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Category : Penobscot Indians
Languages : en
Pages :
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![Spotted Elk, Molly [clippings]. PDF](https://books.google.com/books/content/images/frontcover/G643NQEACAAJ?fife=w80-h100)
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ISBN:
Category : Penobscot Indians
Languages : en
Pages :
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Author: Molly Spotted Elk
Publisher:
ISBN:
Category :
Languages : en
Pages : 18
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Author: Spotted Elk
Publisher:
ISBN:
Category : Abenaki language
Languages : en
Pages : 295
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Collection of some of the writings of Moore's mother, Molly Spotted Elk, including draft of book entitled "Katahdin: Wigwam's Tales of the Abnaki Tribes" (15 stories, 236 p.); story "Plump-Plump" (45 p.); play "The Captive"; an informant's history about Santu; sheet music; Indian words for part of the body; and short stories.
Author:
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ISBN:
Category : Indians of North America
Languages : en
Pages : 18
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Author: Bunny McBride
Publisher: University of Oklahoma Press
ISBN: 9780806129891
Category : Biography & Autobiography
Languages : en
Pages : 390
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Book Description
This biography chronicles the extraordinary life of twentieth-century performing artist Molly Spotted Elk. Born in 1903 on the Penobscot reservation in Maine, Molly ventured into show business at an early age, performing vaudeville in New York, starring in the classic docudrama The Silent Enemy, then dancing for royalty and mingling with the literary elite in Europe. In Paris she found an audience more appreciative of authentic Native dance than in the United States. There she married a French journalist, but she was forced to leave him and flee France with her daughter during the German occupation of 1940. Using extensive diaries in conjunction with letters, interviews, and other sources, Bunny McBride reconstructs Molly’s story and sheds light on the pressure she and her peers endured in having to act out white stereotypes of the "Indian."
Author: Marli Frances Weiner
Publisher: University of Maine at Orono Press
ISBN:
Category : History
Languages : en
Pages : 484
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Author: Richard Green
Publisher: University of Oklahoma Press
ISBN: 9780806137544
Category : Biography & Autobiography
Languages : en
Pages : 374
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Book Description
In 1987, Te Ata (1895–1995) became the first person ever declared an “Oklahoma Treasure.” Throughout a sixty-year career, her performances of American Indian folklore enchanted a wide variety of audiences, from European royalty to Americans of all ages, and Indians from across the American continents from Canada to Peru. Richard Green’s beautifully written biography of Te Ata is based on extensive research in the artist’s personal papers, memorabilia, and the letters and photographs exchanged between Te Ata and her husband, Clyde Fisher.
Author: Nicolas G. Rosenthal
Publisher: Univ of North Carolina Press
ISBN: 0807835552
Category : History
Languages : en
Pages : 255
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Book Description
For decades, most American Indians have lived in cities, not on reservations or in rural areas. Still, scholars, policymakers, and popular culture often regard Indians first as reservation peoples, living apart from non-Native Americans. In this book, Nic
Author: Ken Gelder
Publisher: Springer
ISBN: 1137523468
Category : Fiction
Languages : en
Pages : 473
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Book Description
This book brings together new contributions in Popular Fiction Studies, giving us a vivid sense of new directions in analysis and focus. It looks into the histories of popular genres such as the amatory novel, imperial romance, the western, Australian detective fiction, Whitechapel Gothic novels, the British spy thriller, Japanese mysteries, the 'new weird', fantasy, girl hero action novels and Quebecois science fiction. It also examines the production, reproduction and distribution of popular fiction as it carves out space for itself in transnational marketplaces and across different media entertainment systems; and it discusses the careers of popular authors and the various investments in popular fiction by readers and fans. This book will be indispensable for anyone with a serious interest in this prolific but highly distinctive literary field.
Author: Philip Joseph Deloria
Publisher:
ISBN:
Category : History
Languages : en
Pages : 320
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Book Description
Despite the passage of time, our vision of Native Americans remains locked up within powerful stereotypes. That's why some images of Indians can be so unexpected and disorienting: What is Geronimo doing sitting in a Cadillac? Why is an Indian woman in beaded buckskin sitting under a salon hairdryer? Such images startle and challenge our outdated visions, even as the latter continue to dominate relations between Native and non-Native Americans. Philip Deloria explores this cultural discordance to show how stereotypes and Indian experiences have competed for ascendancy in the wake of the military conquest of Native America and the nation's subsequent embrace of Native "authenticity." Rewriting the story of the national encounter with modernity, Deloria provides revealing accounts of Indians doing unexpected things-singing opera, driving cars, acting in Hollywood-in ways that suggest new directions for American Indian history. Focusing on the late nineteenth and early twentieth centuries-a time when, according to most standard American narratives, Indian people almost dropped out of history itself-Deloria argues that a great many Indians engaged the very same forces of modernization that were leading non-Indians to reevaluate their own understandings of themselves and their society. He examines longstanding stereotypes of Indians as invariably violent, suggesting that even as such views continued in American popular culture, they were also transformed by the violence at Wounded Knee. He tells how Indians came to represent themselves in Wild West shows and Hollywood films and also examines sports, music, and even Indian people's use of the automobile-an ironic counterpoint to today's highways teeming with Dakota pick-ups and Cherokee sport utility vehicles. Throughout, Deloria shows us anomalies that resist pigeonholing and force us to rethink familiar expectations. Whether considering the Hollywood films of James Young Deer or the Hall of Fame baseball career of pitcher Charles Albert Bender, he persuasively demonstrates that a significant number of Indian people engaged in modernity-and helped shape its anxieties and its textures-at the very moment they were being defined as "primitive." These "secret histories," Deloria suggests, compel us to reconsider our own current expectations about what Indian people should be, how they should act, and even what they should look like. More important, he shows how such seemingly harmless (even if unconscious) expectations contribute to the racism and injustice that still haunt the experience of many Native American people today.
