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Author: P. L. Thomas
Publisher: Springer Science & Business Media
ISBN: 9462093806
Category : Education
Languages : en
Pages : 219
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Book Description
Why did Kurt Vonnegut shun being labeled a writer of science fiction (SF)? How did Margaret Atwood and Ursula K. Le Guin find themselves in a public argument about the nature of SF? This volume explores the broad category of SF as a genre, as one that challenges readers, viewers, teachers, and scholars, and then as one that is often itself challenged (as the authors in the collection do). SF, this volume acknowledges, is an enduring argument. The collected chapters include work from teachers, scholars, artists, and a wide range of SF fans, offering a powerful and unique blend of voices to scholarship about SF as well as examinations of the place for SF in the classroom. Among the chapters, discussions focus on SF within debates for and against SF, the history of SF, the tensions related to SF and other genres, the relationship between SF and science, SF novels, SF short fiction, SF film and visual forms (including TV), SF young adult fiction, SF comic books and graphic novels, and the place of SF in contemporary public discourse. The unifying thread running through the volume, as with the series, is the role of critical literacy and pedagogy, and how SF informs both as essential elements of liberatory and democratic education.
Author: P. L. Thomas
Publisher: Springer Science & Business Media
ISBN: 9462093806
Category : Education
Languages : en
Pages : 219
Get Book Here
Book Description
Why did Kurt Vonnegut shun being labeled a writer of science fiction (SF)? How did Margaret Atwood and Ursula K. Le Guin find themselves in a public argument about the nature of SF? This volume explores the broad category of SF as a genre, as one that challenges readers, viewers, teachers, and scholars, and then as one that is often itself challenged (as the authors in the collection do). SF, this volume acknowledges, is an enduring argument. The collected chapters include work from teachers, scholars, artists, and a wide range of SF fans, offering a powerful and unique blend of voices to scholarship about SF as well as examinations of the place for SF in the classroom. Among the chapters, discussions focus on SF within debates for and against SF, the history of SF, the tensions related to SF and other genres, the relationship between SF and science, SF novels, SF short fiction, SF film and visual forms (including TV), SF young adult fiction, SF comic books and graphic novels, and the place of SF in contemporary public discourse. The unifying thread running through the volume, as with the series, is the role of critical literacy and pedagogy, and how SF informs both as essential elements of liberatory and democratic education.
Author: Ernest N. Emenyonu
Publisher: Boydell & Brewer
ISBN: 184701285X
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
"Over the past two decades, there has been a resurgence in the writing of African and African diaspora speculative and science fiction writing. Discussions around the 'rise' of science-fiction and fantasy have led to a push-back by writers and scholars who have suggested that this is not a new phenomenon in African literature. This collection focuses on the need to recalibrate ways of reading and categorising this grenre of African writing through critical examinations both of classics such as Kojo Laing's Woman of the Aeroplanes (1988) and Ngũgĩ wa Thiong'o's oeuvre, as well as more recent fiction from writers including Nnedi Okorafor, Namwali Serpell and Masande Ntshanga."--Back cover.
Author: Sandra Jackson
Publisher: Routledge
ISBN: 1317982150
Category : Social Science
Languages : en
Pages : 257
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Book Description
This book expands the discourse as well as the nature of critical commentary on science fiction, speculative fiction and futurism – literary and cinematic by Black writers. The range of topics include the following: black superheroes; issues and themes in selected works by Octavia Butler; selected work of Nalo Hopkinson; the utopian and dystopian impulse in the work of W.E. B. Du Bois and George Schuyler; Derrick Bell’s Space Traders; the Star Trek Franchise; female protagonists through the lens of race and gender in the Alien and Predator film franchises; science fiction in the Caribbean Diaspora; commentary on select African films regarding near-future narratives; as well as a science fiction/speculative literature writer’s discussion of why she writes and how. This book was published as a special issue of African Identities: An International Journal.
Author: Rob Latham
Publisher: Oxford University Press
ISBN: 0199838852
Category : Literary Criticism
Languages : en
Pages : 641
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Book Description
The excitement of possible futures found in science fiction has long fired the human imagination, but the genre's acceptance by academe is relatively recent. No longer marginalized and fighting for respectability, science-fictional works are now studied alongside more traditional art forms. Tracing the capacious genre's birth, evolution, and impact across nations, time periods, subgenres, and media, The Oxford Handbook of Science Fiction offers an in-depth, comprehensive assessment of this robust area of scholarly inquiry and considers the future directions that will dictate the terms of the scholarly discourse. The Handbook begins with a focus on questions of genre, covering topics such as critical history, keywords, narrative, the fantastic, and fandom. A subsequent section on media engages with film, television, comics, architecture, music, video games, and more. The genre's role in the convergence of art and everyday life animates a third section, which addresses topics such as UFOs,
Author: Mark Bould
Publisher: Taylor & Francis
ISBN: 1040042953
Category : Literary Criticism
Languages : en
Pages : 537
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Book Description
The New Routledge Companion to Science Fiction provides an overview of the study of science fiction across multiple academic fields. It offers a new conceptualisation of the field today, marking the significant changes that have taken place in sf studies over the past 15 years. Building on the pioneering research in the first edition, the collection reorganises historical coverage of the genre to emphasise new geographical areas of cultural production and the growing importance of media beyond print. It also updates and expands the range of frameworks that are relevant to the study of science fiction. The periodisation has been reframed to include new chapters focusing on science fiction produced outside the Anglophone context, including South Asian, Latin American, Chinese and African diasporic science fiction. The contributors use both well- established critical and theoretical approaches and embrace a range of new ones, including biopolitics, climate crisis, critical ethnic studies, disability studies, energy humanities, game studies, medical humanities, new materialisms and sonic studies. This book is an invaluable resource for students and established scholars seeking to understand the vast range of engagements with science fiction in scholarship today.
Author: Eugen Bacon
Publisher: Bloomsbury Publishing
ISBN: 1352006065
Category : Language Arts & Disciplines
Languages : en
Pages : 212
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Book Description
In this engaging and accessible guide, Eugen Bacon explores writing speculative fiction as a creative practice, drawing from her own work, and the work of other writers and theorists, to interrogate its various subgenres. Through analysis of writers such as Stephen King, J.R.R. Tolkien and J. K. Rowling, this book scrutinises the characteristics of speculative fiction, considers the potential of writing cross genre and covers the challenges of targeting young adults. It connects critical and cultural theories to the practice of creative writing, examining how they might apply to the process of writing speculative fiction. Both practical and critical in its evaluative gaze, it also looks at e-publishing as a promising publishing medium for speculative fiction. This is essential reading for undergraduate and postgraduate students of creative writing, looking to develop a critical awareness of, and practical skills for, the writing of speculative fiction. It is also a valuable resource for creators, commentators and consumers of contemporary speculative fiction. Chapter 8, 'Horror and the Paranormal' was shortlisted for the Australasian Horror Writers Association (AHWA)'s 2019 Australian Shadows Awards.
Author: Sławomir Kuźnicki
Publisher: Cambridge Scholars Publishing
ISBN: 1443892696
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
This volume details Margaret Atwood’s dystopian novels through the themes of the ambivalent ethics of science and technology, the position of women in the male-dominated world, and the ambiguous role played by religion and spirituality. The book’s unique and original approach places Atwood’s fiction within the contemporary world, with all the problems of our fast-changing reality. Furthermore, it provides an excellent reading of her dystopias in a broader, humanist context, with an emphasis on the social, cultural and political issues that have been important for both her, the writer, and us, the readers.
Author: Brian Stableford
Publisher: Routledge
ISBN: 1135923744
Category : Fiction
Languages : en
Pages : 756
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Book Description
Science fiction is a literary genre based on scientific speculation. Works of science fiction use the ideas and the vocabulary of all sciences to create valid narratives that explore the future effects of science on events and human beings. Science Fact and Science Fiction examines in one volume how science has propelled science-fiction and, to a lesser extent, how science fiction has influenced the sciences. Although coverage will discuss the science behind the fiction from the Classical Age to the present, focus is naturally on the 19th century to the present, when the Industrial Revolution and spectacular progress in science and technology triggered an influx of science-fiction works speculating on the future. As scientific developments alter expectations for the future, the literature absorbs, uses, and adapts such contextual visions. The goal of the Encyclopedia is not to present a catalog of sciences and their application in literary fiction, but rather to study the ongoing flow and counterflow of influences, including how fictional representations of science affect how we view its practice and disciplines. Although the main focus is on literature, other forms of science fiction, including film and video games, are explored and, because science is an international matter, works from non-English speaking countries are discussed as needed.
Author: Orson Scott Card
Publisher: Penguin
ISBN: 1599631407
Category : Language Arts & Disciplines
Languages : en
Pages : 418
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Book Description
Do you envision celestial cities in distant, fantastic worlds? Do you dream of mythical beasts and gallant quests in exotic kingdoms? If you have ever wanted to write the next great fantasy or science fiction story, this all-in-one comprehensive book will show you how. Writing Fantasy & Science Fiction is full of advice from master authors offering definitive instructions on world building, character creation, and storytelling in the many styles and possibilities available to writers of speculative fiction. Combining two Writer's Digest classics, Orson Scott Card's How to Write Science Fiction & Fantasy and The Writer's Complete Fantasy Reference, along with two new selections from award-winning science fiction and fantasy authors Philip Athans and Jay Lake, this new book provides the best of all worlds. You'll discover: • How to build, populate, and dramatize fantastic new worlds. • How to develop dynamic and meaningful themes that will expand the cannon of sci-fi and fantasy storytelling. • Exciting subgenres such as steampunk, as well as new developments in the sci-fi and fantasy genres. • How to imbue your tales with historically accurate information about world cultures, legends, folklore, and religions. • Detailed descriptions of magic rituals, fantastic weapons of war, clothing and armor, and otherworldly beasts such as orcs, giants, elves, and more. • How societies, villages, and castles were constructed and operate on a day-to-day basis. • Astounding methods of interstellar travel, the rules of starflight, and the realities and myths of scientific exploration. • How to generate new ideas and graft them to the most popular themes and plot devices in sci-fi and fantasy writing. The boundaries of your imagination are infinite, but to create credible and thrilling fiction, you must ground your stories in rules, facts, and accurate ideas. Writing Fantasy & Science Fiction will guide you through the complex and compelling universe of fantasy and science fiction writing and help you unleash your stories on the next generation of readers and fans.
Author: Gero Bauer
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Explores the emphasis that contemporary novels, films and television series place on the present, arguing that hope emerges from the potentiality of the here and now, rather than the future, and as intimately entangled with negotiations of structures of belonging. Taking its cue from an understanding of hope as connoting an organizing temporality, one which is often presumed to be projecting into a future, Hope and Kinship in Contemporary Fiction challenges this understanding, arguing that hope emerges in practices of relationality in the present, disentangling hope from a necessary correlation with futurity. Through close readings of contemporary works, including The Road, The Walking Dead, Cloud Atlas, Sense8, The People in the Trees and A Little Life, Gero Bauer investigates how these texts explore structures of kinship as creative and affective practices of belonging and care that claim spaces beyond the heterosexual, reproductive nuclear family. In this context, fictional figurations of the child – often considered the bearer of the future – are of particular interest. Through these interventions into definitions of and reflections on fictional manifestations of hope and kinship, Bauer's analyses intersect with queer theory, new materialism and postcritical approaches to literature and cultural studies, moving towards counterintuitively hopeful readings of the present moment.
