Specimens of French Literature Form Hugo to Villon PDF Download
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Author: George Edward Bateman Saintsbury
Publisher:
ISBN:
Category :
Languages : en
Pages : 559
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Book Description
Author: George Edward Bateman Saintsbury
Publisher:
ISBN:
Category :
Languages : en
Pages : 559
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Book Description
Author: George Saintsbury
Publisher: Forgotten Books
ISBN: 9780260695482
Category : Poetry
Languages : fr
Pages : 598
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Book Description
Excerpt from Specimens Of French Literature From Villon To Hugo: Selected And Edited T un origin of this book has been described in the Preface of the Short History of French Literature (c larendon Press), to which it is intended to form a companion. I need not here weary the reader by indicating at length the various objects I have had before me in the compilation. Among these, complete illustration of the beauties of any particular author has, it is needless to say, found no place, much less collection of my own favourite pieces. It has occasionally been necessary, for the sake of completing the panorama, to draw on what some people may not think the best work of individual writers. To make the whole a sufficient tableau of the various achievements of French literature from the literary point of view has been the main thing considered. Must emphasise the words from the literary point of view, ' because from any other the allotment of 3pace may seem oepricious. It has also to be remembered that some kinds of literature, such as prose fiction and drama, especially the latter, lend themselves with difliculty to the purpose. For instance, Racine is undoubtedly a greater name in French literature than Alfred de Musset. But Racine wrote in astyle which has few variations, and which is peculiarly difficult to exhibit in those variations except at great length. For the present purpose therefore a single extract suflices Again, Musset is, according to some, a greater name than Gautier, according to none, perhaps, a less. But Gautier was master of a variety of forms which are very different from each other and can be well illustrated, all being im portant as instances of the powers of the language: while Musset was more confined in range, and even within that range (as in his incomparable Proverbes) cannot be always shewn by sample at all. These are some of the conside rations which impose on the compiler of such a book as this. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Gerald William Frank Radcliffe Goodridge
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 106
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Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1232
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Author: George Saintsbury
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 170
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Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1312
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Book Description
Author:
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ISBN:
Category : Philology, Modern
Languages : en
Pages : 268
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 550
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Book Description
Author: Glem Allan Omans
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 592
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Book Description
Author: Michael Allis
Publisher: Boydell & Brewer
ISBN: 1783275286
Category : Music
Languages : en
Pages : 382
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Book Description
The Symphonic Poem in Britain 1850-1950 aims to raise the status of the genre generally and in Britain specifically. The volume reaffirms British composers' confidence in dealing with literary texts and takes advantage of the contributors' interdisciplinary expertise by situating discussions of the tone poem in Britain in a variety of historical, analytical and cultural contexts. This book highlights some of the continental models that influenced British composers, and identifies a range of issues related to perceptions of the genre. Richard Strauss became an important figure in Britain during this time, not only in terms of the clear impact of his tone poems, but the debates over their value and even their ethics. A focus on French orchestral music in Britain represents a welcome addition to scholarly debate, and links to issues in several other chapters. The historical development of the genre, the impact of compositional models, issues highlighted in critical reception as well as programming strategies all contribute to a richer understanding of the symphonic poem in Britain. Works by British composers discussed in more detail include William Wallace's Villon (1909), Gustav Holst's Beni Mora(1909-10), Hubert Parry's From Death to Life (1914), John Ireland's Mai-Dun (1921), and Frank Bridge's orchestral 'poems' (1903-15).
