Crime Scene Staging Dynamics in Homicide Cases PDF Download
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Author: Laura Gail Pettler
Publisher: CRC Press
ISBN: 1040084664
Category : Law
Languages : en
Pages : 290
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Book Description
Individuals who perpetrate murder sometimes pose or reposition victims, weapons, and evidence to make it look like events happened in a different way than what actually transpired. Until now, there has been scarce literature published on crime scene staging.Crime Scene Staging Dynamics in Homicide Cases is the first book to look at this practice, p
Author: Laura Gail Pettler
Publisher: CRC Press
ISBN: 1040084664
Category : Law
Languages : en
Pages : 290
Get Book Here
Book Description
Individuals who perpetrate murder sometimes pose or reposition victims, weapons, and evidence to make it look like events happened in a different way than what actually transpired. Until now, there has been scarce literature published on crime scene staging.Crime Scene Staging Dynamics in Homicide Cases is the first book to look at this practice, p
Author: George B. Palermo
Publisher: Charles C Thomas Publisher
ISBN: 0398075492
Category : Law
Languages : en
Pages : 284
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Book Description
George B. Palermo is Clinical Professor of Psychiatry and Neurology, Medical College of Wisconsin; Adjunct Professor of Criminology and Law Studies, Department of Cultural and Social Sciences, Marquette University; Director, Center for Forensic Psychiatry and Risk Assessment, Milwaukee, Wisconsin.
Author: Paul Gitsham
Publisher: HarperCollins UK
ISBN: 0008395314
Category : Fiction
Languages : en
Pages : 503
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Book Description
‘Wow! I loved this book. So much suspense!... Many twists and turns! I highly recommend reading this book!’ NetGalley reviewer, 5 stars Seven days until the killer strikes again – but who is next?
Author: Hava Dayan
Publisher: Taylor & Francis
ISBN: 1000814777
Category : Law
Languages : en
Pages : 200
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Book Description
This book offers an interdisciplinary perspective on femicide, using Israel as an illuminating case study, given its diverse communities and common-law-based legal system. Utilizing analytical alongside practical perspectives, the book offers a novel crimino-legal approach to femicide. In addition to its interdisciplinary novelty, the book presents originality in going beyond the more usual focus on the central victims and the common legal tools. Here, the authors extend the analysis to secondary victims of femicide and examine the applicability of second-tiered relevant legal tools, mostly tort law, as a means for gaining justice for the victims. This explorative journey culminates with the authors’ definition of femicide as a quintessential "crime of distinct nature". In the context of current international pledges to better understand and consequently better fight femicide, this work allows readers to comprehend the phenomenon and the ways to abolish it. The book will be an invaluable resource for academics, researchers and policy makers working in the areas of criminal law, tort law, family law, criminology and gender studies, as well as for legal theorists and criminologists seeking integration of both disciplines.
Author: Mary Ann Frese Witt
Publisher: Rowman & Littlefield
ISBN: 1611475384
Category : History
Languages : en
Pages : 203
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Book Description
Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts of baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the postmodernist periods of the twentieth century witnessed a flourishing of the phenomenon of theater that reflects on itself as theater, the author reexamines the concepts of metatheater, baroque, and neobaroque through a pairing and close analysis of seventeenth and twentieth century plays. The comparisons include Jean Rotrou's The True Saint Genesius with Jean-Paul Sartre's Kean and Jean Genet's The Blacks; Pierre Corneille's L'Illusion comique with Tony Kushner's The Illusion; Gian Lorenzo Bernini's The Impresario with Luigi Pirandello's theater-in-theater trilogy; Shakespeare's Hamlet with Pirandello's Henry IV and Tom Stoppard's Rosencrantz and Guildenstern are Dead; Moli re's Impromptu de Versailles with "impromptus" by Jean Cocteau, Jean Giraudoux, and Eug ne Ionesco. Metatheater and Modernity also examines the role of technology in the creating and breaking of illusions in both centuries. In contrast to previous work on metatheater, it emphasizes the metatheatrical role of comedy. Metatheater, the author concludes, is both performance and performative: it accomplishes a perceptual transformation in its audience both by defending theater and exposing the illusory quality of the world outside.
Author: Vayos Liapis
Publisher: Cambridge University Press
ISBN: 1107155703
Category : Art
Languages : en
Pages : 447
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Book Description
Shows how contemporary adaptations, on the stage and on the page, can breathe new life into Greek tragedy.
Author: North Carolina. Supreme Court
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 996
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Book Description
Cases argued and determined in the Supreme Court of North Carolina.
Author: Beatrice Groves
Publisher: Oxford English Monographs
ISBN: 0199208980
Category : Drama
Languages : en
Pages : 244
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Book Description
Explores Shakespeare's engagement with the religious culture of his time. Through readings of a number of plays - "Romeo and Juliet", "King John", "1 Henry IV", "Henry V", and "Measure for Measure", this work explains allusions to the Bible, the Church's liturgy, and to the mystery plays performed in England in Shakespeare's boyhood.
Author: William Roughead
Publisher:
ISBN:
Category : Crime
Languages : en
Pages : 354
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Book Description
Author: Xavier Mendik
Publisher: Columbia University Press
ISBN: 0231850026
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
Whether defined by the carnivalesque excesses of Troma studios (The Toxic Avenger), the arthouse erotica of Radley Metzger and Doris Wishman, or the narrative experimentations of Abel Ferrara, Melvin Van Peebles, Jack Smith, or Harmony Korine, underground cinema has achieved an important position within American film culture. Often defined as "cult" and "exploitation" or "alternative" and "independent," the American underground retains separate strategies of production and exhibition from the cinematic mainstream, while its sexual and cinematic representations differ from the traditionally conservative structures of the Hollywood system. Underground U.S.A. offers a fascinating overview of this area of maverick moviemaking by considering the links between the experimental and exploitative traditions of the American underground.
