeric and Hesiodic epic, iambos, lyric, tragedy, the fable tradition, the ritual performances of the Greek polis, and its reception in Platonic writings and Alexandrian scholarship, within a unified interpretative framework.