St. Francis of Assisi as a Second Christ in Early Italian Painting

St. Francis of Assisi as a Second Christ in Early Italian Painting PDF Author: Hendrik W. Van Os
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 20

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St. Francis of Assisi as a Second Christ in Early Italian Painting

St. Francis of Assisi as a Second Christ in Early Italian Painting PDF Author: Hendrik W. Van Os
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 20

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Book Description


St. Francis of Assisi as a Second Christ in Early Italian Painting

St. Francis of Assisi as a Second Christ in Early Italian Painting PDF Author: H. W. van Os
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 20

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Book Description


St. Francis in Italian Painting

St. Francis in Italian Painting PDF Author: George Kaftal
Publisher: Routledge
ISBN: 1000482502
Category : Art
Languages : en
Pages : 137

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Book Description
Originally published in 1950, this book shows that the religious and ethical values that St. Francis was striving after are as essential today as they were in his time. The book presents St. Francis as a complex personality and corrects the rather mawkish interpretation of certain legends. It deals with the environment and development of the saint’s personality and chapters from his biographies by Thomas of Celano or St. Bonaventure and many black and white plates illustrating them which are reproductions of paintings by Italian masters from the XIIIth to the late XVth century.

Images of St. Francis of Assisi

Images of St. Francis of Assisi PDF Author: William Robert Cook
Publisher: Librarie Droz
ISBN:
Category : Art
Languages : en
Pages : 328

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Renaissance

Renaissance PDF Author: Andrew Graham-Dixon
Publisher: Univ of California Press
ISBN: 9780520223752
Category : Architecture
Languages : en
Pages : 344

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Book Description
A history of Renaissance art, placing the time in its historical and political context and arguing that the Renaissance grew out of the achievements of the medieval period.

From St. Francis to Giotto

From St. Francis to Giotto PDF Author: Vincent Moleta
Publisher: Franciscan Press
ISBN:
Category : Art
Languages : en
Pages : 140

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Book Description


Looking at the Renaissance

Looking at the Renaissance PDF Author: Charles R. Mack
Publisher: University of Michigan Press
ISBN: 9780472068906
Category : Art
Languages : en
Pages : 208

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Book Description
Charles Mack examines the evolving context of Renaissance art while offering fresh insight into the meaning of the Renaissance.

The Development of Iconographic Manifestations of St. Francis of Assisi as the Alter Christus in Late Medieval and Early Renaissance Italian Painting

The Development of Iconographic Manifestations of St. Francis of Assisi as the Alter Christus in Late Medieval and Early Renaissance Italian Painting PDF Author: Roberta Josephine Schneider
Publisher:
ISBN:
Category : Painting, Medieval
Languages : en
Pages : 496

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The Art of the Franciscan Order in Italy

The Art of the Franciscan Order in Italy PDF Author: William Robert Cook
Publisher: BRILL
ISBN: 9004131671
Category : Religion
Languages : en
Pages : 423

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Book Description
New studies of the Basilica in Assisi as well as innovative looks at early panel paintings and Franciscan stained glass are included.

Picturing the Lame in Italian Art from Antiquity to the Modern Era

Picturing the Lame in Italian Art from Antiquity to the Modern Era PDF Author: Livio Pestilli
Publisher: Routledge
ISBN: 1351554107
Category : Art
Languages : en
Pages : 439

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Book Description
The presence of the orthopedically impaired body in art is so pervasive that, paradoxically, it has failed to attract the attention of most art historians. In Picturing the Lame in Italian Art from Antiquity to the Modern Era, Livio Pestilli investigates the changing meaning that images of individuals with limited mobility acquired through the centuries. This study evinces that in distinct opposition to the practice of classical artists, who manifested a lack of interest in the subject of lameness since it was considered 'a defect or a deformity' and deformity a 'want of measure, which is always unsightly,' their Early Christian counterparts depicted them profusely, because images of the miraculous healing of the lame became the reassuring sign of universal acceptance and the promise of a more equitable existence in this life or the next. In the Middle Ages, instead, when voluntary poverty came to be associated with the necessary condition of faithfulness to Christ, the indigent lame, along with others who were forced to beg for a living, became the image of the alter Christus. This view was to change in the Renaissance and Baroque periods, when, with the resurgence of classical and Pauline ideals that condemned the idle, representations of the orthopedically impaired became associated with swindlers, freeloaders and parasites. This fascinating story came basically to an end in the Eighteenth century when, with the revival of the Greek ideal of the Beautiful, the lame gradually left center stage to be relegated again to the margins of the visual arts.