Spenser's Supreme Fiction PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Spenser's Supreme Fiction PDF full book. Access full book title Spenser's Supreme Fiction by Jon A. Quitslund. Download full books in PDF and EPUB format.
Author: Jon A. Quitslund
Publisher: University of Toronto Press
ISBN: 9780802035059
Category : Literary Criticism
Languages : en
Pages : 406
Get Book Here
Book Description
In Spenser's Supreme Fiction, Jon A. Quitslund offers a rich analysis of The Faerie Queene and of several texts contributing to the revival of Platonism stimulated by Marsilio Ficino's labours as a translator and interpreter of Plato and the ancient Neoplatonists. To the old issue of the scope and character of Spenser's Platonism, Quitslund brings fresh insights from contemporary views on gender and identity, intertextuality, and the centrality of fiction within all aspects of Renaissance culture. He argues that Spenser sought authority for his poem by grounding its narrative in a divinely ordained natural order, intelligible in terms derived from the ancient sources of poetry and philosophy. Passages central to the poet's world-making project are shown to be intertextually linked to Book VI of the AeneidM and to Plato's Symposium, regarded in the commentaries of Landino and Ficino as explanations of the gentile prisca theologia, a cosmology parallel to the tenets of Christianity. The first half of the book examines Spenser's representation of the macrocosm and its replication in human nature's lesser world in the light of divergent tendencies within humanism. The legacy of Plato is shown to be especially important in the esoteric tradition, which made the province of natural philosophy part of the soul's itinerary back to its otherworldly origins. In the second half, The Faerie Queene is interpreted as an unfolding pattern: the dynamic order of nature is flawed but not fallen, and seen against that background, human culture contains in its myths and images both corruptions of natural impulses and aspirations to transcend the limits imposed by mortality.
Author: Jon A. Quitslund
Publisher: University of Toronto Press
ISBN: 9780802035059
Category : Literary Criticism
Languages : en
Pages : 406
Get Book Here
Book Description
In Spenser's Supreme Fiction, Jon A. Quitslund offers a rich analysis of The Faerie Queene and of several texts contributing to the revival of Platonism stimulated by Marsilio Ficino's labours as a translator and interpreter of Plato and the ancient Neoplatonists. To the old issue of the scope and character of Spenser's Platonism, Quitslund brings fresh insights from contemporary views on gender and identity, intertextuality, and the centrality of fiction within all aspects of Renaissance culture. He argues that Spenser sought authority for his poem by grounding its narrative in a divinely ordained natural order, intelligible in terms derived from the ancient sources of poetry and philosophy. Passages central to the poet's world-making project are shown to be intertextually linked to Book VI of the AeneidM and to Plato's Symposium, regarded in the commentaries of Landino and Ficino as explanations of the gentile prisca theologia, a cosmology parallel to the tenets of Christianity. The first half of the book examines Spenser's representation of the macrocosm and its replication in human nature's lesser world in the light of divergent tendencies within humanism. The legacy of Plato is shown to be especially important in the esoteric tradition, which made the province of natural philosophy part of the soul's itinerary back to its otherworldly origins. In the second half, The Faerie Queene is interpreted as an unfolding pattern: the dynamic order of nature is flawed but not fallen, and seen against that background, human culture contains in its myths and images both corruptions of natural impulses and aspirations to transcend the limits imposed by mortality.
Author: Feisal Gharib Mohamed
Publisher: University of Toronto Press
ISBN: 0802097928
Category : Literary Criticism
Languages : en
Pages : 257
Get Book Here
Book Description
In the Anteroom of Divinity focuses on the persistence of Pseudo-Dionysian angelology in England's early modern period. Beginning with a discussion of John Colet's commentary on Dionysisus' twin hierarchies, Feisal G. Mohamed explores the significance of the Dionysian tradition to the conformism debate of the 1590s through works by Richard Hooker and Edmund Spenser. He then turns to John Donne and John Milton to shed light on their constructions of godly poetics, politics and devotion, and provides the most extensive study of Milton's angelology in more than fifty years. With new philosophical, theological, and literary insights, this work offers a contribution to intellectual history and the history of religion in critical moments of the English Reformation.
Author: Patrick Cheney
Publisher: Oxford University Press
ISBN: 0191077798
Category : Literary Criticism
Languages : en
Pages : 752
Get Book Here
Book Description
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
Author: Syrithe Pugh
Publisher: Manchester University Press
ISBN: 1526152665
Category : Literary Criticism
Languages : en
Pages : 251
Get Book Here
Book Description
For educated poets and readers in the Renaissance, classical literature was as familiar and accessible as the work of their compatriots and contemporaries – often more so. This volume seeks to recapture that sense of intimacy and immediacy, as scholars from both sides of the modern disciplinary divide come together to eavesdrop on the conversations conducted through allusion and intertextual play in works from Petrarch to Milton and beyond. The essays include discussions of Ariosto, Spenser, Du Bellay, Marlowe, the anonymous drama Caesars Revenge, Shakespeare and Marvell, and look forward to the grand retrospect of Shelley’s Adonais. Together, they help us to understand how poets across the ages have thought about their relation to their predecessors, and about their own contributions to what Shelley would call ‘that great poem, which all poets...have built up since the beginning of the world’.
Author: Robert Lanier Reid
Publisher: Manchester University Press
ISBN: 1526109204
Category : Literary Criticism
Languages : en
Pages : 384
Get Book Here
Book Description
A thorough and scholarly study of Spenser and Shakespeare and their contrary artistry, covering themes of theology, psychology, the depictions of passion and intellect, moral counsel, family hierarchy, self-love, temptation, folly, allegory, female heroism, the supernatural and much more. Renaissance psychologies examines the distinct and polarised emphasis of these two towering intellects and writers of the early modern period. It demonstrates how pervasive was the influence of Spenser on Shakespeare, as in the "playful metamorphosis of Gloriana into Titania" in A Midsummer Night's Dream and its return from Spenser's moralizing allegory to the Ovidian spirit of Shakespeare's comedy. It will appeal to students and lecturers in Spenser studies, Renaissance poetry and the wider fields of British literature, social and cultural history, ethics and theology.
Author: L. Barkan
Publisher: Springer
ISBN: 0230228445
Category : History
Languages : en
Pages : 292
Get Book Here
Book Description
This book addresses works of the European Renaissance as they relate both to the world of their origins and to a modern culture that turns to the early moderns for methodological provocation and renewal. It charts the most important developments in the field since the turn towards cultural and ideological features of the Renaissance imagination.
Author: A.C. Hamilton
Publisher: Routledge
ISBN: 1134934823
Category : Literary Collections
Languages : en
Pages : 2447
Get Book Here
Book Description
'This masterly work ought to be The Elizabethan Encyclopedia, and no less.' - Cahiers Elizabethains Edmund Spenser remains one of Britain's most famous poets. With nearly 700 entries this Encyclopedia provides a comprehensive one-stop reference tool for: * appreciating Spenser's poetry in the context of his age and our own * understanding the language, themes and characters of the poems * easy to find entries arranged by subject.
Author: James M. Pearce
Publisher: Boydell & Brewer
ISBN: 1640141871
Category : Literary Criticism
Languages : en
Pages : 147
Get Book Here
Book Description
Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. This volume examines the sacred and the profane in the early modern period. The 2023 volume features essays from the conference held at the University of North Carolina at Chapel Hill, as well as essays submitted directly to the journal. The opening essay juxtaposes Socratic irony and Hermeticism in its exploration of the Neoplatonic influences in Spenser's Faerie Queene. It is followed by three analyses of religious poems; the first demonstrates the ways in which William Baldwin resurrects Edward the sixth in his "Funeralles of King Edward" to promote his own evangelical agenda; the second takes a close look at Herrick's "Rex Tragicus," arguing that it is a powerful expression of "English religious identity." The final essay in this group seeks to complicate the history of the early modern female sonneteer. Returning to the secular, the next essay compares a work by Polish writer Andrzej Modrzewski to Sir Thomas More's Utopia. Art history is the focus of the following triad of essays, which illuminate the visual cultures of the Netherlands and Spain; they address the collaborative organization of the Spanish sculptor Alonso Berruguete's workshop, the related phenomenon of fiction, faith, and spectacle in Maarten van Heemskerck's religious imagery, and the political dimensions of the aesthetics of Habsburg portraiture. The volume concludes with an exuberant analysis of the role of fiction in the art of biographical writing, using the example of Katherine Rundell's Super-Infinite: The Transformations of John Donne. Contributors: Sunmin Cha, Ilenia Colón Mendoza, Scott Lucas, Gerardo Rappazzo Amura, Mary Ruth Robinson, Jesse Russell, Paul J. Stapleton, John Wall, Vaclav Zheng.
Author: Catherine Gimelli Martin
Publisher: Routledge
ISBN: 1317132734
Category : Literary Criticism
Languages : en
Pages : 225
Get Book Here
Book Description
The study of literature still tends to be nation-based, even when direct evidence contradicts longstanding notions of an autonomous literary canon. In a time when current events make inevitable the acceptance of a global perspective, the essays in this volume suggest a corrective to such scholarly limitations: the contributors offer alternatives to received notions of 'influence' and the more or less linear transmission of translatio studii, demonstrating that they no longer provide adequate explanations for the interactions among the various literary canons of the Renaissance. Offering texts on a variety of aspects of the Anglo-French Renaissance instead of concentrating on one set of borrowings or phenomena, this collection points to new configurations of the relationships among national literatures. Contributors address specific borrowings, rewritings, and appropriations of French writing by English authors, in fields ranging from lyric poetry to epic poetry to drama to political treatise. The bibliography presents a comprehensive list of publications on French connections in the English Renaissance from 1902 to the present day.
Author: David Hopkins
Publisher: Oxford University Press
ISBN: 0199547556
Category : Literary Collections
Languages : en
Pages : 803
Get Book Here
Book Description
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
