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Author: Karl Heinrich Wörner
Publisher: Univ of California Press
ISBN: 9780520032729
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
Basing his work on conversations with the composer, Karl Wörner puts into plain language the ideas behind Stockhausen's new musical forms, examines the development of electronic music and explains the spatial location in new music; the broader aspects of the composer's place in musical history and in the society in which he works are also considered. Particularly valuable is the section on Stockhausen's life, his friends and pupils; and the book includes the composer's own notes on his works. -- from back cover.
Author: Karl Heinrich Wörner
Publisher: Univ of California Press
ISBN: 9780520032729
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
Basing his work on conversations with the composer, Karl Wörner puts into plain language the ideas behind Stockhausen's new musical forms, examines the development of electronic music and explains the spatial location in new music; the broader aspects of the composer's place in musical history and in the society in which he works are also considered. Particularly valuable is the section on Stockhausen's life, his friends and pupils; and the book includes the composer's own notes on his works. -- from back cover.
Author: Cornelius Cardew
Publisher:
ISBN: 9781732098695
Category : Music
Languages : en
Pages : 126
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Book Description
A notorious, influential and radical critique of the avant-garde music of Stockhausen and Cage, by maverick composer Cornelius Cardew Originally published in 1974, Stockhausen Serves Imperialism is a collection of essays by the English avant-garde composer Cornelius Cardew that provides a Marxist and class critique of two of the more revered composers of the postwar era: Karlheinz Stockhausen and John Cage. A former assistant to Stockhausen and an early champion of Cage, Cardew provides a cutting rebuke of the composers, their work and their ideological positions (Cage's staged anarchism and Stockhausen's theatrical mysticism, in particular). Cardew considers the role of these composers and their works within the development of the 20th-century avant-garde, which he saw as reinforcing an imperialist order rather than spotlighting the struggles of the working class or spurring revolution against bourgeois oppression. Cardew's early works do not escape his own scrutiny, with the book containing critiques and repudiations of his canonical works from the 1960s and early 1970s: Treatise and The Great Learning. After abandoning the avant-garde, Cardew devoted his work to the people's struggle, creating music in service of his radical politics. This music mostly took the form of class-conscious arrangements of folk songs and melodic piano works with such titles as "Revolution is the Main Trend" and "Smash the Social Contract." Cardew maintained a critical cultural stance throughout his life, later going on to denounce David Bowie and punk rock as fascist. He was killed by a hit-and-run driver in 1981--a death that some speculate could have been an assassination by the English government's MI5. Supplementing Cardew's writings are two essays by his Scratch Orchestra collaborators Rod Eley and John Tilbury.
Author: Jonathan Harvey
Publisher: Univ of California Press
ISBN: 0520334388
Category : Music
Languages : en
Pages : 184
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Book Description
Author: David Stubbs
Publisher: John Hunt Publishing
ISBN: 1803417617
Category : Music
Languages : en
Pages : 168
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Book Description
Modern art is a mass phenomenon. Conceptual artists like Damien Hirst enjoy celebrity status. Works by 20th century abstract artists like Mark Rothko are selling for record breaking sums, while the millions commanded by works by Andy Warhol and Francis Bacon make headline news. However, while the general public has no trouble embracing avant garde and experimental art, there is, by contrast, mass resistance to avant garde and experimental music, although both were born at the same time under similar circumstances - and despite the fact that from Schoenberg and Kandinsky onwards, musicians and artists have made repeated efforts to establish a "synaesthesia" between their two media. Fear of Music examines the parallel histories of modern art and modern music and examines why one is embraced and understood and the other ignored, derided or regarded with bewilderment, as noisy, random nonsense perpetrated by, and listened to by the inexplicably crazed. It draws on interviews and often highly amusing anecdotal evidence in order to find answers to the question: Why do people get Rothko and not Stockhausen?
Author: Robin Maconie
Publisher: Marion Boyars Publishers
ISBN: 9780714527062
Category : Music
Languages : en
Pages : 341
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Book Description
Author: Karlheinz Stockhausen
Publisher: Marion Boyars
ISBN: 9780714529189
Category : Music
Languages : en
Pages : 220
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Book Description
Music.
Author: Jonathan Cott
Publisher: New York : Simon and Schuster
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 264
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Book Description
Author: Jerome Kohl
Publisher: Taylor & Francis
ISBN: 1000949605
Category : Music
Languages : en
Pages : 196
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Book Description
Zeitmaße is one of a group of four acknowledged masterpieces composed between 1955 and 1957 that together established Karlheinz Stockhausen as the leading figure in the European avant-garde. Of the four works, it is the only one that has not been thoroughly analysed from the composer's sketches and, for this reason, remains the least-well understood. In this volume, Jerome Kohl provides a much-needed analysis of Zeitmaße, considering its standing in the group and in the wider context of Stockhausen's output. Using recently published correspondence and other documentation from the period, together with surviving sketch material, Kohl investigates the compositional procedures employed in Zeitmaße and their evolution. He discusses the wide range of influences discernible in the work, from that of both past generations of composers and contemporaries, to the impact of Stockhausen's studies in acoustics, phonetics and information theory on his music. The book closes with an examination of the reception of Zeitmaße and its associated concepts in the years following its composition, and shows how the key concepts utilized in the work are themselves a reflection of the properties seen in the very Zeitgeist that produced them.
Author: Martin Iddon
Publisher: Cambridge University Press
ISBN: 1107033292
Category : Art
Languages : en
Pages : 355
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Book Description
The first full-length English-language discussion of the Darmstadt New Music Courses, showing the rise and fall of the 'Darmstadt School'.
Author: Bálint András Varga
Publisher: Boydell & Brewer
ISBN: 1580464394
Category : Biography & Autobiography
Languages : en
Pages : 412
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Book Description
Bálint András Varga makes available here for the first time in English nineteen extended interviews with some of the most notable figures in music from the past fifty years, as well as lively snippets from interviews Varga conducted with thirteen other equally renowned musicians. Of special interest is an interview with the reclusive composer György Kurtág, here published for the first time in any language. From Boulanger to Stockhausen concludes with a poignant memoir by Varga of his experiences growing up in a Jewish family in Hungary during World War II and the early years of Communist rule. Varga's recollections also include details about his many interviews with some of these remarkable musicians, and about his employment at the Hungarian state radio station and then in the music-publishing industry, which brought him to, among other places, Vienna, where he now lives [Publisher description].
