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Author: Deborah Novak (Novak, Elaine Adams)
Publisher:
ISBN: 9781558704077
Category :
Languages : en
Pages :
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Book Description
Author: Deborah Novak (Novak, Elaine Adams)
Publisher:
ISBN: 9781558704077
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Joe Deer
Publisher: Routledge
ISBN: 1136246703
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
This comprehensive guide, from the author of Acting in Musical Theatre, will equip aspiring directors with all of the skills that they will need in order to guide a production from beginning to end. From the very first conception and collaborations with crew and cast, through rehearsals and technical production all the way to the final performance, Joe Deer covers the full range. Deer’s accessible and compellingly practical approach uses proven, repeatable methods for addressing all aspects of a production. The focus at every stage is on working with others, using insights from experienced, successful directors to tackle common problems and devise solutions. Each section uses the same structure, to stimulate creative thinking: Timetables: detailed instructions on what to do and when, to provide a flexible organization template Prompts and Investigations: addressing conceptual questions about style, characterization and design Skills Workshops: Exercises and ‘how-to’ guides to essential skills Essential Forms and Formats: Including staging notation, script annotation and rehearsal checklists Case Studies: Well-known productions show how to apply each chapter’s ideas Directing in Musical Theatre not only provides all of the essential skills, but explains when and how to put them to use; how to think like a director.
Author: Cassie Abate
Publisher: Bloomsbury Publishing
ISBN: 1350193364
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
What does a musical theatre choreographer actually do? They just 'make up the steps', right? This book firstly debunks the misunderstandings around what musical theatre choreographers actually do, demonstrating their need to have an in-depth understanding of storytelling, music theory, performance practices and plot structure in order to create movement that enhances and enlivens the musical. Secondly, it equips the musical theatre choreographer with all the tools needed to create nuanced, informed and inspired movement for productions, through structured activities that build specific skills (such as 'notating the script' and 'scoring the score'). Traditionally, this training has been something of a series of secrets, passed from mentor to apprentice. The author demystifies the process to make the previously undisclosed “tricks of the trade” accessible to all choreographers, everywhere. Covering the entire process of choreographing a musical from the first script reading to the final curtain call, this book makes case for the absolute integrity of the choreographer to any musical theatre production and sets out the theoretical principles of choreography alongside the practical application during every step of the production process.
Author: Linda Sabo
Publisher: Outskirts Press
ISBN: 1977205828
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Musical theatre choreography has indisputably evolved over the years and choreographers develop methods of working and philosophical approaches that should be documented but rarely are. Textual information is limited, and what has been written is generally more practical than theoretical, and is minimal compared to those books written for choreographers of modern and contemporary dance. By pointing out the similarities and dissimilarities between concert dance genres and theatre dance, and by identifying the specialized demands of crafting artistic and script-serving theatre dance and staging, this text differentiates musical theatre choreography as a separate and bona fide art form and suggests that 1) universities recognize it as such by offering training possibilities for future musical theatre choreographers, and 2) established choreographers of musicals begin to write down their own artistic processes to help fill the choreographic toolbox for young choreographers wanting to work in this field. In 1943, a light switch was flipped with the musical Oklahoma! when Rodgers' and Hammerstein's mission to keep the book absolutely central to the making of a musical was established. After that, other musical theatre artists followed suit causing standards to change. Now, no other artistic element in a musical makes a move without first ensuring that it serves the script. By creating original material that is integral to the telling of a story, composers and lyricists came to be thought of as dramatists. Likewise, Oklahoma! choreographer Agnes de Mille seamlessly integrated her dances and staging into the action and created character and situation-specific movement that actually helped forward the plot. Because of her groundbreaking advances, choreographers are now also expected to create dances that serve the script and help to tell the playwright's story. The choreographer, like the librettist, composer, and lyricist, is now positioned as dramatist, as well. In Part 1, the choreographer as dramatist is stressed as the author uses each chapter to reflect upon ways she analyzes librettos and scores to determine the function of each song in a musical and the stories that should be told through dances and staging created for each song. Drawing from her own experiences as a musical theatre director/choreographer, she reflects upon and shares her artistic process, not in a linear way, but anecdotally, to illustrate the kind of thinking that will lead her to effectively tackle the job at hand. At the end of each chapter, assignments are suggested that may be useful to aspiring choreographers and directors of musicals. This text is a valuable resource for teachers designing a course in theatre choreography on either the undergraduate or graduate level, as well as for professional directors and choreographers who want to think more deeply about their own work. Students of choreography will be asked to reflect upon and to work with techniques that are sometimes similar to, but also often oppositional to those learned in modern dance choreography courses. Part Two offers an overview of the scope of literature and representative articles that have been published on both topics, modern dance composition and musical theatre choreography, as it concisely traces the history of modern dance choreographic pedagogy, aligning it with concurrent trends happening within the American musical theatre since the mid-19th century.
Author: Elaine Adams Novak
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
Includes production time lines, the duties of key people, information about notable musicals, a list of best musical numbers, suggestions for sets, costumes, and instrumentation, and more.
Author: John Kenrick
Publisher: Penguin
ISBN: 1440650489
Category : Performing Arts
Languages : en
Pages : 404
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Book Description
The one and only book on successfully staging amateur productions. In this book, drama teachers and community directors are given everything they need to know about picking the right show; licensing, casting, and budgeting; organizing a schedule; costumes, makeup, staging, lighting, and music; tickets, fundraising, programs, cast parties, and more. Illustrated with help plans and photos from actual productions. • Perfect for nonprofit organizations’ fundraising theater events and community theater groups • Complete with an extensive resource section • Illustrated with help plans and great photos from actual productions
Author: Matthew White
Publisher: Bloomsbury Publishing
ISBN: 1474247733
Category : Music
Languages : en
Pages : 240
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Book Description
Ever dreamt of putting on a musical from scratch? Or perhaps you already have, but some extra guidance would be welcome. Look no further: this book will give you all the information you need to successfully stage a musical. Placing a firm emphasis on good organisation and careful planning, Matthew White guides the reader through the various stages and processes involved in putting on a musical theatre production: from choosing the right show and creating budgets and schedules, through holding auditions and taking rehearsals, culminating in the final run of performances and the after-show party. The book also explains how to deal successfully with everything from set, costume, and lighting design to ticket sales and publicity. Drawing on his own extensive experience working as a director, actor, and writer in professional musical theatre, the author also talks to other key industry figures to explore how they contribute to the overall process of putting on a show. Staging Musicals is the ultimate step-by-step guide for anyone planning a production, whether working with amateurs, students, or young professionals.
Author: Sarah Hart
Publisher: Theatre Communications Grou
ISBN: 9781559362733
Category : Drama
Languages : en
Pages : 244
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Book Description
The first and only sourcebook for theatre directors and choreographers.
Author: Maria C. Novelly
Publisher: Meriwether Publishing
ISBN:
Category : Drama
Languages : en
Pages : 248
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Book Description
A total reference for producing a show with inexperienced actors from ages six to fifteen.
Author: William Everett
Publisher: Routledge
ISBN: 1135848076
Category : Art
Languages : en
Pages : 333
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Book Description
The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.
