Specimens of Designs on Covers of Exhibition Catalogs PDF Download
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Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN:
Category : Book covers
Languages : en
Pages :
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Book Description
Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN:
Category : Book covers
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Exhibition catalogs
Languages : en
Pages : 534
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Book Description
Author: Great Exhibition (1851, London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 456
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Book Description
Author: Robert Ellis
Publisher: Рипол Классик
ISBN: 5879838226
Category : History
Languages : en
Pages : 763
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Book Description
Author: Anonymous
Publisher: Cambridge University Press
ISBN: 110802999X
Category : Art
Languages : en
Pages : 343
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Book Description
A corrected edition of the single-volume catalogue of the Great Exhibition (1851), with maps of the Crystal Palace.
Author: Great Exhibition
Publisher:
ISBN:
Category : Exhibitions
Languages : en
Pages : 948
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Book Description
Author: Weltausstellung (1851, London)
Publisher:
ISBN:
Category : Cotton
Languages : en
Pages : 342
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Book Description
Author: Melbert B. Cary, Jr. Graphic Arts Collection
Publisher: RIT Press
ISBN: 9781933360690
Category : Books
Languages : en
Pages : 0
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Book Description
Edges of Books examines a familiar form from an unfamiliar perspective. When books are on display it is usually their spines, covers, text, or illustrations that are featured. These are the familiar parts of the books--the parts that modern readers have come to interact with the most. Edges of Books takes a different approach, uncovering a tradition that extends back centuries in which the edges of books were important sites for information and decoration. This is a catalog of an exhibition of the same name at the Cary Collection.
Author: Laura A. Frahm
Publisher: MIT Press
ISBN: 0262045184
Category : Art
Languages : en
Pages : 429
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Book Description
The first comprehensive history in English of film at the Bauhaus, exploring practices that experimented with film as an adaptable, elastic “polymedium.” With Design in Motion, Laura Frahm proposes an alternate history of the Bauhaus—one in which visual media, and film in particular, are crucial to the Bauhaus’s visionary pursuit of integrating art and technology. In the first comprehensive examination in English of film at the Bauhaus, Frahm shows that experimentation with film spanned a range of Bauhaus practices, from textiles and typography to stage and exhibition design. Indeed, Bauhausler deployed film as an adaptable, elastic “polymedium,” malleable in shape and form, unfolding and refracting into multiple material, aesthetic, and philosophical directions. Frahm shows how the encounter with film imbued the Bauhaus of the 1920s and early 1930s with a flexible notion of design, infusing painting with temporal concepts, sculptures with moving forms, photographs with sequential aesthetics, architectural designs with a choreography of movement. Frahm considers, among other things, student works that explored light and the transparent features of celluloid and cellophane; weaving practices that incorporate cellophane; experimental films, social documentaries, and critical reportage by Bauhaus women; and the proliferation of film strips in posters, book covers, and other typographic work. Viewing the Bauhaus’s engagement with film through a media-theoretic lens, Frahm shows how film became a medium for “design in motion.” Movement and process, rather than stability and fixity, become the defining characteristics of Bauhaus educational, aesthetic, and philosophical ethos.
