Author: Stephen Muecke
Publisher: Hatje Cantz Verlag
ISBN: 3775730834
Category : Art
Languages : en
Pages : 52
Book Description
In seinem Notebook beschreibt Stephen Muecke die Werke des Aborgine-Künstlers Butcher Joe aus Goolarabooloo, der das Hauptgedankengut seiner Kultur in seinen Zeichnungen veranschaulichte, die hier reproduziert sind. Auf den Werken sind Orte abgebildet, an denen die Toten die Lebenden besuchen, Ereignisse an der Schwelle zwischen Wachen und Schlafen: Legenden der Traumzeit, die erklären, wie alles entstanden ist, und die die Regeln begründen, nach denen die Aborigines leben. Tanzende, jagende oder arbeitende Menschen, Geister, Tiere und Skelette sind zu sehen – einzelne Szenen aus der Geschichte, teilweise Übersetzungen visueller und akustischer Erinnerungen, in der Geister zu Menschen und Menschen zu Tieren werden können. Als Porträts der indigenen australischen Ästhetik liefern die Zeichnungen und der beschreibende Text dem Leser in diesem Notizbuch einen persönlichen Einblick in die Mythenwelt der australischen Ureinwohner, in der alles, seien es Tiere, Menschen oder Pflanzen, in seinem Transformationspotenzial zu betrachten ist. Butcher Joe Nangan (1902–1989) war ein Künstler aus Broome, Westaustralien. Stephen Muecke (*1951) lebt als Autor in Sydney. Sprache: Deutsch/Englisch
Stephen Muecke
Author: Stephen Muecke
Publisher: Hatje Cantz Verlag
ISBN: 3775730834
Category : Art
Languages : en
Pages : 52
Book Description
In seinem Notebook beschreibt Stephen Muecke die Werke des Aborgine-Künstlers Butcher Joe aus Goolarabooloo, der das Hauptgedankengut seiner Kultur in seinen Zeichnungen veranschaulichte, die hier reproduziert sind. Auf den Werken sind Orte abgebildet, an denen die Toten die Lebenden besuchen, Ereignisse an der Schwelle zwischen Wachen und Schlafen: Legenden der Traumzeit, die erklären, wie alles entstanden ist, und die die Regeln begründen, nach denen die Aborigines leben. Tanzende, jagende oder arbeitende Menschen, Geister, Tiere und Skelette sind zu sehen – einzelne Szenen aus der Geschichte, teilweise Übersetzungen visueller und akustischer Erinnerungen, in der Geister zu Menschen und Menschen zu Tieren werden können. Als Porträts der indigenen australischen Ästhetik liefern die Zeichnungen und der beschreibende Text dem Leser in diesem Notizbuch einen persönlichen Einblick in die Mythenwelt der australischen Ureinwohner, in der alles, seien es Tiere, Menschen oder Pflanzen, in seinem Transformationspotenzial zu betrachten ist. Butcher Joe Nangan (1902–1989) war ein Künstler aus Broome, Westaustralien. Stephen Muecke (*1951) lebt als Autor in Sydney. Sprache: Deutsch/Englisch
Publisher: Hatje Cantz Verlag
ISBN: 3775730834
Category : Art
Languages : en
Pages : 52
Book Description
In seinem Notebook beschreibt Stephen Muecke die Werke des Aborgine-Künstlers Butcher Joe aus Goolarabooloo, der das Hauptgedankengut seiner Kultur in seinen Zeichnungen veranschaulichte, die hier reproduziert sind. Auf den Werken sind Orte abgebildet, an denen die Toten die Lebenden besuchen, Ereignisse an der Schwelle zwischen Wachen und Schlafen: Legenden der Traumzeit, die erklären, wie alles entstanden ist, und die die Regeln begründen, nach denen die Aborigines leben. Tanzende, jagende oder arbeitende Menschen, Geister, Tiere und Skelette sind zu sehen – einzelne Szenen aus der Geschichte, teilweise Übersetzungen visueller und akustischer Erinnerungen, in der Geister zu Menschen und Menschen zu Tieren werden können. Als Porträts der indigenen australischen Ästhetik liefern die Zeichnungen und der beschreibende Text dem Leser in diesem Notizbuch einen persönlichen Einblick in die Mythenwelt der australischen Ureinwohner, in der alles, seien es Tiere, Menschen oder Pflanzen, in seinem Transformationspotenzial zu betrachten ist. Butcher Joe Nangan (1902–1989) war ein Künstler aus Broome, Westaustralien. Stephen Muecke (*1951) lebt als Autor in Sydney. Sprache: Deutsch/Englisch
Ancient & Modern
Author: Stephen Muecke
Publisher: UNSW Press
ISBN: 9780868407869
Category : History
Languages : en
Pages : 212
Book Description
How might we think and talk about indigenous philosophy? Why has Aboriginal knowledge not been given the status of philosophical knowledge? There's a quarrel about whose antiquity is at the foundation of Australian culture, and why contemporary forms of Aboriginality are marginal to Australia's modernity.
Publisher: UNSW Press
ISBN: 9780868407869
Category : History
Languages : en
Pages : 212
Book Description
How might we think and talk about indigenous philosophy? Why has Aboriginal knowledge not been given the status of philosophical knowledge? There's a quarrel about whose antiquity is at the foundation of Australian culture, and why contemporary forms of Aboriginality are marginal to Australia's modernity.
Another Science is Possible
Author: Isabelle Stengers
Publisher: John Wiley & Sons
ISBN: 1509521844
Category : Science
Languages : en
Pages : 220
Book Description
Like fast food, fast science is quickly prepared, not particularly good, and it clogs up the system. Efforts to tackle our most pressing issues have been stymied by conflict within the scientific community and mixed messages symptomatic of a rushed approach. What is more, scientific research is being shaped by the bubbles and crashes associated with economic speculation and the market. A focus on conformism, competitiveness, opportunism and flexibility has made it extremely difficult to present cases of failure to the public, for fear that it will lose confidence in science altogether. In this bold new book, distinguished philosopher Isabelle Stengers shows that research is deeply intertwined with broader social interests, which means that science cannot race ahead in isolation but must learn instead to slow down. Stengers offers a path to an alternative science, arguing that researchers should stop seeing themselves as the 'thinking, rational brain of humanity' and refuse to allow their expertise to be used to shut down the concerns of the public, or to spread the belief that scientific progress is inevitable and will resolve all of society's problems. Rather, science must engage openly and honestly with an intelligent public and be clear about the kind of knowledge it is capable of producing. This timely and accessible book will be of great interest to students, scholars and policymakers in a wide range of fields, as well anyone concerned with the role of science and its future.
Publisher: John Wiley & Sons
ISBN: 1509521844
Category : Science
Languages : en
Pages : 220
Book Description
Like fast food, fast science is quickly prepared, not particularly good, and it clogs up the system. Efforts to tackle our most pressing issues have been stymied by conflict within the scientific community and mixed messages symptomatic of a rushed approach. What is more, scientific research is being shaped by the bubbles and crashes associated with economic speculation and the market. A focus on conformism, competitiveness, opportunism and flexibility has made it extremely difficult to present cases of failure to the public, for fear that it will lose confidence in science altogether. In this bold new book, distinguished philosopher Isabelle Stengers shows that research is deeply intertwined with broader social interests, which means that science cannot race ahead in isolation but must learn instead to slow down. Stengers offers a path to an alternative science, arguing that researchers should stop seeing themselves as the 'thinking, rational brain of humanity' and refuse to allow their expertise to be used to shut down the concerns of the public, or to spread the belief that scientific progress is inevitable and will resolve all of society's problems. Rather, science must engage openly and honestly with an intelligent public and be clear about the kind of knowledge it is capable of producing. This timely and accessible book will be of great interest to students, scholars and policymakers in a wide range of fields, as well anyone concerned with the role of science and its future.
Reading the Country
Author: Krim Benterrak
Publisher:
ISBN: 9780992373429
Category : History
Languages : en
Pages : 284
Book Description
Explores the meaning and politics of place (Roebuck Plains) through Aboriginal narratives, songs, conversations, photographs and paintings, together with European historical, geographic and geological knowledge; linked by a series of explanatory, exploratory and analytical essays on history, anthropology, critical theory and painting; interview with Peter Yu, NAC representative.
Publisher:
ISBN: 9780992373429
Category : History
Languages : en
Pages : 284
Book Description
Explores the meaning and politics of place (Roebuck Plains) through Aboriginal narratives, songs, conversations, photographs and paintings, together with European historical, geographic and geological knowledge; linked by a series of explanatory, exploratory and analytical essays on history, anthropology, critical theory and painting; interview with Peter Yu, NAC representative.
The Different Modes of Existence
Author: Étienne Souriau
Publisher: U of Minnesota Press
ISBN: 1937561801
Category : Philosophy
Languages : en
Pages : 188
Book Description
What relation is there between the existence of a work of art and that of a living being? Between the existence of an atom and that of a value like solidarity? These questions become our own each time a reality—whether it is a piece of music, someone we love, or a fictional character—is established and begins to take on an importance in our lives. Like William James or Gilles Deleuze, Souriau methodically defends the thesis of an existential pluralism. There are indeed different manners of existing and even different degrees or intensities of existence: from pure phenomena to objectivized things, by way of the virtual and the “super-existent,” to which works of art and the intellect, and even morality, bear witness. Existence is polyphonic, and, as a result, the world is considerably enriched and enlarged. Beyond all that exists in the ordinary sense of the term, it is necessary to allow for all sorts of virtual and ephemeral states, transitional realms, and barely begun realities, still in the making, all of which constitute so many “inter-worlds.”
Publisher: U of Minnesota Press
ISBN: 1937561801
Category : Philosophy
Languages : en
Pages : 188
Book Description
What relation is there between the existence of a work of art and that of a living being? Between the existence of an atom and that of a value like solidarity? These questions become our own each time a reality—whether it is a piece of music, someone we love, or a fictional character—is established and begins to take on an importance in our lives. Like William James or Gilles Deleuze, Souriau methodically defends the thesis of an existential pluralism. There are indeed different manners of existing and even different degrees or intensities of existence: from pure phenomena to objectivized things, by way of the virtual and the “super-existent,” to which works of art and the intellect, and even morality, bear witness. Existence is polyphonic, and, as a result, the world is considerably enriched and enlarged. Beyond all that exists in the ordinary sense of the term, it is necessary to allow for all sorts of virtual and ephemeral states, transitional realms, and barely begun realities, still in the making, all of which constitute so many “inter-worlds.”
Our Grateful Dead
Author: Vinciane Despret
Publisher: U of Minnesota Press
ISBN: 1452965935
Category : Social Science
Languages : en
Pages : 182
Book Description
An award-winning exploration of the presence of the dead in the lives of the living A common remedy after suffering the loss of a loved one is to progress through the “stages of grief,” with “acceptance” as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead. Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to “complete mourning” (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss. Despret’s unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.
Publisher: U of Minnesota Press
ISBN: 1452965935
Category : Social Science
Languages : en
Pages : 182
Book Description
An award-winning exploration of the presence of the dead in the lives of the living A common remedy after suffering the loss of a loved one is to progress through the “stages of grief,” with “acceptance” as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead. Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to “complete mourning” (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss. Despret’s unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.
Latour and the Humanities
Author: Rita Felski
Publisher: Johns Hopkins University Press
ISBN: 1421438909
Category : Literary Criticism
Languages : en
Pages : 487
Book Description
How does the work of influential theorist Bruno Latour offer a fresh angle on the practices and purposes of the humanities? In recent years, defenses of the humanities have tended to argue along predictable lines: the humanities foster empathy, the humanities encourage critical thinking, the humanities offer a counterweight to the cold calculations of the natural and social sciences. The essays in Latour and the Humanities take a different approach. Exploring the relevance of theorist Bruno Latour's work, they argue for attachments and entanglements between the humanities and the sciences while looking closely at the interests, institutions, and intellectual projects that shape the humanities within and beyond the university. The collection, which is written by a group of highly distinguished scholars from around the world, is divided into two sections. In the first part, authors engage in depth with Latour's work while also rethinking the ties between the humanities and the sciences. Essays argue for greater attention to the nonhuman world, the urgency of climate change, and more nuanced views of universities as institutions. The second half of the volume contains essays that reflect on Latour's influence on the practices of specific disciplines, including art, the digital humanities, film studies, and political theory. Inspiring conversation about the relevance of actor-network-theory for research and teaching in the humanities, Latour and the Humanities offers a substantial introduction to Latour's work while discussing the humanities without falling back on the genres of either the sermon or the jeremiad. This volume will be of interest to all those searching for fresh perspectives on the value and importance of humanistic disciplines and thought. Contributors: David J. Alworth, Anders Blok, Claudia Breger, Dipesh Chakrabarty, Yves Citton, Steven Connor, Gerard de Vries, Simon During, Rita Felski, Francis Halsall, Graham Harman, Antoine Hennion, Casper Bruun Jensen, Bruno Latour, Heather Love, Patrice Maniglier, Stephen Muecke, Barbara Herrnstein Smith, Nigel Thrift, Michael Witmore
Publisher: Johns Hopkins University Press
ISBN: 1421438909
Category : Literary Criticism
Languages : en
Pages : 487
Book Description
How does the work of influential theorist Bruno Latour offer a fresh angle on the practices and purposes of the humanities? In recent years, defenses of the humanities have tended to argue along predictable lines: the humanities foster empathy, the humanities encourage critical thinking, the humanities offer a counterweight to the cold calculations of the natural and social sciences. The essays in Latour and the Humanities take a different approach. Exploring the relevance of theorist Bruno Latour's work, they argue for attachments and entanglements between the humanities and the sciences while looking closely at the interests, institutions, and intellectual projects that shape the humanities within and beyond the university. The collection, which is written by a group of highly distinguished scholars from around the world, is divided into two sections. In the first part, authors engage in depth with Latour's work while also rethinking the ties between the humanities and the sciences. Essays argue for greater attention to the nonhuman world, the urgency of climate change, and more nuanced views of universities as institutions. The second half of the volume contains essays that reflect on Latour's influence on the practices of specific disciplines, including art, the digital humanities, film studies, and political theory. Inspiring conversation about the relevance of actor-network-theory for research and teaching in the humanities, Latour and the Humanities offers a substantial introduction to Latour's work while discussing the humanities without falling back on the genres of either the sermon or the jeremiad. This volume will be of interest to all those searching for fresh perspectives on the value and importance of humanistic disciplines and thought. Contributors: David J. Alworth, Anders Blok, Claudia Breger, Dipesh Chakrabarty, Yves Citton, Steven Connor, Gerard de Vries, Simon During, Rita Felski, Francis Halsall, Graham Harman, Antoine Hennion, Casper Bruun Jensen, Bruno Latour, Heather Love, Patrice Maniglier, Stephen Muecke, Barbara Herrnstein Smith, Nigel Thrift, Michael Witmore
Aboriginal Australians
Author: Stephen Muecke
Publisher:
ISBN: 9780500301142
Category : Aboriginal Australians
Languages : en
Pages : 127
Book Description
The book explores how the indigenous people actually came to be in Australia, and looks in depth at their extraordinary rituals and ‘Dreamings’, and the importance of ‘kin’ to their social structures. Much space is devoted to their massive cultural renaissance over the past four decades, with comprehensive coverage of the way in which Aboriginal art - be it Central Desert acrylic art, batik, contemporary urban painting, sculpture or traditional bark painting - has become a flagship for Australian culture.
Publisher:
ISBN: 9780500301142
Category : Aboriginal Australians
Languages : en
Pages : 127
Book Description
The book explores how the indigenous people actually came to be in Australia, and looks in depth at their extraordinary rituals and ‘Dreamings’, and the importance of ‘kin’ to their social structures. Much space is devoted to their massive cultural renaissance over the past four decades, with comprehensive coverage of the way in which Aboriginal art - be it Central Desert acrylic art, batik, contemporary urban painting, sculpture or traditional bark painting - has become a flagship for Australian culture.
The Children's Country
Author: Stephen Muecke
Publisher: Rowman & Littlefield
ISBN: 1786615495
Category : Social Science
Languages : en
Pages : 253
Book Description
In North-West Australia, between 2009 and 2013, a major Indigenous-environmentalist alliance waged a successful campaign to stop a huge industrial development, a $45 billion liquefied gas plant proposed by Woodside and its partners. The Western Australian government and key Indigenous institutions also pushed hard for this, making the custodians of the Country, the Goolarabooloo, an embattled minority. This experimental ethnography documents the Goolarabooloo’s knowledge of Country, their long history of struggle for survival, and the alliances that formed to support them. Written in a fictocritical style, it introduces a new ‘multirealist’ kind of analysis that focuses on institutions (Indigenous or European), their spheres of influence, and how they organised to stay alive as alliances shifted and changed.
Publisher: Rowman & Littlefield
ISBN: 1786615495
Category : Social Science
Languages : en
Pages : 253
Book Description
In North-West Australia, between 2009 and 2013, a major Indigenous-environmentalist alliance waged a successful campaign to stop a huge industrial development, a $45 billion liquefied gas plant proposed by Woodside and its partners. The Western Australian government and key Indigenous institutions also pushed hard for this, making the custodians of the Country, the Goolarabooloo, an embattled minority. This experimental ethnography documents the Goolarabooloo’s knowledge of Country, their long history of struggle for survival, and the alliances that formed to support them. Written in a fictocritical style, it introduces a new ‘multirealist’ kind of analysis that focuses on institutions (Indigenous or European), their spheres of influence, and how they organised to stay alive as alliances shifted and changed.
The Hundreds
Author: Lauren Berlant
Publisher: Duke University Press
ISBN: 1478003332
Category : Social Science
Languages : en
Pages : 181
Book Description
In The Hundreds Lauren Berlant and Kathleen Stewart speculate on writing, affect, politics, and attention to processes of world-making. The experiment of the one hundred word constraint—each piece is one hundred or multiples of one hundred words long—amplifies the resonance of things that are happening in atmospheres, rhythms of encounter, and scenes that shift the social and conceptual ground. What's an encounter with anything once it's seen as an incitement to composition? What's a concept or a theory if they're no longer seen as a truth effect, but a training in absorption, attention, and framing? The Hundreds includes four indexes in which Andrew Causey, Susan Lepselter, Fred Moten, and Stephen Muecke each respond with their own compositional, conceptual, and formal staging of the worlds of the book.
Publisher: Duke University Press
ISBN: 1478003332
Category : Social Science
Languages : en
Pages : 181
Book Description
In The Hundreds Lauren Berlant and Kathleen Stewart speculate on writing, affect, politics, and attention to processes of world-making. The experiment of the one hundred word constraint—each piece is one hundred or multiples of one hundred words long—amplifies the resonance of things that are happening in atmospheres, rhythms of encounter, and scenes that shift the social and conceptual ground. What's an encounter with anything once it's seen as an incitement to composition? What's a concept or a theory if they're no longer seen as a truth effect, but a training in absorption, attention, and framing? The Hundreds includes four indexes in which Andrew Causey, Susan Lepselter, Fred Moten, and Stephen Muecke each respond with their own compositional, conceptual, and formal staging of the worlds of the book.