Steele and the Sentimental Comedy PDF Download
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Author: M. E. Hare
Publisher:
ISBN:
Category :
Languages : en
Pages : 41
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Book Description
Author: M. E. Hare
Publisher:
ISBN:
Category :
Languages : en
Pages : 41
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Book Description
Author: Maurice Evan Hare
Publisher:
ISBN:
Category :
Languages : en
Pages : 41
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Book Description
Author: James Emery Cox
Publisher:
ISBN:
Category : English drama (Comedy)
Languages : en
Pages : 212
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Book Description
Author: James Edward Cox
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
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Book Description
Author: Maurice Evan Hare
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 48
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Book Description
Author: B. S. Pathania
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 160
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Book Description
The Book Makes A Close And Systematic Examination Of Goldsmith`S Comedies In The Context Of Sentimental Comedy Which Was A Popular Form Of Drama In The Eighteenth Century. This Book Is A Study Of The Unsentimentalism Of Goldsmith As A Playwright.
Author: Maurice E. Hare
Publisher:
ISBN:
Category :
Languages : en
Pages : 41
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Book Description
Author: Sir Richard Steele
Publisher:
ISBN:
Category :
Languages : en
Pages : 234
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Author: Martin Stepanek
Publisher: GRIN Verlag
ISBN: 3638162826
Category : Literary Criticism
Languages : en
Pages : 13
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Book Description
Essay from the year 2000 in the subject English Language and Literature Studies - Literature, grade: very good, University of Nottingham (English Studies), language: English, abstract: The period from 1700 to 1790 is often referred to as the Age of Sentimentality. Steele (1672-1729), one of the most popular and controversial figures of this time, not only gained reputation as a dramatist, but also as a co-founder (with Addison) of the highly popular periodical The Spectator, in which questions of manners and social conduct were discussed, as well as moral issues and literature. His comedy The Conscious Lovers, which appeared at stage for the first time in 1722 and remained very popular throughout the following decades, was seen as a model for a new type of comedy, called ′Sentimental Comedy′. Unlike Steele, who is one of the most prominent representative of the early decades of Sentimentality, Goldsmith (1730-1774) celebrated his finest literary success at the end of the sentimental period. When his comedy She Stoops to Conquer gained immediate appraisal on stage in 1773, the Age of Sentimentality already was in decline. How far Goldsmith and his comedy can be regarded as ′sentimental′ or ′anti-sentimental′ will be one question I would like to deal with in my essay. The two authors, or rather their most important plays, are very interesting for they reflect, to some extent, the beginning and the end of Sentimentality and therefore provide us with an interesting insight into society, or rather the literary conception of society of that time.
Author: Elizabeth Kraft
Publisher: Bloomsbury Publishing
ISBN: 1350187747
Category : History
Languages : en
Pages : 389
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Book Description
This volume highlights the variety of forms comedy took in England, with reference to developments in Europe, particularly France, during the European Enlightenment. It argues that comedy in this period is characterized by wit, satire, and humor, provoking both laughter and sympathetic tears. Comic expression in the Enlightenment reflects continuities and engagements with the comedy of previous eras; it is also noted for new forms and preoccupations engendered by the cultural, philosophical, and political concerns of the time, including democratizing revolutions, increasing secularization, and growing emphasis on individualism. Discussions emphasize the period's stage comedy and acknowledge comic expression in various forms of print media including the emerging literary form we now know as the novel. Contributions from scholars reflect a wide variety of interests in the field of 18th-century studies, and the inclusion of a generous number of illustrations throughout demonstrates that the period's visual culture was also an important part of the Enlightenment comic landscape. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter and ethics. These eight different approaches to Enlightenment comedy add up to an extensive, synoptic coverage of the subject.
